Best Lenses under £400 for video production

Best Pick

Nikon NIKKOR 20059 18-55mm

77.1 Video/Cinema Score
18-55mmf/3.5Nikon FIS
Why we recommend this

The pulse motor delivers near-silent, fast autofocus and Vibration Reduction stabilizes shots on DX-format bodies, making this compact 18-55mm zoom remarkably capable for its 204g weight. Its constant f/3.5 aperture at the wide end and quiet stepping motor suit video shooters needing smooth, unobtrusive focus transitions. This lens is best for beginners and vloggers seeking a lightweight, stabilized kit lens for everyday capture without a heavy investment.

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Nikon NIKKOR Z 35mm f/1.8 S 35mm

46.3 Video/Cinema Score
35mmf/22Nikon FWeather Sealed
Why we recommend this ▼

The bright f/1.8 maximum aperture and 52.5mm equivalent field of view deliver strong subject isolation and low-light performance in a compact 200g body. Its Silent Wave Motor provides fast, near-silent autofocus with full-time manual override, while the aspherical element and Super Integrated Coating maintain sharpness and contrast. This lens is best for DX-format Nikon shooters seeking an affordable, lightweight prime for everyday photography and discreet street shooting.

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Best Lenses under £800 for video production

Best Pick

Nikon NIKKOR 2178 16-85mm

70.9 Video/Cinema Score
16-85mmf/3.5Nikon FIS
Why we recommend this

Covering a versatile 16–85mm focal range (5.3x zoom) with Vibration Reduction that compensates for up to four shutter-speed stops, this AF-S DX lens handles wide-angle to short-telephoto shots on Nikon DX DSLRs. Its Super Integrated Coating reduces flare and ghosting, and the compact 794g build, often available renewed, offers an affordable all-in-one walkaround solution. It’s best suited for Nikon DX hobbyists and travelers who prioritize a single lens for everyday photography, though landscape sharpness rates low at 29/100.

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Great Alternatives

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Nikon NIKKOR Z 24-120mm f/4 S 120mm

66.8 Video/Cinema Score
24-120mmf/22Nikon FISWeather Sealed
Why we recommend this ▼

The constant f/4 aperture across its 24-120mm range, combined with an advanced optical design featuring ED and aspherical elements, delivers consistent sharpness and clarity for a 5x zoom. Its relatively compact 630g build includes weather sealing and a programmable control ring, offering durable, customizable handling that belies its versatile reach. This lens is best for landscape and travel photographers needing a single, high-quality walkaround solution without sacrificing weather resistance.

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Best Lenses under £1,000 for video production

Best Pick

Nikon NIKKOR AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR

84 Video/Cinema Score
16-80mmf/2.8Nikon FIS
Why we recommend this

A 16-80mm zoom range with f/2.8 at the wide end and Vibration Reduction delivers flexible, stabilized shooting for Nikon DX bodies. The bundled UV filter and cleaning kit provide immediate protection and maintenance right out of the box. Portrait and travel photographers using APS-C cameras will find this a practical, single-lens solution for varied handheld conditions.

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Best Lenses under £2,000 for video production

Best Pick

Nikon NIKKOR 24mm f/1.4G ED 24mm

78.8 Video/Cinema Score
24mmf/1.4Nikon FWeather Sealed
Why we recommend this

The f/1.4 aperture combined with Nano Crystal Coating and ED glass delivers exceptional low-light performance and sharpness with controlled flares. Its durable weather-sealed build and 12-blade diaphragm produce a painterly look with expressive bokeh and subtle highlight blooms. This lens is best for portrait and video shooters using Nikon F-mount DSLRs who need a wide-angle prime with organic rendering and shallow depth of field.

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Premium Lenses for video production

Best Pick

Nikon NIKKOR 500mm f/5.6E PF ED VR 500mm

49.2 Video/Cinema Score
500mmf/32Nikon FISWeather Sealed
Why we recommend this

A Phase Fresnel element and magnesium alloy build shrink this 500mm prime to just 3.2 lbs, enabling handheld shooting with 4-stop Vibration Reduction. Its Nano Crystal Coat and three ED elements deliver high contrast and sharpness across the frame, even wide open at f/5.6. This lens is best for wildlife and sports photographers who need a lightweight, full-frame super-telephoto for extended field use.

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