Best Lenses under £400 for video production

Best Pick

Nikon NIKKOR 20059 18-55mm

77.1 Video/Cinema Score
18-55mmf/3.5Nikon FIS
Why we recommend this

The pulse motor delivers near-silent, fast autofocus and Vibration Reduction stabilizes shots on DX-format bodies, making this compact 18-55mm zoom remarkably capable for its 204g weight. Its constant f/3.5 aperture at the wide end and quiet stepping motor suit video shooters needing smooth, unobtrusive focus transitions. This lens is best for beginners and vloggers seeking a lightweight, stabilized kit lens for everyday capture without a heavy investment.

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Yongnuo YN 35mm f/2 35mm

36.7 Video/Cinema Score
35mmf/22Nikon F
Why we recommend this ▼

Weighing just 155g, this 35mm f/2 prime offers full-frame coverage for Nikon F mount with a multi-coated 7-element optical design. Its ultra-quiet digital stepping motor and compact build make it a discreet, lightweight option for everyday shooting. This lens is best for budget-conscious Nikon DSLR users wanting a standard walkaround prime for general photography and travel.

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Laowa 25mm f/2.8 2.5-5X Ultra Macro 25mm

33.2 Video/Cinema Score
25mmf/16Nikon F
Why we recommend this ▼

Reaching 5:1 magnification with a 1.6-inch working distance and one ED element, this lens captures sharp, color-accurate extreme macro images. Its 400g slim profile and 25mm focal length afford greater depth of field and easier lighting space than telephoto macros. This lens suits enthusiasts photographing sub-centimeter subjects like insect eyes or jewelry textures on full-frame Canon EF bodies.

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Rokinon 10mm f/2.8 ED AS NCS CS 106mm

33.2 Video/Cinema Score
10mmf/22Nikon F
Why we recommend this ▼

Its 10mm f/2.8 focal length combined with Nano Crystal Coating, ED and two aspherical elements delivers 110-degree edge-to-edge coverage on APS-C Nikon bodies, aided by an AE chip for auto metering. The manual-focus lens includes built-in stabilization and an inner focusing system that maintains a constant length while enabling a 9.5-inch close-focus distance for near-macro shots. This lens is best for architectural and landscape photographers who need dramatic ultra-wide perspectives, as well as journalists working in confined spaces.

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BENOISON 420-Nikon--F 420-800mm

32.6 Video/Cinema Score
420-800mmf/16Nikon FIS
Why we recommend this ▼

The 420-800mm zoom range on a full-frame F-mount body provides extreme reach for distant subjects, though the manual focus and variable f/8.3-16 aperture demand careful technique and ample light. Its lightweight 717g build and direct F-mount compatibility eliminate the need for adapters, making it a portable option for Nikon DSLR users. This lens is best for hobbyist wildlife observers and moon photographers on a strict budget who are comfortable working entirely in manual mode.

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Best Lenses under £800 for video production

Best Pick

Nikon NIKKOR 2178 16-85mm

70.9 Video/Cinema Score
16-85mmf/3.5Nikon FIS
Why we recommend this

Covering a versatile 16–85mm focal range (5.3x zoom) with Vibration Reduction that compensates for up to four shutter-speed stops, this AF-S DX lens handles wide-angle to short-telephoto shots on Nikon DX DSLRs. Its Super Integrated Coating reduces flare and ghosting, and the compact 794g build, often available renewed, offers an affordable all-in-one walkaround solution. It’s best suited for Nikon DX hobbyists and travelers who prioritize a single lens for everyday photography, though landscape sharpness rates low at 29/100.

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Tamron SP 24-70mm f/2.8 Di VC USD G2

63.4 Video/Cinema Score
24-70mmf/22Nikon FISWeather Sealed
Why we recommend this ▼

The constant f/2.8 aperture combined with 5-stop Vibration Compensation and a sophisticated 17-element optical design with eBAND coatings delivers sharp, high-contrast images in challenging light. Its weather-sealed, moisture-resistant construction and fluorine-coated front element provide durability for field use without a premium price tag. This lens is best for landscape and travel photographers who need a reliable, stabilized standard zoom with full-frame coverage.

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Sigma Art 50mm f/1.4 DG HSM 50mm

59.9 Video/Cinema Score
50mmf/16Nikon FWeather Sealed
Why we recommend this ▼

The 14-element optical design with three ED and one aspherical element delivers exceptional sharpness and suppresses aberrations even at its bright f/1.4 maximum aperture. Its robust, weather-sealed metal build and smooth, ring-type HSM autofocus system offer a premium handling experience that belies its price point. This lens is best for portrait and studio photographers using Nikon F-mount DSLRs who demand critical image quality and shallow depth of field control without the cost of first-party optics.

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Nikon NIKKOR Z 24-120mm f/4 S

66.8 Video/Cinema Score
24-120mmf/22Nikon FISWeather Sealed
Why we recommend this ▼

The constant f/4 aperture across its 24-120mm range, combined with an advanced optical design featuring ED and aspherical elements, delivers consistent sharpness and clarity for a 5x zoom. Its relatively compact 630g build includes weather sealing and a programmable control ring, offering durable, customizable handling that belies its versatile reach. This lens is best for landscape and travel photographers needing a single, high-quality walkaround solution without sacrificing weather resistance.

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Best Lenses under £1,000 for video production

Best Pick

Nikon NIKKOR AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR

84 Video/Cinema Score
16-80mmf/2.8Nikon FIS
Why we recommend this

A 16-80mm zoom range with f/2.8 at the wide end and Vibration Reduction delivers flexible, stabilized shooting for Nikon DX bodies. The bundled UV filter and cleaning kit provide immediate protection and maintenance right out of the box. Portrait and travel photographers using APS-C cameras will find this a practical, single-lens solution for varied handheld conditions.

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IRIX Blackstone 15mm f/2.4

33.4 Video/Cinema Score
15mmf/22Nikon FWeather Sealed
Why we recommend this ▼

The 15mm f/2.4 prime combines a 15-element optical design with Neutrino Coating to deliver low-distortion ultra-wide shots. Its manual focus with focus lock and weather-sealed build provide reliable tactile control in harsh conditions. This lens suits macro shooters who exploit the 250mm close focus to capture wide perspectives with sharp detail.

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Rokinon Tilt-Shift TSL24M-N 24mm

32.6 Video/Cinema Score
24mmf/22Nikon F
Why we recommend this ▼

With a 24mm focal length and ±8.5° tilt, ±12mm shift, this full-frame Canon EF lens delivers precise perspective control for architecture and product shots. Its optical design packs two aspherical and two ED elements with UMC coating to cut flare, housed in a portable 680g body. This manual-focus lens best serves architectural and macro photographers who need to correct converging lines and extend depth of field at close range.

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Best Lenses under £2,000 for video production

Best Pick

Nikon NIKKOR 24mm f/1.4G ED 24mm

78.7 Video/Cinema Score
24mmf/1.4Nikon FWeather Sealed
Why we recommend this

The f/1.4 aperture combined with Nano Crystal Coating and ED glass delivers exceptional low-light performance and sharpness with controlled flares. Its durable weather-sealed build and 12-blade diaphragm produce a painterly look with expressive bokeh and subtle highlight blooms. This lens is best for portrait and video shooters using Nikon F-mount DSLRs who need a wide-angle prime with organic rendering and shallow depth of field.

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Sigma Art 50-100mm f/1.8 DC HSM 100mm

53.2 Video/Cinema Score
50-100mmf/16Nikon F
Why we recommend this ▼

A constant f/1.8 aperture across the 50-100mm zoom range delivers full-frame equivalent depth of field control on APS-C sensors, paired with 7 ED elements for high clarity. The internal zoom and Hyper Sonic Motor provide fast, quiet autofocus without extending the barrel, maintaining balance on a gimbal. This lens is best for portrait and event photographers who need a fast telephoto zoom but don't require stabilization.

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Premium Lenses for video production

Best Pick

Nikon NIKKOR 1960 17-35mm

62.6 Video/Cinema Score
17-35mmf/2.8Nikon F
Why we recommend this

A constant f/2.8 aperture across the 17-35mm range, combined with 2 ED and 3 aspherical elements, delivers edge-to-edge sharpness for demanding optical applications. Its all-metal construction and 9-blade rounded diaphragm provide a durable build and natural background blur that specs alone don't fully convey. This lens is best for architectural and landscape photographers on Nikon F-mount who prioritize distortion control and a fast, reliable Silent Wave Motor over modern stabilization.

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Sigma Sports 185955 500mm

42.6 Video/Cinema Score
500mmf/32Nikon FISWeather Sealed
Why we recommend this ▼

The constant f/4 aperture combined with two FLD and one SLD element delivers exceptional clarity and chromatic aberration correction, while the magnesium alloy body provides a dust- and splash-proof build at 3310g. Its optical stabilization offers a 4-stop advantage, and the Hyper Sonic Motor provides fast, accurate autofocus that excels in challenging low-light conditions. This lens is best for wildlife and sports photographers who need a durable, hand-holdable 500mm prime with full-frame coverage and reliable weather sealing for extended outdoor shoots.

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