Best Lenses under ¥75,000 for video production

Best Pick

Mitakon Zhongyi Freewalker 42.5mm f/1.2 Manual 43mm

51.3 Video/Cinema Score
43mmf/1.2Micro Four Thirds
Why we recommend this

The f/1.2 maximum aperture delivers exceptional low-light performance and extremely shallow depth of field for an 85mm-equivalent portrait lens on Micro Four Thirds. Its all-metal, 310g construction provides a dense, tactile feel with a smoothly damped manual focus ring that encourages deliberate composition. This lens is best for portrait photographers who prioritize bokeh quality and a hands-on shooting experience over autofocus speed.

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These options also score highly and may better suit your specific needs

Meike 250.95-MFT 25mm

36.5 Video/Cinema Score
25mmf/16Micro Four ThirdsIS
Why we recommend this

The f/0.95 maximum aperture and 13-blade diaphragm produce exceptionally smooth bokeh and strong subject isolation on Micro Four Thirds. Its all-manual focus and solid 600g metal build cater to deliberate shooting in astrophotography and nightscapes, where the 0.25m minimum focus unlocks close-up details. This lens suits astrophotographers and low-light street photographers on Panasonic and Olympus MFT cameras who prioritize creative control over autofocus convenience.

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Best Lenses under ¥150,000 for video production

Best Pick

OM System M.Zuiko Digital ED 75-300mm f/4.8-6.7 II 300mm

39.3 Video/Cinema Score
75-300mmf/22Micro Four Thirds
Why we recommend this

Delivering a 150-600mm equivalent reach in a remarkably portable 423g body, this lens stands out for its lightweight super-telephoto range on Micro Four Thirds cameras. Its optical design incorporates Super ED and ED elements with a ZERO coating, yielding sharp, high-contrast images while the near-silent AF system suits both stills and video. This lens is best for wildlife and sports enthusiasts who need extreme magnification without the bulk of traditional telephoto glass.

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