Sigma Art 50mm f/1.2 DG DN 50mm
Mit einer f/1.2-Blende und 13 Lamellen erzeugt es eine außergewöhnlich weiche Hintergrundunschärfe und bleibt mit 726g das leichteste Objektiv seiner Klasse. Die dualen HLA-Motoren ermöglichen einen schnellen, nahezu lautlosen Autofokus, während die wetterfeste Abdichtung für zuverlässigen Einsatz im Freien sorgt. Dieses Objektiv ist die erste Wahl für Porträtfotografen, die maximale Freistellung und Schärfe auf dem Auge suchen.
Überblick
Was Besitzer sagen
Wie sich die Meinung der Besitzer im Lauf der Zeit verändert hat
ExklusivBasierend darauf, wann Kunden ihre Bewertungen tatsächlich geschrieben haben - so sehen Sie, ob das anfängliche Lob anhielt.
- Q1 202543/100
Mixed reviews: one buyer loves it as a sharp value lens; two find softness wide open with cluttered design.
- Sharpness wide open is contested: one finds it razor sharp, two say soft until f/1.8.
- Cluttered aesthetic with excessive text and branding on the lens barrel.
- Compact size and silent, quick autofocus praised.
- Value for money: seen as a budget fast-aperture lens, not for high-end print work.
- Q2 202490/100
Buyers praise the Sigma 50mm f1.2 as a Noctilux alternative with sharp images, creamy bokeh, and fast AF. One notes a slight rattle when off, but it tightens on power.
- Noctilux-like image quality at f1.2 with crisp microcontrast and creamy bokeh.
- Lightning fast, accurate, silent autofocus on Sony bodies.
- Heavy (2.9 lbs) but manageable with A7CR grip; cradling lens helps.
- Slight rattle when camera off and tilted; tightens when powered on.
Basierend auf 15 datierten Kundenbewertungen, gruppiert nach Kalenderquartal. Die Periodenanalyse ist in englischer Sprache.
Die Fakten
Performance
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 50 |
| Focal Length Max | 50 |
| Elements | 17 |
| Groups | 12 |
| Aspherical Elements | 4 |
| Coating | Super Multilayer Coating |
Aperture
| Max Aperture | f/16 |
| Min Aperture | f/1.2 |
| Constant | Yes |
| Diaphragm Blades | 13 |
Build
| Mount | Sony E |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 0.7 kg / 1.6 lbs |
| Filter Thread | 72 |
AF & Stabilization
| AF Type | High-Response Linear Actuator |
| Stabilization | No |
Focus
| Min Focus Distance | 400 |
| Max Magnification | 1:6.2 |
vs Competition
| Spec | Sigma Art 50mm f/1.2 DG DN 50mm | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E PZ 16-50mm f/3.5-5.6 OSS | Canon RF 28-70mm f/2.8 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | 50mm | 17-70mm | 17-28mm | 12-35mm | 16-50mm | 28-70mm |
| Max Aperture | f/16 | f/2.8 | f/2.8 | f/2.8 | f/3.5 | f/22 |
| Mount | Sony E | Sony E | Nikon Z | Micro Four Thirds | Sony E | Canon RF |
| Stabilization | false | true | false | true | true | true |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 745 | 544 | 450 | 306 | 107 | 495 |
| AF Type | High-Response Linear Actuator | RXD | Stepping Motor | Autofocus | Autofocus | STM |
| Lens Type | prime | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produkt | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Nutzerresonanz | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Sigma Art 50mm f/1.2 DG DN 50mm | 53.7 | 46.4 | 57.5 | 62.2 | 91 | 40.2 | 33.6 | 54.6 | 36.8 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.7 | 86 | 69.8 | 85 | 91 | 83.2 | 89.4 | 85.4 | 82.5 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.7 | 86 | 76 | 85 | 88.3 | 83.2 | 68 | 70.1 | 36.8 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.7 | 80.8 | 85.8 | 50.3 | 86.7 | 83.2 | 80.4 | 85.4 | 96.9 |
| Sony E PZ 16-50mm f/3.5-5.6 OSS Compare | 53.7 | 74.2 | 98.6 | 43.4 | 69 | 76.3 | 83.1 | 81.1 | 93.5 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 87.7 | 23.2 | 72.8 | 79.1 | 86.7 | 20.2 | 77.3 | 89.8 | 98.6 |
