Best Lenses under €500 for video production

Best Pick

Sigma Art 135mm f/1.4 DG 135mm

75.7 Video/Cinema Score
135mmf/1.4Sony EISWeather Sealed
Why we recommend this

The f/1.8 aperture and specialized FLD/SLD glass elements deliver exceptional sharpness and subject isolation, making it a standout portrait lens. Its Hyper Sonic Motor provides fast, quiet autofocus, while the durable brass bayonet mount and TSC material ensure long-term reliability. This lens is best for portrait photographers who need uncompromising optical performance and smooth bokeh in a full-frame E-mount system.

View Details & Prices

Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Contemporary 45mm f/2.8 DG DN 45mm

73.1 Video/Cinema Score
45mmf/2.8Sony EWeather Sealed
Why we recommend this

A compact 215g full-frame prime with a fast internal focus system and weather sealing, this lens stands out for its versatile 45mm focal length and all-metal I Series build quality. Its f/2.8 aperture balances light gathering with a remarkably small footprint, making it a discreet everyday carry option. This lens is best for street and travel photographers who prioritize portability and tactile manual controls over maximum background separation.

View Details & Prices

Best Lenses under €900 for video production

Best Pick

Sigma Contemporary 18-50mm f/2.8 DC DN

86 Video/Cinema Score
18-50mmf/2.8Sony EWeather Sealed
Why we recommend this

A constant f/2.8 aperture across the 18-50mm zoom range is packed into a weather-sealed body weighing just 290g, making it exceptionally portable for APS-C mirrorless systems. Its stepping motor delivers fast, quiet autofocus and the 4.8-inch minimum focus distance enables 1:2.8 magnification macro-style close-ups. This lens is best for travel photographers and hybrid shooters who need a lightweight, versatile standard zoom without sacrificing low-light capability.

View Details & Prices

Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 50mm f/1.4 DG HSM 50mm

53.5 Video/Cinema Score
50mmf/16Nikon FWeather Sealed
Why we recommend this

The 14-element optical design with three ED and one aspherical element delivers exceptional sharpness and suppresses aberrations even at its bright f/1.4 maximum aperture. Its robust, weather-sealed metal build and smooth, ring-type HSM autofocus system offer a premium handling experience that belies its price point. This lens is best for portrait and studio photographers using Nikon F-mount DSLRs who demand critical image quality and shallow depth of field control without the cost of first-party optics.

View Details & Prices

Best Lenses under €1,500 for video production

Best Pick

Sigma Art 17-40mm f/1.8 DC 40mm

92.1 Video/Cinema Score
17-40mmf/1.8Fujifilm XWeather Sealed
Why we recommend this

A constant f/1.8 aperture across the entire 17-40mm zoom range delivers prime-like optical performance in a weather-sealed, 535g body. Its 11-blade diaphragm and Super Multi-Layer Coating produce smooth bokeh with suppressed flare, while the HLA motor provides fast, quiet autofocus for hybrid shooting. This lens is best for portrait and event photographers on Fujifilm X-mount who need a bright, versatile standard zoom without carrying multiple primes.

View Details & Prices

Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Contemporary 28-70mm f/2.8 DG DN

80.2 Video/Cinema Score
28-70mmf/2.8Sony E
Why we recommend this

Combining a constant f/2.8 aperture with a remarkably light 470g body, this lens delivers Art-line optical quality in a portable package using 3 aspherical and 4 ED elements. Its weather-sealed construction and fast, quiet stepping motor autofocus make it a discreet and durable daily companion. This is best for Sony E-mount hybrid shooters who prioritize handheld versatility and image quality over the widest focal range.

View Details & Prices

Sigma 750975

34.2 Video/Cinema Score
100-400mm
Why we recommend this

Combining a 100-400mm reach with a relatively light 1100g build, this lens stands out for full-frame mirrorless portability. Its dust- and splash-proof brass mount and optical design that minimizes flare add rugged, practical reliability. This is best for outdoor enthusiasts and travelers who need handheld telephoto range without the bulk of traditional pro glass.

View Details & Prices

Best Lenses under €2,500 for video production

Best Pick

Sigma Sports 70-200mm f/2.8 DG OS HSM Sports

83.7 Video/Cinema Score
70-200mmf/2.8Canon EFISWeather Sealed
Why we recommend this

Dual HLA motors deliver fast, quiet autofocus and the OS2 algorithm provides 7.5 stops of stabilization, making this f/2.8 telephoto zoom exceptionally steady for handheld work. Its internal zoom mechanism and weather-sealed Sports-line build resist dust and moisture while minimizing focus breathing for consistent framing. This lens is best for sports and wildlife photographers using Sony E-mount who need reliable subject tracking and sharp results in challenging outdoor conditions.

View Details & Prices

Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 135mm f/1.4 DG

55.7 Video/Cinema Score
135mmf/16Sony EWeather Sealed
Why we recommend this

The f/1.4 maximum aperture combined with FLD and aspherical elements delivers exceptional subject separation and suppresses chromatic aberration for crisp, high-resolution rendering. Its HLA-driven autofocus motor provides fast, quiet focusing, while the 13-blade diaphragm creates smooth, circular bokeh that enhances portrait backgrounds. This lens is best for portrait photographers who prioritize shallow depth of field and edge-to-edge sharpness in a weather-sealed, premium build.

View Details & Prices

Premium Lenses for video production

Best Pick

Sigma Sports 730956 300-600mm

55.5 Video/Cinema Score
600mmf/22Sony EISWeather Sealed
Why we recommend this

A 10x zoom range from 60-600mm combined with three FLD elements and Super Multi-Layer Coating suppresses aberrations and flare, while Hyper Sonic AF provides fast focusing. The TSC barrel and Arca-type foot improve durability and tripod handling, and the 9-blade aperture offers pleasing bokeh. It’s ideal for wildlife and sports shooters needing a versatile telephoto range without lens changes.

View Details & Prices