Best Lenses under ¥75,000 for video production

Best Pick

Nikon NIKKOR Z DX 16-50mm f/3.5-6.3 VR 16-50mm

85.1 Video/Cinema Score
16-50mm f/3.5 Nikon Z IS
Why we recommend this

Weighing just 130g, it's the smallest DX interchangeable lens with a 16-50mm range (24-75mm equivalent) and built-in 4.5-stop VR stabilization. An assignable control ring adds versatility, and its strong scores for budget (88/100) and street (85.6/100) photography reflect solid value. Best for Nikon Z mount shooters seeking a compact, affordable walkaround zoom for daily use and street scenes.

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Great Alternatives

These options also score highly and may better suit your specific needs

Viltrox AF AF 50/2 Z 50mm

70 Video/Cinema Score
50mm 16 Nikon Z IS Weather Sealed
Why we recommend this

Its 205g build and STM motor deliver fast, quiet autofocus with eye detection in a full-frame f/2.0 prime that creates smooth bokeh and excellent low-light capability. The 13-element optical path (including ED and aspherical glass) and weather-sealed metal mount with USB-C updates provide sharp, reliable performance across the frame. This lens is ideal for Sony E-mount portrait and street photographers who demand a lightweight standard prime with natural perspective and minimal focus breathing for video.

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Sirui Sniper 75mm f/1.2 75mm

66.5 Video/Cinema Score
75mm 16 Nikon Z
Why we recommend this

The f/1.2 aperture and 15-blade diaphragm deliver shallow depth of field and circular bokeh at a 112.5mm full-frame equivalent focal length. Quiet STM autofocus with eye tracking and a USB-C port for firmware updates enhance video and stills reliability. Ideal for Sony APS-C photographers and videographers needing a lightweight 466g telephoto prime for portraits with strong subject separation.

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Meike 85mm f/1.8 SE Mark II 85mm

57.9 Video/Cinema Score
85mm 22 Nikon Z
Why we recommend this

Weighing just 201g, this 85mm f/1.8 prime for Nikon Z full-frame cameras pairs a bright aperture with built-in stabilization in an exceptionally portable design. Its STM motor and NanoDrive system deliver near-silent autofocus and zero focus breathing, enabling reliable 8K video with effective eye tracking and strong flare suppression. It’s ideal for portrait and hybrid shooters who want a travel-friendly lens with smooth background blur and capable video features without the bulk.

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Viltrox Air AF 14/4.0 FE 14mm

62 Video/Cinema Score
14mm 16 Nikon Z Weather Sealed
Why we recommend this

The 14mm f/4 full-frame prime delivers a 114° ultrawide view with fast STM autofocus and an HD nano coating to suppress flare, all in a lightweight 170g body. Its 58mm filter thread allows direct attachment of screw-on filters—a practical advantage rare among lenses this wide—adding to its carry-anywhere portability. This lens is best for landscape and architecture photographers on Sony E-mount seeking an ultrawide prime that accepts filters without bulky holders.

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7Artisans Lite Series 50mm f/1.8 AF 50mm

53.5 Video/Cinema Score
50mm 16 Nikon Z
Why we recommend this

The 50mm f/1.8 lens combines an STM stepping motor for quiet autofocus with two aspherical and one ED element to deliver sharp, contrast-rich images on full-frame L-Mount bodies. An 11-blade diaphragm renders smooth bokeh, and the USB port for firmware updates adds flexibility uncommon at this price. This lens is ideal for street and everyday photographers needing a lightweight, affordable full-frame prime with dependable AF performance on L-Mount systems.

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TTArtisan AF 40mm f/2 40mm

52.2 Video/Cinema Score
40mm f/2 Nikon Z
Why we recommend this

The 176g build using 5052 aerospace aluminum and an STM motor with near-zero focus breathing makes this a uniquely portable autofocus option for Nikon Z. Its f/2 aperture and clickable aperture ring provide direct, tactile control for low-light clarity and quick exposure adjustments. This lens is best for street and portrait photographers wanting a discreet, lightweight prime that mimics a natural 57° field of view.

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Meike 55mm f/1.4 AF 55mm

51.9 Video/Cinema Score
55mm 16 Nikon Z
Why we recommend this

With a bright f/1.4 aperture and an 8-element, 11-group optical stack using ED and HR glass, this 55mm prime (82.5mm equivalent) delivers smooth bokeh and suppressed aberrations. Its built-in stabilization and USB-C firmware update port add uncommon flexibility at a third-party price point. This lens is best for Fujifilm X-mount portrait photographers needing an affordable, stabilized prime with reliable STM autofocus and strong subject isolation.

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7Artisans 75mm F1.4 Full Frame Manual 38.4° Large Aperture Prime 75mm

51.5 Video/Cinema Score
75mm f/1.4 Nikon Z IS
Why we recommend this

The bright f/1.4 aperture and 75mm portrait focal length deliver natural perspective and soft background blur, housed in a compact 699g manual-focus lens for full-frame Nikon Z cameras. Its fully manual operation and sleek, lightweight design make it an affordable creative tool, with strong low-light performance for indoor and evening portraiture. This lens is best for budget-minded portrait and product photographers using Nikon Z bodies who want expressive bokeh and tactile control.

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AstrHori 6mm F2.8 220° Ultra Wide Circular Fisheye

49.4 Video/Cinema Score
f/2.8 Nikon Z IS
Why we recommend this

Capturing a rare 220° circular fisheye perspective on full-frame Nikon Z, this manual focus lens uses an f/2.8 aperture and 10-element optical design for low-light flexibility. Its 80mm minimum focus and deliberate manual operation enable tight creative control, supported by a 4.8-star user rating from early adopters. It’s ideal for astrophotographers and experimental shooters needing a distinctive, expansive circular frame without autofocus reliance.

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Tokina SZX SZX 400mm f/8 Reflex MF 400mm

41.2 Video/Cinema Score
400mm f/8 Nikon Z
Why we recommend this

Weighing just 355g with full-frame coverage, its catadioptric design delivers 400mm reach at a fixed f/8 without traditional telephoto bulk. A 1:2.5 maximum magnification and 45.3-inch close focus distance enable near-macro detail from a telephoto perspective. Best for manual-focus enthusiasts wanting an ultra-portable lens for travel portraiture or budget close-up work.

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7Artisans Photoelectric 10mm f/2.8 Mark II 10mm

39.6 Video/Cinema Score
10mm 16 Nikon Z
Why we recommend this

A 10mm f/2.8 constant aperture delivers a 185° fisheye view on full-frame L-Mount, with 2 ED and 1 aspherical element to minimize chromatic aberration and distortion. Its 602g build and 0.15m close focus enable handheld creative shots like exaggerated perspectives, while the 10-blade diaphragm aids smooth defocus. Best for photographers prioritizing ultra-wide astroscape and macro-style still life over portability (travel score: 26.1) or autofocus speed.

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Thypoch Simera Simera 35mm f/1.4 35mm

39.1 Video/Cinema Score
35mm 16 Nikon Z
Why we recommend this

The f/1.4 aperture and 14-blade diaphragm create exceptionally smooth, cinema-style bokeh, while an aspherical element and multi-layer coating suppress flare and preserve sharpness. Its 352g all-metal body and fluid manual focus ring deliver durable, tactile control across Canon RF, Nikon Z, and other mirrorless mounts. It’s best for portrait photographers who prioritize dreamy background blur and deliberate manual focusing for artistic expression.

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Nikon Original Retropia Repurposed Disposable Camera Mirrorless 32mm

38.5 Video/Cinema Score
32mm f/11 Nikon Z IS
Why we recommend this

This lens stands out by repurposing a disposable camera optic into a Nikon Z-mount pancake with a fixed 32mm f/11 aperture, delivering a guaranteed soft-focus, nostalgic aesthetic straight out of camera. Its ultra-compact, pocketable build and sustainable construction from recycled parts make it a unique, no-edit solution for spontaneous shooting. This lens is best for street photographers and content creators who prioritize a distinct, lo-fi film look over technical sharpness.

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TTArtisan 17mm f/1.4 17mm

37.6 Video/Cinema Score
17mm 16 Nikon Z
Why we recommend this

The f/1.4 constant aperture and 17mm focal length (25mm equivalent) deliver an 81-degree angle of view and strong low-light gathering. Its 248g all-metal barrel, smooth damped manual focus, and 10-blade diaphragm provide precise tactile control and smooth bokeh without bulk. This lens suits portrait and street photographers on Nikon Z APS-C cameras who prioritize shallow depth of field and compact portability over autofocus.

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Yongnuo YN 35mm f/2 35mm

36.8 Video/Cinema Score
35mm 22 Nikon Z
Why we recommend this

Offering a bright f/2 maximum aperture in a 155g lens with autofocus for Canon EF full-frame cameras, this Yongnuo 35mm provides an entry-level wide-angle option. The multi-coated optics and seven-blade diaphragm help control flare and produce smooth out-of-focus areas, while the AF/MF switch enables quick focus mode changes. This lens suits budget-minded photographers wanting a lightweight walk-around prime for everyday shooting, though its softness at wider apertures limits portrait work.

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Best Lenses under ¥150,000 for video production

Best Pick

Nikon NIKKOR Z 24-200mm f/4-6.3 VR 24-200mm

80.4 Video/Cinema Score
24-200mm f/4 Nikon Z IS Weather Sealed
Why we recommend this

Covering a 24-200mm range in a weather-sealed, 567g body, this lens stands out for its 5-stop Vibration Reduction and compact all-in-one design for Z-mount cameras. The optical formula incorporates aspherical ED and ED elements with ARNEO and Nano Crystal coatings to maintain sharpness and contrast across the zoom range. This lens is best for photographers seeking a single, versatile travel zoom that eliminates the need to switch lenses in the field.

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Great Alternatives

These options also score highly and may better suit your specific needs

Laowa Zero-D 9mm f/2.8 Zero-D 9mm

62.5 Video/Cinema Score
9mm f/2.8 Nikon Z Weather Sealed
Why we recommend this

The 15-element optical design with two aspherical and three ED elements eliminates distortion, delivering a 113° field of view on Nikon Z APS-C bodies at just 215g. A bright f/2.8 aperture and 12cm close focus enable creative low-light wide-angle perspectives while Frog Eye Coating and weather sealing protect the manual‑focus lens. This lens suits landscape and architecture photographers seeking a compact ultrawide prime with precise manual control for Nikon Z mirrorless systems.

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Tamron Di III 90mm f/2.8 VXD Macro 90mm

60.2 Video/Cinema Score
90mm 16 Nikon Z Weather Sealed
Why we recommend this

Its 1:1 magnification at a 9.1-inch minimum focus distance pairs with a fast f/2.8 aperture and a 12-blade diaphragm for smooth bokeh. The 600g body, weather-sealed construction, and BBAR-G2 coatings make it practical for outdoor macro work. This lens is best for macro photographers who need a sharp, lightweight prime for detailed close-ups and portraits on Nikon Z bodies.

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Zeiss Otus ML Otus ML 50mm f/1.4 50mm

49.7 Video/Cinema Score
50mm 16 Nikon Z Weather Sealed
Why we recommend this

Combining one aspherical and four ED elements with ZEISS T* coating, this 50mm f/1.4 renders images with high micro-contrast and the distinctive three-dimensional "3D pop." Its full-metal, weather-sealed barrel and de-clickable aperture ring extend usability to video work, while the nine-blade diaphragm yields smooth, harmonious bokeh. Portrait photographers seeking a tactile manual-focus experience and classic image character will find it ideal, though its 676g weight and manual-only operation make it less suited for travel.

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Nikon NIKKOR Z DX 50-250mm f/4.5-6.3 VR 50-250mm

75.7 Video/Cinema Score
50-250mm 16 Nikon Z IS
Why we recommend this

The NIKKOR Z DX 50-250mm f/4.5-6.3 VR offers a 75-375mm equivalent reach with 5-stop optical stabilization and an assignable control ring, all in a 51g body. Often sold refurbished, it becomes one of the most affordable stabilized telephotos for the Z mount, and the featherweight build with a customizable ring enhances handling. This lens is ideal for Nikon Z DX users who need a portable, budget-friendly option for travel, street, and everyday telephoto shooting.

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Tamron Di III-A B061 18-300mm

51.3 Video/Cinema Score
18-300mm 22 Nikon Z IS Weather Sealed
Why we recommend this

Its 16.6x all-in-one 18-300mm zoom range, VXD linear autofocus motor, and VC image stabilization, all in a weather-sealed 635g body, eliminate the need for multiple lenses. The lens focuses as close as 5.9 inches for a 1:2 maximum magnification, offering genuine macro capability rare in a superzoom. This lens is best for travel and hiking photographers who want to capture everything from sweeping landscapes to distant wildlife and detailed close-ups without changing lenses.

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Yongnuo YN85mm f/1.8S DF DSM 85mm

46.8 Video/Cinema Score
85mm 16 Nikon Z Weather Sealed
Why we recommend this

Weighing just 346g, this 85mm f/1.8 lens combines weather sealing, a quiet DSM stepping motor, and one ED element for sharp, contrasty results on Nikon Z. It also offers a control ring, dual customizable Fn buttons, and USB firmware updates—unusual extras for a budget 85mm. Best for Nikon Z video shooters who need a lightweight, silent-focusing 85mm prime for gimbal work and close-up interview shots.

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Sirui 20mm T1.8 1.33X Anamorphic 20mm

44 Video/Cinema Score
20mm 22 Nikon Z IS
Why we recommend this

Featuring an integrated STM autofocus motor and a T1.8 aperture, this 20mm lens delivers a 1.33x anamorphic squeeze for a 2.35:1 widescreen image on APS-C sensors without cropping. At just 480g with an AF/MF switch and eye-tracking, it uniquely pairs cinematic character with gimbal-friendly, run-and-gun practicality. This lens is ideal for independent filmmakers and handheld shooters on Nikon Z-mount cameras who demand anamorphic aesthetics with reliable, quiet autofocus.

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Tokina SZ SZ 500mm f/8 Reflex MF 500mm

41.6 Video/Cinema Score
500mm 8 Nikon Z
Why we recommend this

A catadioptric design compresses 500mm of reach into a 310g lens that fits a coat pocket, using a fixed f/8 aperture for Micro Four Thirds. Its 1.7m close focus yields 1:2.86 magnification, adding near-macro versatility to the super-telephoto range. This manual-focus optic is ideal for budget-focused wildlife and travel photographers who value extreme portability over autofocus.

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Voigtländer Apo-Ultron APO-LANTHAR 35mm f/2 Aspherical II 35mm

33 Video/Cinema Score
35mm 22 Nikon Z
Why we recommend this

The APO-LANTHAR 35mm f/2 Aspherical II’s apochromatic optical design with 5 ED elements and a floating system virtually eliminates color fringing, while its 250° focus ring rotation and 12-blade diaphragm enable precise manual control and smooth bokeh. Electronic contacts transfer Exif data and support 3-axis in-body stabilization, a rare capability in a manual lens. Best for macro and still-life photographers needing a compact 420g prime with 1:2 magnification and 10.6-inch minimum focus.

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Nikon NIKKOR Z DX MC 20131 35mm

28.6 Video/Cinema Score
35mm 22 Nikon Z Weather Sealed
Why we recommend this

The 35mm f/1.7 lens for Nikon DX Z-mount provides a 52.5mm equivalent field of view, a 6.3-inch close-focus for 1:1.5 magnification, and a bright aperture in a 221-gram body. Its compact 2.8-inch length and silent STM autofocus make it a quiet, portable option for candid shots and video work. This lens is best suited for Nikon DX shooters seeking a fast prime for everyday portraits and street photography that can double as a capable close-up tool.

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TTArtisan 35mm T2.1 Dual Bokeh Cine 35mm

27.3 Video/Cinema Score
35mm T22 Nikon Z IS
Why we recommend this

A switchable dual bokeh system lets you toggle between soft and bubble rendering styles on a full-frame 35mm T2.1 optic with an 11-blade declicked aperture. The all-manual, 907g build offers a 0.28m close focus and a constant T2.1 aperture for low-light control, though it lacks weather sealing. This lens is best for Nikon Z-mount filmmakers and documentarians who prioritize in-camera bokeh effects and precise manual focus pulls over autofocus convenience.

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AstrHori Macro Probe 28mm f/13 2x Macro Probe 28mm

21 Video/Cinema Score
28mm 40 Nikon Z Weather Sealed
Why we recommend this

A 2:1 magnification and f/13 aperture on this 28mm probe lens enables extreme close-up detail, with a 360-degree rotating barrel, built-in adjustable LED ring light, and 20cm waterproof front section. The kit's included straight and 90° tubes combined with manual focus and sapphire glass optics offer versatile composition for narrow or angled spaces. This lens suits macro photographers and filmmakers capturing insects, miniature sets, or underwater scenes where direct illumination and 0.3-inch working distances are critical.

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Best Lenses under ¥230,000 for video production

Best Pick

Nikon NIKKOR Z 24-200mm f/4-6.3 VR Telephoto Zoom 24-200mm

78.6 Video/Cinema Score
24-200mm f/4 Nikon Z IS
Why we recommend this

Combining a 24-200mm f/4-6.3 range with 5-stop Vibration Reduction and a fast stepping motor, the lens delivers sharp, blur-free images in a compact 570g body. Its weather-sealed construction and ARNEO/Nano Crystal coatings ensure consistent optical performance in challenging conditions, making it a durable travel companion. This lens is best for travel and landscape photographers who need a single, lightweight solution to capture everything from wide panoramas to distant details.

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Great Alternatives

These options also score highly and may better suit your specific needs

Tamron Di III A057 500mm

51.5 Video/Cinema Score
150-500mm 22-32 Nikon Z IS Weather Sealed
Why we recommend this

Its 150-500mm range on full-frame Nikon Z bodies, backed by VXD linear autofocus and VC stabilization, makes hand-held super-telephoto shooting possible in a relatively compact 1720g build. The 600mm close focus distance delivers a useful 1:3.1 magnification ratio, and the moisture-resistant construction ensures reliability in the field. This lens fits wildlife and landscape enthusiasts seeking an affordable, travel-friendly zoom with solid optical performance.

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Mitakon Zhongyi Speedmaster 35mm f/0.95 Mark II 35mm

34.3 Video/Cinema Score
35mm 16 Nikon Z
Why we recommend this

Its f/0.95 maximum aperture on APS-C delivers a 52.5mm equivalent field of view with extreme light gathering and shallow depth of field, aided by an 11-element, 8-group optical design incorporating one ED element. The de-clicked aperture ring and nine-blade diaphragm appeal to videographers needing smooth iris transitions, while the 460g all-manual-focus lens offers precise tactile control. This lens is best for low-light stills shooters and cinematic video creators who prioritize manual focus and dramatic subject isolation over autofocus convenience.

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Laowa Argus 45mm f/0.95 FF 45mm

32.9 Video/Cinema Score
45mm 16 Nikon Z
Why we recommend this

The f/0.95 maximum aperture and 13-element optical design with one aspherical and three UHR elements deliver sharp images even wide open at a 45mm focal length. Its robust all-metal construction and smooth manual focus ring provide precise creative control, complemented by a 15-blade diaphragm for exceptionally smooth bokeh. This lens is best for portrait photographers who need extreme low-light performance and shallow depth of field on full-frame Sony E-mount cameras.

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Nikon NIKKOR Z DX 16-50mm f/2.8 VR 50mm

78.2 Video/Cinema Score
16-50mm 22 Nikon Z IS Weather Sealed
Why we recommend this

A constant f/2.8 aperture, 5-stop Vibration Reduction, and a weather-sealed build make this 330g lens stand out for sharp low-light shooting in a compact 24–75mm equivalent range. Its nine-blade diaphragm renders smooth background blur, and the 3.5-inch-long body stays easily portable for all-day use. This lens is best for landscape and travel photographers who need weather sealing and fast optics, though it scores weakest for portraiture at 47.5.

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Laowa Aurogon FF 10-50x NA0.5 Supermicro APO 19mm

26.9 Video/Cinema Score
19mm f/10 Nikon Z
Why we recommend this

The Aurogon’s apochromatic optics and NA0.5 aperture deliver a 10-50x magnification range at a fixed 20mm working distance, resolving microscopic detail on full-frame sensors. Its modular design with four interchangeable tubes and an unclicked manual aperture ring offers precise control for stacking and lab work. This lens is best for industrial inspection specialists and scientific researchers requiring extreme macro reproduction beyond 5:1.

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Best Lenses under ¥380,000 for video production

Best Pick

Nikon NIKKOR Z 28-400mm f/4-8 VR 28-400mm

86.3 Video/Cinema Score
28-400mm f/4 Nikon Z IS Weather Sealed
Why we recommend this

The 28-400mm zoom range combined with 5-stop Vibration Reduction and STM autofocus delivers sharp, blur-free shots from wide landscapes to distant wildlife in a weather-sealed body weighing just 725g. Its compact, lightweight design and 0.35x maximum magnification make it a true all-in-one travel lens, adapting seamlessly across Nikon Z full-frame and crop-sensor cameras. This lens is ideal for landscape and wildlife photographers who need versatile reach and reliable stabilization without carrying heavy gear.

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Premium Lenses for video production

Best Pick

Nikon NIKKOR Z 70-200mm f/2.8 VR S 70-200mm

65 Video/Cinema Score
70-200mm 22 Nikon Z IS Weather Sealed
Why we recommend this

Weighing 998g—26% lighter than its predecessor—this f/2.8 zoom leverages a VCM Multi-Focus AF system and 6-stop VR for fast, silent focusing and steady handheld shots. Its 11-blade diaphragm and 380mm close focus produce pleasing background blur, while weather sealing and a de-clickable control ring cater to demanding video use. This lens is ideal for event and wedding photographers and hybrid shooters requiring a portable, reliable telephoto for both stills and 4K video.

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