Best Lenses under ¥75,000 for video production

Best Pick

Canon EF-S 18-135mm f/3.5-5.6 IS USM

87.3 Video/Cinema Score
18-135mmf/3.5Canon EF-SIS
Why we recommend this

A 7.5x zoom range from 18-135mm on APS-C bodies provides a 29-216mm equivalent field of view, eliminating lens swaps for most daylight scenes. The built-in Image Stabilizer and lightweight 98g build make it a practical, single-lens solution for all-day handheld shooting. This lens is best for travel photographers and hobbyists who prioritize framing flexibility and minimal kit weight over wide-aperture performance.

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Canon RF-S 55-210mm f/5-7.1 IS STM

79.7 Video/Cinema Score
55-210mmf/7.1Canon RFIS
Why we recommend this ▼

The 55-210mm zoom range delivers an 88-336mm equivalent reach on APS-C bodies, with a 4.5-stop optical stabilizer and a 270g build that makes handheld telephoto shooting practical. Its STM motor provides near-silent autofocus for video, and the 0.28x magnification allows close-up detail without switching lenses. This lens suits EOS R-series APS-C users who want a lightweight, affordable telephoto for travel, wildlife, and sports.

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Canon RF 24-50mm f/4.5-6.3 IS STM

68.6 Video/Cinema Score
24-50mmf/6.3Canon RFIS
Why we recommend this ▼

At only 210g with 4.5-stop stabilization, the 24-50mm f/4.5-6.3 provides an ultralight stabilized standard zoom for full-frame RF cameras. A collapsible form, Super Spectra Coating, and dual aspherical elements ensure sharp, low-distortion shots at a budget price, while the STM motor operates silently for video. It’s ideal for vloggers and casual EOS R-series shooters who value a featherweight, stabilized walkaround lens over maximum aperture speed.

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Canon 6473A003

41.7 Video/Cinema Score
75-300mm
Why we recommend this ▼

The 13-element optical design shared with Canon's USM version delivers 300mm reach in a lightweight 480g body, making it the most affordable entry into telephoto photography. The improved zoom mechanism with a silver accent ring provides smoother focal length changes, and the 4.9-foot minimum focus distance enables frame-filling shots of small subjects at the long end. This lens suits budget-conscious beginners wanting to explore sports, wildlife, or outdoor portraits without investing in premium glass.

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Best Lenses under ¥150,000 for video production

Best Pick

Canon EF-S17-55IS 55mm

89 Video/Cinema Score
17-55mmf/2.8Canon EF-SIS
Why we recommend this

The constant f/2.8 aperture across the 17-55mm range, combined with a 3-stop Image Stabilizer, delivers reliable low-light performance and sharpness for APS-C DSLRs. Its optical design incorporates two UD and three aspherical elements to suppress aberrations, while the ring-type USM motor provides fast, quiet autofocus. This lens is best for event and portrait photographers using Canon EF-S bodies who need a versatile, stabilized zoom with a bright aperture.

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Canon EF-S 15-85mm f/3.5-5.6 IS USM

80.5 Video/Cinema Score
15-85mmf/3.5Canon EF-SIS
Why we recommend this ▼

Its 15-85mm range (24-136mm equivalent) pairs with image stabilization and ring-type USM for fast, quiet autofocus, while one UD and three aspherical elements control distortion and fringing. Priced for budget-conscious shooters, it earns a 4.4-star customer rating for solid optical quality in a versatile zoom. Ideal for Canon APS-C DSLR owners who want a single-lens walkaround solution for travel, group portraits, and everyday scenes.

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Canon EF-S 15-85mm f/3.5-5.6 IS USM lens
Price ¥138,990

Canon RF 24-105mm f/4L IS USM

75.1 Video/Cinema Score
24-105mmf/22Canon RFISWeather Sealed
Why we recommend this ▼

The constant f/4 aperture across its 24-105mm zoom range provides consistent exposure and depth of field control, paired with a silent USM autofocus motor. Its versatile focal length makes it a practical single-lens solution for walk-around shooting, covering wide-angle to short telephoto. This lens is best for portrait and event photographers needing a reliable, general-purpose zoom on an EF-mount body.

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Canon Extender 4409B002 1mm

55.4 Video/Cinema Score
1mmf/1.4Canon EFWeather Sealed
Why we recommend this ▼

Its 7-element optical design with Super Spectra and Fluorine coatings maintains sharpness and contrast while extending reach by 1.4x with minimal ghosting. The built-in microcomputer ensures seamless autofocus and exposure communication, housed in a rugged, weather-sealed body weighing just 225g. This extender is best for street and portrait photographers using compatible Canon L-series telephotos who need extra focal length without sacrificing optical quality.

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Canon Extender 4409B002 1mm lens
Price ¥105,016

Canon 5812C012

40.4 Video/Cinema Score
18-45mm
Why we recommend this ▼

The 24.2MP APS-C sensor and DIGIC X processor deliver sharp 4K video oversampled from 6K, backed by a fast 15 fps electronic shutter. Its Dual Pixel CMOS AF II system with deep-learning subject tracking and a fully articulating touchscreen make it a highly responsive, smartphone-like entry point into the Canon RF ecosystem. This camera is best for vloggers and content creators upgrading from a phone who need reliable autofocus and uncropped 4K video in a 454g body.

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Canon 5812C012 lens
Price ¥147,081

Best Lenses under ¥230,000 for video production

Best Pick

Canon RF16-28mm F2.8 IS STM 16-28mm

79.4 Video/Cinema Score
16-28mmf/22Canon RFISWeather Sealed
Why we recommend this

Weighing just 454g with a constant f/2.8 aperture and 5.5-stop optical stabilization, this is Canon’s smallest and lightest full-frame RF zoom for handheld low-light shooting. The leadscrew-type STM motor delivers fast, quiet autofocus, while weather-sealing and a 0.26x magnification offer durability and close-up versatility uncommon in wide zooms. This lens is best for landscape photographers and run-and-gun video shooters who need a stabilized, ultra-portable wide-angle zoom.

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Price ¥221,328
Canon RF16-28mm F2.8 IS STM 16-28mm lens

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Canon L EF 135mm f/2L USM 135mm

76.4 Video/Cinema Score
135mmf/2Canon EF
Why we recommend this ▼

The fast f/2 aperture combined with two ultra-low dispersion elements delivers sharp subject isolation and suppressed chromatic aberration, making it a classic portrait lens. Its ring-type USM autofocus is quick and reliable, while the relatively compact, lightweight build at 71g defies typical telephoto expectations. This lens is best for portrait and street photographers who prioritize a bright aperture and beautiful bokeh over modern features like image stabilization.

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Canon L EF 135mm f/2L USM 135mm lens
Price ¥165,522

Canon EF 35mm f/2 IS USM 35mm

64.2 Video/Cinema Score
35mmf/22Canon EFISWeather Sealed
Why we recommend this ▼

Combining a bright f/2 aperture with a 4-stop Optical Image Stabilizer, this 335g lens enables sharp handheld shooting in low light that unstabilized 35mm primes cannot match. Its ring-type USM motor delivers fast, near-silent autofocus and full-time manual override, making it equally capable for stills and video work. This lens is best for documentary photographers and videographers using full-frame Canon DSLRs who need a stabilized, walk-around wide-angle prime.

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Canon EF 35mm f/2 IS USM 35mm lens
Price ¥155,884

Canon L-series EF 16-35mm f/2.8L III USM

58.1 Video/Cinema Score
16-35mmf/22Canon EFWeather Sealed
Why we recommend this ▼

A revamped optical design with three aspherical and two UD elements delivers high sharpness and clarity across the full-frame image circle. Its constant f/2.8 aperture and robust weather-sealed L-series build provide reliable performance in challenging conditions, while SWC and ASC coatings effectively suppress flare. This lens is best for landscape and architecture photographers who demand edge-to-edge sharpness at ultra-wide angles.

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Canon L-series EF 16-35mm f/2.8L III USM lens
Price ¥162,031

Best Lenses under ¥380,000 for video production

Best Pick

Canon RF14-35mm F4L IS USM 14-35mm

82.9 Video/Cinema Score
14-35mmf/22Canon RFISWeather Sealed
Why we recommend this

Combining an ultra-wide 14mm field of view with a constant f/4 aperture and 5.5-stop optical stabilization, this lens stands out for its compact 544g build and advanced optics with SWC and ASC coatings. Its 0.38x maximum magnification at 35mm enables dramatic close-focusing perspectives, while the Nano USM motor delivers silent, smooth autofocus for video. This lens is best for landscape and architecture photographers who need a weather-sealed, portable zoom for walkaround shooting.

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Price ¥298,351
Canon RF14-35mm F4L IS USM 14-35mm lens

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Canon L RF 24-70mm f/2.8L IS USM

74.1 Video/Cinema Score
24-70mmf/22Canon EFISWeather Sealed
Why we recommend this ▼

A constant f/2.8 aperture across the 24-70mm zoom range, paired with one Super UD and two UD elements, delivers sharp, color-accurate images with minimal chromatic aberration. Its weather-sealed, 805g build and fluorine coating provide reliable durability for field use, while the 5-stop image stabilization enables sharper handheld shooting. This lens is best for landscape and travel photographers needing a rugged, versatile workhorse with a 92.5/100 landscape score.

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Canon L RF 24-70mm f/2.8L IS USM lens
Price ¥340,000

Premium Lenses for video production

Best Pick

Canon L RF 70-200mm f/2.8 L IS USM

73.7 Video/Cinema Score
70-200mmf/32Canon EFISWeather Sealed
Why we recommend this

Combining a constant f/2.8 aperture with 5-stop image stabilization and a compact 1066g build, this is Canon’s lightest and shortest 70-200mm yet. Its optical formula, featuring one Super UD element and two aspherical elements, delivers sharp results with minimal aberrations across the full-frame image circle. This lens is best for landscape and wildlife photographers who need a portable, weather-sealed telephoto zoom for travel.

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Price ¥562,029
Canon L RF 70-200mm f/2.8 L IS USM lens

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Canon TS-E 24mm f/3.5L II 24mm

59.2 Video/Cinema Score
24mmf/3.5Canon EFWeather Sealed
Why we recommend this ▼

Combining four UD elements and one aspherical element with Subwavelength Coating, this lens delivers edge-to-edge sharpness with minimal chromatic aberration for full-frame EF-mount systems. Its robust L-series build includes weather sealing and a rotating tilt-shift mechanism offering ±8.5° of tilt and ±12mm of shift for precise perspective correction. This lens is best for architectural and interior photographers who require distortion-free, straight vertical lines in-camera without digital correction.

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Canon TS-E 24mm f/3.5L II 24mm lens
Price ¥511,741

Canon L RF 100-500mm f/4.5-7.1 L IS USM

55.1 Video/Cinema Score
100-500mmf/54Canon RFISWeather Sealed
Why we recommend this ▼

The 100-500mm f/4.5-7.1 L IS USM pairs a versatile 100–500mm focal range with 7 ED elements, Air Sphere coating, and 5-stop optical stabilization in a weather-sealed, travel-sized build. Its Dual Nano USM autofocus drives swift, near-silent focusing, and three IS modes—standard, panning, and exposure-only—enable precise control for moving subjects. This lens suits wildlife and sports photographers who need a portable super-telephoto zoom for handheld shooting in the field.

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Canon L RF 100-500mm f/4.5-7.1 L IS USM lens
Price ¥612,385

Canon EF 400mm f/2.8L IS III USM 400mm

53.3 Video/Cinema Score
400mmf/32Canon EFISWeather Sealed
Why we recommend this ▼

The combination of fluorite and Super UD elements with a bright f/2.8 aperture delivers exceptional clarity and color accuracy while isolating subjects against beautifully rendered bokeh. Its relatively light 2,900g build and 5.5-stop image stabilization make handheld shooting viable, a rare feat for a 400mm super-telephoto prime. This lens is best for professional sports and wildlife photographers who need uncompromising sharpness and fast autofocus in a weather-sealed, portable design.

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Canon EF 400mm f/2.8L IS III USM 400mm lens
Price ¥2,899,332