Best Lenses under ¥75,000 for video production

Best Pick

Sigma Contemporary 56mm f/1.4 DC DN 56mm

85.9 Video/Cinema Score
56mm f/1.4 Canon EF-M Weather Sealed
Why we recommend this

The Sigma 56mm f/1.4 DC DN delivers exceptional sharpness with its f/1.4 aperture and 9-blade diaphragm, plus weather sealing for durability. At just 73g, it's remarkably portable while scoring 93/100 for portraits and 93.9/100 for street photography. Best for APS-C shooters needing a fast, lightweight portrait lens with reliable autofocus and low-light capability.

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Sigma Art 28mm f/1.4 DG HSM 28mm

66.4 Video/Cinema Score
28mm 16 Nikon F Weather Sealed
Why we recommend this

Combining an f/1.4 maximum aperture with 17 elements—including 3 aspherical and 5 ED glass—the lens delivers sharp, edge-to-edge clarity and strong contrast. Its weather-sealed barrel and HSM autofocus provide reliable, quiet performance in dusty or damp environments. It's best for landscape and street photographers who routinely shoot wide-open in low light and need a rugged, fast 28mm prime.

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Sigma 18-125mm f/3.8-5.6 AF DC OS HSM 125mm

62.4 Video/Cinema Score
18-125mm f/3.8 Canon EF IS
Why we recommend this

Its 6.9x zoom range pairs with 4-stop optical stabilization and a near-silent HSM autofocus motor in a compact 450g body, making it a versatile all-in-one for APS-C Canon DSLRs. Despite its budget-friendly positioning, the lens delivers 1:3.8 maximum magnification for close-ups and uses special low dispersion and aspherical elements to control aberrations throughout the zoom range. Best suited for hobbyist photographers seeking a single, lightweight travel lens for everyday shooting on Canon APS-C bodies.

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Best Lenses under ¥150,000 for video production

Best Pick

Sigma Contemporary 16-300mm f/3.5-6.7 DC OS 16-300mm

92.6 Video/Cinema Score
16-300mm f/3.5 Sony E IS Weather Sealed
Why we recommend this

The 16-300mm f/3.5-6.7 zoom and 1:2 maximum magnification combine with 6-stop stabilization and HLA autofocus for an all-in-one solution covering wide-angle to telephoto close-ups. At just 227g with weather-sealing, it stays portable for a superzoom. Travel and landscape photographers seeking a single do-it-all lens will appreciate its range, though dedicated wildlife action shooters will note its limitations.

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Sigma Art 28mm f/1.4 DG HSM Art 28mm

84.2 Video/Cinema Score
28mm f/1.4 Sony E Weather Sealed
Why we recommend this

Its f/1.4 constant aperture and 17-element optical design with 5 ED and 3 aspherical elements produce crisp, low-light shots with suppressed chromatic aberration. A weather-sealed, splash-proof body pairs with a bundled kit including a 128GB card, filters, and flexible tripod for immediate field readiness. This lens is best for portrait and studio professionals needing a fast 28mm prime with robust build and precise depth-of-field control.

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Sigma EX DC OS HSM 17-50mm f/2.8 EX DC OS HSM 17-50mm

63.3 Video/Cinema Score
17-50mm 22 Nikon F IS
Why we recommend this

A constant f/2.8 aperture and 4-stop optical stabilization anchor this zoom, with FLD glass delivering fluorite-level chromatic aberration correction for sharp, high-contrast images. Its 28cm minimum focus distance and 1:5 magnification enable near-macro versatility, and the EX-series build includes a petal hood and padded case. Best for APS-C Nikon DSLR shooters wanting a fast, stabilized standard zoom for event work and detail-rich portraits.

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Sigma 18-250mm f3.5-6.3 DC Macro OS HSM 18-250mm

62.1 Video/Cinema Score
18-250mm f/3.5 Canon EF IS
Why we recommend this

An expansive 13.9x zoom range (27–375mm equivalent on APS‑C) with 4‑stop stabilization and a lightweight 454g body defines this all-in-one superzoom. A 1:2.9 macro capability allowing focus as close as 35cm adds close‑up versatility, while the Super Multi‑Layer Coating reduces flare for consistent contrast. This lens is ideal for travelers and hobbyists on Canon, Nikon, or Sony APS‑C DSLRs who need a single, portable optic covering everything from wide landscapes to distant details with occasional macro.

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Sigma EX DC HSM 10-20mm f/3.5 EX DC HSM 10-20mm

60.6 Video/Cinema Score
10-20mm 22 Nikon F IS
Why we recommend this

A constant f/3.5 aperture and HSM autofocus with built-in Optical Stabilization ensure sharp, handheld ultra-wide shots across the 10–20mm zoom range. The Super Multi-Layer coating and four aspherical elements deliver edge-to-edge clarity, and the large 82mm filter thread simplifies using polarizers or ND filters. It’s best for Nikon APS-C shooters focusing on landscape and creative close-up work, thanks to a 24cm minimum focus distance that emphasizes foreground detail.

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Sigma DC 203101 8-16mm

54.8 Video/Cinema Score
8-16mm f/4.5 Canon EF
Why we recommend this

An 8-16mm focal range delivers a 121° angle of view on APS-C sensors, with HSM autofocus and three aspherical elements with Super Multi-Layer Coating to minimize ghosting. Weighing just 555 grams, it remains highly portable for an ultra-wide zoom without compromising optical precision. This lens is best for architectural interiors and street shooters who need dramatic, distortion-free perspectives in tight spaces.

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Best Lenses under ¥230,000 for video production

Best Pick

Sigma Sports 150-600mm f/5-6.3 DG DN OS 600mm

78 Video/Cinema Score
150-600mm f/5 L-Mount IS Weather Sealed
Why we recommend this

This 150-600mm f/5-6.3 DG OS HSM Contemporary lens spans a 4x zoom range with 4-stop optical stabilization, a 25-element optical path featuring 3 ED glass elements and Super Multi-Coating. At 2100g, it’s portable for a super-telephoto, balancing handheld ergonomics with reliable sharpness. Best for budget-minded portrait and landscape photographers needing long reach, though the absence of weather sealing limits its appeal for travel.

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Sigma Art 28-45mm f/1.8 DG DN 28-45mm

61.4 Video/Cinema Score
28-45mm 16 Sony E Weather Sealed
Why we recommend this

A constant f/1.8 aperture across its 28-45mm zoom range rivals prime sharpness, using 3 aspherical and 5 ED elements with Nano Porous Coating to suppress flare. Weather-sealed construction pairs with a fast, near-silent HLA autofocus motor and an inner zoom mechanism that avoids balance shifts on gimbals. Best for portrait photographers and hybrid shooters who need f/1.8 brightness across a flexible field of view without swapping lenses.

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Sigma APO DG OS HSM 73A205 150-500mm

53.8 Video/Cinema Score
150-500mm f/5 Sony/Minolta Alpha IS
Why we recommend this

Covering a 150-500mm focal length with 4-stop optical stabilization, this lens delivers handheld reach for full-frame Sony A-mount bodies. The HSM autofocus is quiet and responsive, while three ED elements with multi-layer coating help control aberrations at the variable f/5-6.3 aperture. It’s best suited for outdoor wildlife and sports enthusiasts needing an affordable super-telephoto zoom without sacrificing stabilization.

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Sigma 12-24mm f/4.5-5.6 EX DG IF HSM Aspherical Ultra Wide Angle Zoom 12-24mm

43 Video/Cinema Score
12-24mm f/4.5
Why we recommend this

Delivering a 122-degree diagonal field of view at 12mm, this lens captures expansive scenes that standard zooms cannot reach. Its Super Multi Coating effectively suppresses flare and ghosting, while the internal focus ring maintains the lens length during operation. This is a practical tool for architectural and landscape photographers on a budget who prioritize extreme wide-angle coverage over a fast aperture.

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Best Lenses under ¥380,000 for video production

Best Pick

Sigma Art 135mm f/1.4 DG 135mm

78.7 Video/Cinema Score
135mm f/1.4 Sony E Weather Sealed
Why we recommend this

The f/1.4 maximum aperture and full-frame Sony E mount deliver razor-thin depth of field, backed by fast HLA autofocus. Weather sealing and a 13-blade diaphragm ensure reliable field use with exceptionally smooth bokeh, despite the substantial 2,130g build. This lens suits portrait photographers who prioritize optical rendering over portability, given its travel score of just 37/100.

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Sigma Sports 70-200mm f/2.8 DG DN OS 70-200mm

76.1 Video/Cinema Score
70-200mm 22 Sony E IS Weather Sealed
Why we recommend this

The Sigma 70-200mm f/2.8 DG DN OS Sports combines a constant f/2.8 aperture with dual HLA motors for fast autofocus and up to 7.5 stops of stabilization via the OS2 algorithm. Its weather-sealed build and Super Multi-Layer Coating with water- and oil-repellent layers ensure reliable outdoor performance without sacrificing portability at just 212g. Best for landscape and travel photographers who need a lightweight telephoto zoom with excellent stabilization for handheld shooting in variable conditions.

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Sigma Contemporary 100-400mm f/5-6.3 DG DN OS 100-400mm

56.8 Video/Cinema Score
100-400mm 29 Sony E IS Weather Sealed
Why we recommend this

The Sigma 100-400mm f/5-6.3 DG DN OS covers a versatile 100-400mm range with a stepping motor AF and 4-stop optical stabilization, all in a weather-sealed body. Its generous included accessory bundle (filter kit, lens pouch, cleaning kit) adds tangible value over competing telephoto zooms. Best for wildlife and sports photographers who need reach and portability on Sony E-mount without the cost of f/2.8 glass.

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Premium Lenses for video production

Best Pick

Sigma Sports 300-600mm f/4 DG OS 600mm

69.9 Video/Cinema Score
600mm f/4 Sony E IS
Why we recommend this

Offering a constant f/4 aperture across its 300-600mm zoom range, this lens pairs an HLA-driven autofocus motor with 5.5-stop optical stabilization for sharp results at long reach. Its weather-sealed magnesium alloy construction and internal zoom design provide durability and handling in demanding field conditions. Sports and wildlife photographers seeking a single, fast telephoto solution to replace multiple primes will find it most useful.

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Sigma Art 135mm f/1.4 DG Art 135mm

49.3 Video/Cinema Score
135mm 16 L-Mount Weather Sealed
Why we recommend this

At 135mm f/1.4, its 17-element optical formula (2 aspherical, 4 ED) and Dual HLA motor yield critical sharpness and rapid AF. The 13-blade aperture produces smooth, circular bokeh, aided by weather sealing and an oil-repellent coating for tough conditions. Portrait shooters who need uncompromising subject separation will value this lens, despite its substantial 1430g weight.

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