Best Lenses under ¥75,000 for video production

Best Pick

Sigma Contemporary 30mm f/1.4 DC DN 30mm

66.3 Video/Cinema Score
30mm 16 Sony E Weather Sealed
Why we recommend this

A 30mm f/1.4 prime with stepping AF and weather sealing weighs just 285g, delivering consistent edge-to-edge sharpness on APS-C mirrorless bodies. Its 9-blade diaphragm produces smooth bokeh, while the dual aspherical and ED elements keep chromatic aberration minimal even wide open. Best for portrait and street photographers who prioritize a fast aperture in a compact, weather-resistant package.

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Best Lenses under ¥150,000 for video production

Best Pick

Sigma Contemporary 16-300mm f/3.5-6.7 DC OS 16-300mm

93 Video/Cinema Score
16-300mm f/3.5 Sony E IS Weather Sealed
Why we recommend this

The 16-300mm f/3.5-6.7 zoom and 1:2 maximum magnification combine with 6-stop stabilization and HLA autofocus for an all-in-one solution covering wide-angle to telephoto close-ups. At just 227g with weather-sealing, it stays portable for a superzoom. Travel and landscape photographers seeking a single do-it-all lens will appreciate its range, though dedicated wildlife action shooters will note its limitations.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 28mm f/1.4 DG HSM Art 28mm

84.5 Video/Cinema Score
28mm f/1.4 Sony E Weather Sealed
Why we recommend this

Its f/1.4 constant aperture and 17-element optical design with 5 ED and 3 aspherical elements produce crisp, low-light shots with suppressed chromatic aberration. A weather-sealed, splash-proof body pairs with a bundled kit including a 128GB card, filters, and flexible tripod for immediate field readiness. This lens is best for portrait and studio professionals needing a fast 28mm prime with robust build and precise depth-of-field control.

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Best Lenses under ¥230,000 for video production

Best Pick

Sigma Art 24-70mm f/2.8 DG DN II 24-70mm

70.6 Video/Cinema Score
24-70mm f/2.8 Sony E Weather Sealed
Why we recommend this

A constant f/2.8 aperture across the 24-70mm zoom range pairs with fast HLA autofocus and dust/splash-resistant construction. The aperture ring with click and lock switches and a 6.7-inch minimum focusing distance add tactile control and close-up flexibility. This lens suits event and portrait shooters who prioritize a weather-sealed, precise standard zoom over macro capability.

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Best Lenses under ¥380,000 for video production

Best Pick

Sigma Art 135mm f/1.4 DG 135mm

79 Video/Cinema Score
135mm f/1.4 Sony E Weather Sealed
Why we recommend this

The f/1.4 maximum aperture and full-frame Sony E mount deliver razor-thin depth of field, backed by fast HLA autofocus. Weather sealing and a 13-blade diaphragm ensure reliable field use with exceptionally smooth bokeh, despite the substantial 2,130g build. This lens suits portrait photographers who prioritize optical rendering over portability, given its travel score of just 37/100.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Sports 70-200mm f/2.8 DG DN OS 70-200mm

76.5 Video/Cinema Score
70-200mm 22 Sony E IS Weather Sealed
Why we recommend this

The Sigma 70-200mm f/2.8 DG DN OS Sports combines a constant f/2.8 aperture with dual HLA motors for fast autofocus and up to 7.5 stops of stabilization via the OS2 algorithm. Its weather-sealed build and Super Multi-Layer Coating with water- and oil-repellent layers ensure reliable outdoor performance without sacrificing portability at just 212g. Best for landscape and travel photographers who need a lightweight telephoto zoom with excellent stabilization for handheld shooting in variable conditions.

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Sigma Contemporary 100-400mm f/5-6.3 DG DN OS 100-400mm

56.2 Video/Cinema Score
100-400mm 29 Sony E IS Weather Sealed
Why we recommend this

The Sigma 100-400mm f/5-6.3 DG DN OS covers a versatile 100-400mm range with a stepping motor AF and 4-stop optical stabilization, all in a weather-sealed body. Its generous included accessory bundle (filter kit, lens pouch, cleaning kit) adds tangible value over competing telephoto zooms. Best for wildlife and sports photographers who need reach and portability on Sony E-mount without the cost of f/2.8 glass.

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Premium Lenses for video production

Best Pick

Sigma Sports 300-600mm f/4 DG OS 600mm

70.3 Video/Cinema Score
600mm f/4 Sony E IS
Why we recommend this

Offering a constant f/4 aperture across its 300-600mm zoom range, this lens pairs an HLA-driven autofocus motor with 5.5-stop optical stabilization for sharp results at long reach. Its weather-sealed magnesium alloy construction and internal zoom design provide durability and handling in demanding field conditions. Sports and wildlife photographers seeking a single, fast telephoto solution to replace multiple primes will find it most useful.

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