Best Lenses under €500 for video production

Best Pick

Sony E PZ 16-50mm f/3.5-5.6 OSS

83.5 Video/Cinema Score
16-50mmf/3.5Sony EISWeather Sealed
Why we recommend this

The power zoom mechanism delivers smooth, silent operation ideal for video, while the retractable design and 107g weight make it exceptionally portable. Optical SteadyShot stabilization provides 4 stops of shake reduction, and the ED glass with aspherical elements controls aberrations in a compact package. This lens is best for travel photographers and vloggers who need a lightweight, stabilized standard zoom for Sony APS-C E-mount cameras.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Contemporary 56mm f/1.4 DC DN 56mm

80.2 Video/Cinema Score
56mmf/1.4Nikon ZWeather Sealed
Why we recommend this ▼

The bright f/1.4 aperture and 84mm full-frame equivalent focal length deliver sharp subject isolation and strong low-light performance in a compact, 280g body. Its weather-sealed construction and near-silent stepping motor AF add durability and discreet operation uncommon at this price point. This lens is best for APS-C mirrorless portrait and street photographers who need a lightweight, fast telephoto prime with professional-grade optics.

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Nikon NIKKOR 35mm f/1.4 35mm

79.3 Video/Cinema Score
35mmf/1.4Nikon ZWeather Sealed
Why we recommend this ▼

Its f/1.4 maximum aperture and Silent Wave Motor enable quick, quiet focusing in dim conditions, while weather sealing and Nano Crystal Coat suppress flare and moisture ingress. At just 113g, this lens disappears in your hand, making it an unobtrusive choice for all-day street sessions and candid portraits without fatigue. Portrait and street photographers who need a fast, weather-resistant 35mm prime with silent operation will find this featherweight build never intrudes on the shot.

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Canon EF-S 18-55mm f/3.5-5.6 IS II

78.4 Video/Cinema Score
18-55mmf/3.5Canon EF-SIS
Why we recommend this ▼

Its 18-55mm focal range on an EF-S mount offers a versatile standard zoom for APS-C Canon DSLRs, with a constant f/3.5 aperture at the wide end. This lens is typically positioned as an affordable kit option, making it an accessible entry point for new photographers. It's best for beginners wanting a general-purpose walkaround lens for casual portraits and everyday shooting.

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Canon RF 24-105mm f/4L IS USM

74.2 Video/Cinema Score
24-105mmf/22Canon RFISWeather Sealed
Why we recommend this ▼

The constant f/4 aperture across its 24-105mm zoom range provides consistent exposure and depth of field control, paired with a silent USM autofocus motor. Its versatile focal length makes it a practical single-lens solution for walk-around shooting, covering wide-angle to short telephoto. This lens is best for portrait and event photographers needing a reliable, general-purpose zoom on an EF-mount body.

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Meike 01 56mm

73.5 Video/Cinema Score
56mmf/1.7Sony EIS
Why we recommend this ▼

The f/1.7 aperture and 56mm focal length on APS-C deliver strong subject separation and smooth bokeh for portraits, aided by 2 ED elements that control chromatic aberration. Its 190g build and silent STM autofocus make it a discreet, lightweight option for all-day handheld use without fatigue. This lens is best for Sony E-mount shooters wanting an affordable, compact portrait prime with reliable autofocus for street and environmental portraits.

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GoPro HB-Series AEWAL-011 3mm

73.3 Video/Cinema Score
3mmf/2.5GoPro HERO Black MountISWeather Sealed
Why we recommend this ▼

Auto-detection by the HERO13 Black enables in-camera de-squeezing of the 3mm f/2.5 lens, delivering 21:9 footage with reduced distortion and cinematic horizontal flares. The 77-gram mod attaches tool-free and maintains waterproof durability with a scratch-resistant, hydrophobic coating, while HyperSmooth stabilization support steadies handheld shots. This lens is best for action vloggers and street filmmakers who want ready-to-edit widescreen footage straight from the camera.

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Sirui Sniper 75mm f/1.2 75mm

69.6 Video/Cinema Score
75mmf/16Nikon Z
Why we recommend this ▼

The f/1.2 aperture and 15-blade diaphragm produce exceptionally smooth bokeh and strong subject isolation on APS-C sensors, with a 112.5mm full-frame equivalent field of view. The STM autofocus motor operates quietly with minimal focus breathing and supports eye/object tracking, while the USB-C port allows for direct firmware updates. This lens is best for portrait and street photographers using Nikon Z or Sony E-mount APS-C cameras who prioritize shallow depth of field and background separation.

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Viltrox EVO AF 26mm F2.8 EVO FE 26mm

68.5 Video/Cinema Score
26mmf/16Sony EISWeather Sealed
Why we recommend this ▼

A 23.8mm-thick, 130g pancake lens with both a dedicated aperture ring and a focus ring, plus a 0.2m minimum focusing distance for close-up shots. Its 6-group, 8-element optical design with 2 aspherical and 1 high-refractive index elements delivers sharp images, while the gear-type STM motor provides near-silent autofocus. Best for street and travel photographers who prioritize pocketability and manual control over macro capability.

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Tamron Di III VC VXD AF020N700 28-300mm

68.3 Video/Cinema Score
28-300mmf/4Sony EISWeather Sealed
Why we recommend this ▼

The 28-300mm zoom range with a 67mm filter size and 540g weight makes this a compact all-in-one travel lens, featuring VXD autofocus and VC stabilization for handheld shooting. Its macro capability at 67mm minimum focus adds close-up versatility, while the built-in motor ensures compatibility with newer Nikon bodies. Best for Nikon APS-C shooters who want a single lens for travel, landscapes, and occasional macro shots without swapping glass.

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Sony YZ0308

64.9 Video/Cinema Score
f/3.5Screw-on lens fits camera lenses with a 55mm front filter threadIS
Why we recommend this ▼

The 0.43x magnification factor expands your field of view with multicoated glass optics that keep contrast decent for a screw-on adapter. A detachable macro element delivers an 81.6 close-up score, letting you capture tiny details without swapping lenses. This accessory fits hobbyists using 55mm-threaded kit lenses who want to explore wide-angle and macro photography on a budget.

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Viltrox Air AF 15mm f/1.7 15mm

63 Video/Cinema Score
15mmf/16Nikon ZWeather Sealed
Why we recommend this ▼

Combining a bright f/1.7 aperture with a compact 180g build, this 15mm prime delivers a 22.5mm full-frame equivalent field of view ideal for low-light scenes and controlled depth of field. The lens features a weather-sealed construction and an STM motor for smooth, quiet autofocus, offering strong value for its optical performance. It is best for street and travel photographers using APS-C Nikon Z or Fujifilm X cameras who need a fast, lightweight wide-angle prime.

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Meike Neo Series 5514-E 55mm

62.9 Video/Cinema Score
55mmf/16Nikon Z
Why we recommend this ▼

The f/1.4 aperture and 9-blade diaphragm produce strong subject isolation and smooth bokeh on APS-C Sony E-mount bodies. Its lightweight 286g build and STM autofocus make it a discreet, fast-performing option for street work at an accessible price. This lens is best for portrait and street photographers wanting a bright, affordable 55mm prime with reliable AF for low-light shooting.

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7Artisans Tilt-Shift 50mm f/1.4

62.8 Video/Cinema Score
50mmf/1.4Sony EIS
Why we recommend this ▼

The 50mm f/1.4 tilt-shift mechanism and bright aperture enable precise focus plane control and pronounced bokeh via a 12-blade diaphragm on Fujifilm X-mount bodies. Its compact 364g build and 75mm full-frame equivalent field of view make it a portable option for deliberate, creative compositions. This lens is best for portrait and still-life photographers wanting affordable tilt-shift effects without investing in proprietary systems.

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Fujifilm XF 35mm f/2 R WR 35mm

62.1 Video/Cinema Score
35mmf/16Fujifilm XWeather Sealed
Why we recommend this ▼

A weather-sealed design at just 170g and a fast, quiet stepping motor AF system make this 53mm-equivalent prime an unobtrusive everyday lens. Its optical formula with two aspherical elements delivers high sharpness, while the 9-blade diaphragm produces smooth bokeh for subject separation. This lens is best for street and travel photographers needing a discreet, all-weather normal field of view on Fujifilm X-mount bodies.

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Meike 85mm f/1.8 SE Mark II 85mm

61.3 Video/Cinema Score
85mmf/16Sony E
Why we recommend this ▼

The 85mm f/1.8 SE Mark II pairs a fast STM autofocus motor with an 11-element, 7-group design that controls flare and ghosting while delivering near-APO-level purple fringing control and zero distortion. Its 369g weight and 62mm filter thread make it a compact portrait prime for Nikon Z full-frame and APS-C bodies, with a 0.65m minimum focus for close-ups. Best for Nikon Z shooters who need a quiet, sharp portrait lens for professional video and stills, especially at 8K with zero breathing.

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Best Lenses under €900 for video production

Best Pick

Tamron Di III-A 18-300mm f/3.5-6.3 VC VXD

92.2 Video/Cinema Score
18-300mmf/3.5Sony EISWeather Sealed
Why we recommend this

Covering a massive 18-300mm focal range with VXD linear autofocus and VC stabilization, this lens eliminates the need to swap glass from wide landscapes to tight telephoto shots. Its 1:2 maximum magnification at a 5.9-inch minimum focus distance enables near-macro detail, while the weather-sealed 621g body remains portable for all-day carry. This lens is best for travel and hiking photographers who want a single, versatile solution for capturing everything from sweeping vistas to distant wildlife.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Contemporary 10-18mm f/2.8 DC DN

76.7 Video/Cinema Score
10-18mmf/2.8Sony EWeather Sealed
Why we recommend this ▼

Weighing just 260g with a constant f/2.8 aperture, this 10-18mm zoom delivers an ultra-wide 15-27mm full-frame equivalent field of view in a weather-sealed, travel-ready body. The fast internal focus system and 117mm minimum focus distance enable dynamic close-ups with smooth bokeh from its 7-blade diaphragm. This lens is best for vloggers and landscape photographers using APS-C Sony E-mount cameras who need a lightweight, low-light capable ultrawide zoom.

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Nikon NIKKOR AF-S NIKKOR 20 mm f/1.8G ED 20mm

71 Video/Cinema Score
20mmf/1.8Nikon FWeather Sealed
Why we recommend this ▼

The f/1.8 maximum aperture and Extra-low Dispersion glass elements deliver strong low-light performance with controlled aberrations in a compact 355g body. Its Silent Wave Motor enables fast, near-quiet autofocus down to 7.8 inches, making it a discreet option for tight spaces. This lens is best for FX-format shooters capturing expansive landscapes or environmental portraits who need a lightweight ultra-wide prime.

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7Artisans Hope Series 35T2.1 PL W 35mm

69.2 Video/Cinema Score
35mmf/2.5Sony EIS
Why we recommend this ▼

The T2.1 aperture and 15-element optical design deliver vivid, cinematic texture with strong low-light performance and a sharp, milky bokeh. A 260° focus stroke and effective breathing suppression enable precise, repeatable manual focus pulls that maintain consistent framing. This lens is best for aspiring filmmakers and video shooters on Sony APS-C bodies who prioritize deliberate, manual focus control over autofocus convenience.

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Viltrox 27mm f/1.2 27mm

68.7 Video/Cinema Score
27mmf/16Sony EWeather Sealed
Why we recommend this ▼

A 27mm F1.2 aperture on an APS-C lens gives a 40.5mm full-frame equivalent field of view with soft, cinematic bokeh and strong low-light performance, using 15 elements in 11 groups with HD Nano multilayer coating. The all-metal body is weather-sealed with a de-clickable aperture ring and USB-C firmware port, weighing 560g for hybrid use. This lens is best for portrait and video creators on Sony APS-C cameras who want a fast, durable prime for shallow depth of field and reliable autofocus.

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7Artisans AutoFocus AF135mm F1.8 135mm

68.1 Video/Cinema Score
135mmf/16Nikon ZISWeather Sealed
Why we recommend this ▼

Combining 16 elements with 6 ED glass and a 12-blade aperture, this lens delivers edge-to-edge sharpness and smooth F1.8 bokeh suitable for 60MP sensors. Its aerospace-grade aluminum body features full weather sealing, a declicked control ring, and dual FN buttons for silent, precise operation. This is best for portrait and studio photographers needing a durable, optically refined 135mm prime with modern STM autofocus on Nikon Z cameras.

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Nikon NIKKOR Z MC 105mm f/2.8 VR S 105mm

66.5 Video/Cinema Score
105mmf/32Nikon ZISWeather Sealed
Why we recommend this ▼

The S-line optical design with Nano Crystal and ARNEO coatings delivers edge-to-edge sharpness and suppresses flare for pristine 1:1 macro reproduction. Its built-in Vibration Reduction provides 4.5 stops of stabilization, making handheld close-up work practical without a tripod. This lens is best for macro specialists and product photographers who demand flawless detail from a weather-sealed, full-frame Z-mount optic.

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Sony FE 24-240mm f/3.5-6.3 OSS

66.3 Video/Cinema Score
24-240mm22-40Sony EISWeather Sealed
Why we recommend this ▼

A 24-240mm f/3.5-6.3 zoom range with built-in Optical SteadyShot stabilization provides a 10x all-in-one reach in a weather-sealed, 780g body. The linear motor autofocus is fast and silent, while the circular aperture creates pleasing bokeh for portraiture and close-up depth. It’s best for travel and landscape photographers who need a single, stabilized lens to cover wide vistas through telephoto details without swapping glass.

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Laowa 9mm f/2.8 Zero-D 9mm

65.2 Video/Cinema Score
9mmf/2.8Nikon ZWeather Sealed
Why we recommend this ▼

Its near-zero distortion rectilinear design at a 9mm focal length delivers straight architectural lines and expansive landscapes without the fisheye effect, aided by 3 ED and 2 aspherical elements. The compact 215g build, weather sealing, and built-in petal hood make it a discreet, durable choice for gimbal-mounted video work. This lens is best for APS-C landscape and architecture photographers who prioritize optical precision and portability over autofocus.

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Zeiss Touit 32mm f/1.8 32mm

64.4 Video/Cinema Score
32mmf/1.8Sony E
Why we recommend this ▼

The Zeiss T* coating and aspherical element deliver high contrast and vivid color with strong resistance to flare, making it a sharp standard prime for APS-C Sony cameras. Its compact 200g metal build and smooth autofocus provide a reliable, lightweight setup for everyday shooting. This lens is best for portrait and street photographers who prioritize rich color rendition and a natural 48mm-equivalent field of view.

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OM System M.Zuiko Digital ED Pro V335050BW000 20mm

64 Video/Cinema Score
20mmf/16Micro Four ThirdsWeather Sealed
Why we recommend this ▼

The f/1.4 aperture and eleven-element optical design deliver soft bokeh and high resolution, while ZERO coating suppresses ghosting and chromatic aberration for authentic color. Its weather-sealed, dustproof construction with fluorine coating ensures durability in adverse conditions, and the 247g body maintains portability across Micro Four Thirds systems. This lens is best for street and portrait photographers who need a rugged, fast prime that mimics natural human-eye perspective.

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Fujifilm XF 16537744 18-135mm

63.6 Video/Cinema Score
18-135mmf/22Fujifilm XISWeather Sealed
Why we recommend this ▼

The 5-stop optical image stabilization and weather-sealed construction enable sharp results across an 18-135mm range in a lightweight 490g body. Fast linear motor autofocus and smooth bokeh from the f/3.5-5.6 aperture handle moving subjects and portraits with ease. This lens is ideal for landscape and travel photographers who need a reliable, all-in-one zoom for challenging outdoor conditions.

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Sirui Vision Prime 1 VP-1-24G-AM 24mm

61.9 Video/Cinema Score
24mmf/1.4Sony EISWeather Sealed
Why we recommend this ▼

The T1.4 aperture and 8K-ready optics with aspherical and ED glass deliver sharp, low-distortion footage and smooth bokeh from the 12-blade diaphragm. Its interchangeable mount system—supporting E, RF, Z, and L mounts—and uniform 600g build across the set simplify multi-camera shoots and gimbal balancing. This lens suits gimbal operators and independent filmmakers who need a fast 24mm prime that switches seamlessly between mirrorless systems while preserving a compact, consistent workflow.

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Viltrox 75mm f/1.2 AF 75mm

61.9 Video/Cinema Score
75mmf/16Fujifilm XWeather Sealed
Why we recommend this ▼

Its f/1.2 maximum aperture and 11-blade diaphragm deliver exceptionally shallow depth of field and smooth bokeh for a 112.5mm full-frame equivalent portrait length. The all-metal, weather-sealed build and STM autofocus with eye/face detection provide professional handling that belies its price point. This lens is best for Fujifilm X-mount portrait and wedding photographers who need extreme subject isolation and low-light performance without the cost of first-party optics.

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Canon RF 15-30mm F4.5-6.3 IS STM

59.2 Video/Cinema Score
15-30mmf/32Canon RFIS
Why we recommend this ▼

Combining a 390g weight with 5-stop optical stabilization and STM autofocus, the 15-30mm f/4.5-6.3 offers a uniquely portable full-frame ultra-wide zoom. It also delivers 1:2 macro magnification at a 130mm minimum focus distance, unusual in its class. Best for vloggers and real estate photographers needing a lightweight lens that excels at both wide-angle scenes and detailed close-ups.

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Brightin Star AF Fit for Nikon Z-Mount 35mm

58.8 Video/Cinema Score
35mmf/16Nikon ZWeather Sealed
Why we recommend this ▼

The optical design with 2 aspherical and 1 ED element, combined with an 11-blade diaphragm, delivers controlled aberrations and smooth bokeh for a full-frame f/1.8 prime. A de-clicked aperture ring and weather-sealed mount make it a practical hybrid lens for video shooters needing silent exposure adjustments. This lens is best for Nikon Z portrait photographers and videographers who prioritize shallow depth of field and tactile manual control.

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Best Lenses under €1,500 for video production

Best Pick

OM System M.Zuiko Digital ED 90mm f/3.5 Macro IS PRO 90mm

88.9 Video/Cinema Score
90mmf/3.5Micro Four ThirdsISWeather Sealed
Why we recommend this

Achieving an unmatched 2:1 magnification with a 180mm full-frame equivalent reach, this lens enables extreme close-up detail without disturbing subjects. Its IP53 weather sealing and 7-stop stabilization make it a uniquely durable tool for handheld field macro work in harsh conditions. This is best for nature photographers who need to capture insects and flora at greater-than-life-size scale in unpredictable outdoor environments.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Contemporary 28-70mm f/2.8 DG DN

84.3 Video/Cinema Score
28-70mmf/2.8Sony EWeather Sealed
Why we recommend this ▼

Combining a constant f/2.8 aperture with a remarkably light 470g body, this lens delivers Art-line optical quality in a portable package using 3 aspherical and 4 ED elements. Its weather-sealed construction and fast, quiet stepping motor autofocus make it a discreet and durable daily companion. This is best for Sony E-mount hybrid shooters who prioritize handheld versatility and image quality over the widest focal range.

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Nikon NIKKOR AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR

83.6 Video/Cinema Score
16-80mmf/2.8Nikon FIS
Why we recommend this ▼

A 16-80mm zoom range with f/2.8 at the wide end and Vibration Reduction delivers flexible, stabilized shooting for Nikon DX bodies. The bundled UV filter and cleaning kit provide immediate protection and maintenance right out of the box. Portrait and travel photographers using APS-C cameras will find this a practical, single-lens solution for varied handheld conditions.

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Canon L EF 100mm f/2.8L Macro IS USM 100mm

71.4 Video/Cinema Score
100mmf/32Canon EFISWeather Sealed
Why we recommend this ▼

The 1:1 macro magnification and 300mm minimum focus distance make this L-series prime a true life-size close-up tool, with 5-stop image stabilization and weather sealing for handheld outdoor work. Its f/2.8 aperture and 9-blade diaphragm also deliver smooth bokeh for portraits, though it scores weakest there. Best for Canon EF shooters who need a dedicated macro lens for product, nature, or detail photography, not for portrait-first buyers.

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Nikon Micro-NIKKOR 2177 60mm

74.9 Video/Cinema Score
60mmf/2.8Nikon FIS
Why we recommend this ▼

Delivering true 1:1 reproduction with edge-to-edge sharpness, its optical formula includes one ED and two aspherical elements alongside Nano Crystal Coat to suppress flare and chromatic aberration. The internal focusing design and silent wave motor provide fast, quiet autofocus without a rotating front element, making filter use straightforward. This lens is best for Nikon DSLR shooters who need a precise, lightweight macro lens for detailed close-up work and copy stand reproduction.

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Sigma Art 28mm f/1.4 DG HSM

71.7 Video/Cinema Score
28mmf/1.4Sony EWeather Sealed
Why we recommend this ▼

The f/1.4 maximum aperture and an optical design with three aspherical and five SLD/FLD elements deliver exceptional sharpness and contrast control for low-light scenes. Its weather-sealed, robust build and Super Multi-Layer Coating ensure reliable, flare-resistant performance in demanding conditions. This lens is best for professional landscape and street photographers needing a fast, wide-angle prime with uncompromising optical clarity.

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Sony G SELP1020G 10-20mm

69.9 Video/Cinema Score
10-20mmf/22Sony EISWeather Sealed
Why we recommend this ▼

Weighing just 178g with a constant f/4 aperture, this is the world's smallest and lightest APS-C ultra-wide power zoom, delivering exceptional mobility without sacrificing image quality. Its internal zoom and focus design maintains a stable center of gravity, while the power zoom mechanism enables smooth, variable-speed zooms with minimal camera vibration for solo shooters. This lens is best for vloggers and hybrid shooters using gimbals who need reliable autofocus and suppressed focus breathing for 4K video.

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Sigma Sports 150-600mm f/5-6.3 DG DN OS

66.5 Video/Cinema Score
150-600mmf/5Sony EISWeather Sealed
Why we recommend this ▼

A 2100g build with four FLD and two SLD elements delivers high rendering across the 150-600mm range, while the stepping motor AF and 4-stop stabilization ensure sharp results. The dual-action zoom with adjustable torque and weather sealing adds handling flexibility rarely found at this price point. This lens is best for wildlife and motorsports photographers who need L-mount reach without compromising on optical consistency.

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Zeiss Batis 000000-2136-691 18mm

64.5 Video/Cinema Score
18mmf/22Sony EWeather Sealed
Why we recommend this ▼

The 18mm f/2.8 prime delivers high contrast and resolution through a Distagon optical design with seven special glass elements and a Zeiss T* coating to suppress stray light. Its robust, weather-sealed metal build houses an innovative OLED display that shows focus distance and depth of field, a unique differentiator for precision work in poor light. This lens is best for portrait and street photographers using Sony full-frame E-mount cameras who need a compact, durable wide-angle prime with reliable autofocus.

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Sony FE SEL2070G 20-70mm

63.1 Video/Cinema Score
20-70mmf/22Sony EWeather Sealed
Why we recommend this ▼

Its unprecedented 20-70mm zoom range starts at an ultra-wide 20mm, a first for a standard f/4 zoom, paired with a constant f/4 aperture and a lightweight 488g, weather-sealed build. The lens delivers outstanding G-series resolution across the frame and refined video performance with minimized focus breathing, while its 0.39x maximum magnification offers excellent close-up capability throughout the zoom range. This is the ideal single-lens solution for travel photographers and hybrid shooters who need wide landscapes and standard framing without swapping optics.

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Sirui Night Walker S35 Manual Focus Cine 24-55mm

61.4 Video/Cinema Score
24-55mmf/1.2Fujifilm XIS
Why we recommend this ▼

The constant T1.2 aperture across the 24-55mm zoom range delivers clean, low-noise footage in minimal light and distinct subject separation with pleasing bokeh. The set’s consistent gear positions and matched color tone across focal lengths enable rapid lens swaps without accessory readjustment, all within a lightweight 500g aluminum housing. This manual focus cine lens is best for portrait and documentary shooters using X-Mount cameras who prioritize shallow depth of field and a streamlined, portable rig.

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Viltrox LAB AF 35mm f/1.2 LAB FE 35mm

59.6 Video/Cinema Score
35mmf/16Sony EWeather Sealed
Why we recommend this ▼

Its f/1.2 maximum aperture and advanced optical design with 5 ED and 2 aspherical elements deliver exceptional low-light performance and subject separation with smooth, 11-blade bokeh. The quiet VCM autofocus motor and weather-sealed, multilayer nanocoated barrel with dual Fn buttons offer reliable, customizable control in demanding conditions. This lens is best for portrait and studio photographers who prioritize extreme shallow depth of field and robust build quality over portability.

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Canon RF 24-240mm f/4-6.3 IS USM

58.6 Video/Cinema Score
24-240mm22-36Canon RFIS
Why we recommend this ▼

A 24-240mm 10x zoom with 5-stop stabilization and Nano USM autofocus delivers full-frame versatility in a travel-ready 750g package. Smooth, quiet AF handles both photo sequences and professional-looking video focus pulls, while the lockable zoom ring adds handling security across the range. This lens is best for travel photographers and hybrid EOS R shooters who need a single lightweight optic for wide landscapes, portraits, and distant action.

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Zeiss Biogon T ZM 1486-394-L 35mm

54.4 Video/Cinema Score
35mmf/2.8Leica MWeather Sealed
Why we recommend this ▼

The 9-element optical design with T* anti-reflective coating delivers exceptional contrast and sharpness across the full-frame image, rivaling Leica's own pre-asph Summicron. Its 200g all-metal build and compact profile make it a discreet, durable walkaround lens that handles beautifully with precise 1/3-stop aperture detents. This lens is best for street and travel photographers using Leica M-mount rangefinders who prioritize a lightweight kit without sacrificing optical performance.

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Thypoch Simera 28mm F1.4 28mm

54.3 Video/Cinema Score
28mmf/1.4Nikon ZIS
Why we recommend this ▼

A 14-blade diaphragm and f/1.4 aperture produce exceptionally smooth bokeh and natural tones, while the floating lens group with ED and HRI elements maintains sharpness down to a 0.4m minimum focus distance. The manual focus ring includes a tactile resistance point at 0.7m to signal the shift from rangefinder coupling to EVF, and the crescent-shaped tab enables precise single-finger control. This lens is best for Nikon Z shooters focused on environmental portraiture and street photography who prioritize cinematic depth and hands-on operation.

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Samyang AF 135mm f/1.8 FE 135mm

48.9 Video/Cinema Score
135mmf/22Sony EWeather Sealed
Why we recommend this ▼

The f/1.8 aperture combined with three ED elements and an ultra-precision aspherical element delivers sharp subject separation and suppressed aberrations for full-frame Sony E-mount cameras. Its weather-sealed, 772g build and 11-blade diaphragm provide durable handling and smooth bokeh at a competitive price point. This lens is best for portrait and astrophotography shooters who prioritize fast autofocus and optical clarity without the premium cost of first-party glass.

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Best Lenses under €2,500 for video production

Best Pick

Sony G SELP28135G.SYX 28-135mm

100 Video/Cinema Score
28-135mmf/4Sony EISWeather Sealed
Why we recommend this

A servo-powered zoom mechanism and constant f/4 aperture across the 28-135mm range make this a standout for controlled video environments. Optical SteadyShot stabilization and a Nano AR Coating ensure sharp, consistent footage, while the full-frame E-mount compatibility offers wide creative latitude. This lens is best for documentary filmmakers and event videographers who need a single, reliable parfocal zoom for run-and-gun shooting.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 105mm f/2.8 EX DG OS HSM Macro 105mm

82.5 Video/Cinema Score
105mmf/2.8Canon EFISWeather Sealed
Why we recommend this ▼

Delivering true 1:1 macro reproduction with a 295mm minimum focus distance, this lens combines one SLD element and Super Multi-Layer Coating for sharp, high-contrast images free of aberrations. Its weather-sealed, 710g build and built-in optical stabilization provide reliable handheld shooting in the field. This is best for macro photographers and portraitists on Sony E-mount who need a stabilized, life-size optic with strong color accuracy.

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Canon RF14-35mm F4L IS USM 14-35mm

82.3 Video/Cinema Score
14-35mmf/22Canon RFISWeather Sealed
Why we recommend this ▼

Combining an ultra-wide 14mm field of view with a constant f/4 aperture and 5.5-stop optical stabilization, this lens stands out for its compact 544g build and advanced optics with SWC and ASC coatings. Its 0.38x maximum magnification at 35mm enables dramatic close-focusing perspectives, while the Nano USM motor delivers silent, smooth autofocus for video. This lens is best for landscape and architecture photographers who need a weather-sealed, portable zoom for walkaround shooting.

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Zeiss Batis 000000-2136-695 135mm

74.9 Video/Cinema Score
135mmf/2.8Sony EISWeather Sealed
Why we recommend this ▼

The Apo Sonnar optical design with 14 elements and ZEISS T* coating delivers high contrast and vivid color while suppressing stray light. Its weather-sealed metal build, optical stabilization, and an innovative OLED display for focus distance make it durable and intuitive in the field. This 135mm f/2.8 is best for portrait photographers and videographers on Sony E-mount who need a compact, 614g telephoto with reliable autofocus and rich subject isolation.

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Canon L RF 24-70mm f/2.8L IS USM

73.2 Video/Cinema Score
24-70mmf/22Canon EFISWeather Sealed
Why we recommend this ▼

A constant f/2.8 aperture across the 24-70mm zoom range, paired with one Super UD and two UD elements, delivers sharp, color-accurate images with minimal chromatic aberration. Its weather-sealed, 805g build and fluorine coating provide reliable durability for field use, while the 5-stop image stabilization enables sharper handheld shooting. This lens is best for landscape and travel photographers needing a rugged, versatile workhorse with a 92.5/100 landscape score.

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OM System M.Zuiko Digital ED 12-100mm f/4 IS PRO

71 Video/Cinema Score
12-100mmf/22Micro Four ThirdsISWeather Sealed
Why we recommend this ▼

A constant f/4 aperture across an 8.3x zoom range paired with Sync IS delivering up to 7.5 stops of compensation makes this lens uniquely versatile. Its IP53-rated weather sealing and robust 561g build ensure reliable performance in harsh conditions without weighing down a kit. This is the ideal single-lens solution for landscape and travel photographers who need uncompromised sharpness from wide-angle to telephoto.

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OM System M.Zuiko Digital 8-25mm f/4 PRO

70.6 Video/Cinema Score
8-25mmf/4Micro Four ThirdsWeather Sealed
Why we recommend this ▼

A 16-50mm full-frame equivalent range in a single, weather-sealed lens weighing just 411g makes this a uniquely versatile tool for Micro Four Thirds shooters. The sophisticated optical design with 16 elements suppresses aberrations for sharp results, while the manual focus clutch and programmable L-Fn button enhance handling. This lens is best for travel and landscape photographers who need a single, durable wide-to-standard zoom to minimize kit weight in harsh conditions.

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Tamron SP AFA022N700 150-600mm

69.8 Video/Cinema Score
150-600mmf/5Nikon FISWeather Sealed
Why we recommend this ▼

Covering a 150-600mm focal range with an f/5-6.3 maximum aperture, this lens stands out through its effective 4.5-stop image stabilization and weather-sealed construction. Advanced eBAND and BBAR coatings paired with a fluorine coating reduce flare and repel moisture, making it practical for harsh field conditions. It's best suited for Canon full-frame DSLR photographers who need an affordable, versatile super-telephoto for wildlife and sports, where its reach and stabilization shine.

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Olympus M.Zuiko V311100BU000 17mm

69.6 Video/Cinema Score
17mmf/1.2Micro Four ThirdsWeather Sealed
Why we recommend this ▼

The f/1.2 aperture combined with Z Coating Nano delivers exceptional subject isolation and flare resistance on a 34mm equivalent field of view. Its weather-sealed, freeze-proof build and manual focus clutch provide a tactile, reliable shooting experience in harsh conditions. This lens is best for portrait photographers on Micro Four Thirds who need shallow depth of field and robust construction.

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Sigma Sports 70-200mm f/2.8 DG DN OS

69.4 Video/Cinema Score
70-200mmf/22Sony EISWeather Sealed
Why we recommend this ▼

Dual HLA motors deliver fast, quiet autofocus and the OS2 algorithm provides 7.5 stops of stabilization, making this f/2.8 telephoto zoom exceptionally steady for handheld work. Its internal zoom mechanism and weather-sealed Sports-line build resist dust and moisture while minimizing focus breathing for consistent framing. This lens is best for sports and wildlife photographers using Sony E-mount who need reliable subject tracking and sharp results in challenging outdoor conditions.

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Nikon NIKKOR 20mm f/2.8D 20mm

67.3 Video/Cinema Score
20mmf/2.8Nikon F
Why we recommend this ▼

Weighing just 97g, this 20mm f/2.8 prime is an ultra-portable full-frame wide-angle that relies on a Super Integrated Coating for contrast. Its compact build and 62mm filter thread make it a discreet, affordable entry into expansive perspectives on Nikon F-mount bodies with a focus motor. This lens is best for street photographers who prioritize a lightweight setup and can work around the lack of weather sealing.

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Sony G Master SEL14F18GM 14mm

66.4 Video/Cinema Score
14mmf/16Sony EWeather Sealed
Why we recommend this ▼

Combining an ultra-wide 14mm perspective with a fast f/1.8 aperture in a compact 460g body, this lens delivers exceptional corner-to-corner sharpness thanks to dual XA and Super ED elements. The rear gel filter holder and integrated petal hood add practical utility, while the dust- and moisture-sealed design ensures reliable use in harsh conditions. This is the ideal tool for astrophotographers and landscape shooters who need a lightweight, fast prime for full-frame Sony E-mount cameras.

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Sony FE SEL2450G 24-50mm

65.1 Video/Cinema Score
24-50mmf/22Sony EWeather Sealed
Why we recommend this ▼

Combining a constant f/2.8 aperture with a remarkably light 440g build, this lens stands out for its portable, weather-sealed design without sacrificing speed. The inclusion of aperture de-click and lock switches, alongside 0.33x maximum magnification, makes it a uniquely versatile hybrid tool for both smooth video operation and close-up detail work. It is best for travel and everyday photographers who prioritize a compact kit for walkaround shooting but still demand full-frame f/2.8 brightness.

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Nikon NIKKOR Z 70-200mm f/2.8 VR S

59 Video/Cinema Score
70-200mmf/22Nikon ZISWeather Sealed
Why we recommend this ▼

The fluorite and ED elements in this 22-element optical design deliver exceptional sharpness and contrast across the frame, while the 4-stop Vibration Reduction ensures handheld clarity at 200mm. Its constant f/2.8 aperture and Nano Crystal Coat provide consistent subject isolation and flare resistance, paired with a robust, weather-sealed build that includes a detachable tripod foot. This lens is best for portrait and event photographers who need reliable autofocus and edge-to-edge sharpness in challenging light.

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Fujifilm XF 18-120mm f/4 LM PZ WR

58 Video/Cinema Score
18-120mmf/22Fujifilm XWeather Sealed
Why we recommend this ▼

A constant f/4 aperture across its 18-120mm power zoom range, combined with a linear motor and internal zoom mechanism, makes this lens ideal for smooth, uninterrupted video work. Its lightweight 470g build and weather-sealed construction, developed with FUJINON cine lens designers, offer stepless aperture control from compatible X Series bodies. This lens is best for hybrid shooters and videographers needing a versatile, all-in-one zoom for run-and-gun documentary or event coverage.

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Canon L-series EF 100-400mm f/4.5-5.6L IS II USM

52.3 Video/Cinema Score
100-400mmf/100Canon EFISWeather Sealed
Why we recommend this ▼

Integrating one fluorite and one Super UD element with Air Sphere Coating, this lens delivers sharp, high-contrast images with minimal aberrations, supported by a 4-stop Image Stabilizer for handheld clarity. A rotating zoom ring with adjustable torque and comprehensive weather sealing with a fluorine coating set it apart for reliable, precise control in tough conditions. It’s best for wildlife and sports photographers who need a rugged, stabilized telephoto zoom for tracking fast-moving subjects from a distance.

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Premium Lenses for video production

Best Pick

Tamron SP A025E 70-200mm

87.1 Video/Cinema Score
70-200mmf/2.8Canon EFISWeather Sealed
Why we recommend this

The constant f/2.8 aperture and 23-element optical design with eBAND Coating deliver sharp, flare-resistant images across the 70-200mm zoom range. Its 5-stop VC stabilization and faster AF make it a solid upgrade over the original A009, with a reduced 0.95m minimum focus distance for closer shots. Best for portrait and macro photographers who need a durable, weather-sealed telephoto zoom for Canon EF mounts.

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Great Alternatives

These options also score highly and may better suit your specific needs

Nikon NIKKOR AF-S NIKKOR 24mm f/1.4G ED 24mm

77.9 Video/Cinema Score
24mmf/1.4Nikon FWeather Sealed
Why we recommend this ▼

The f/1.4 aperture combined with Nano Crystal Coating and ED glass delivers exceptional low-light performance and sharpness with controlled flares. Its durable weather-sealed build and 12-blade diaphragm produce a painterly look with expressive bokeh and subtle highlight blooms. This lens is best for portrait and video shooters using Nikon F-mount DSLRs who need a wide-angle prime with organic rendering and shallow depth of field.

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Fujifilm GF120mmF4 R LM OIS WR Macro Lens 120mm

72.5 Video/Cinema Score
120mmG MountISWeather Sealed
Why we recommend this ▼

Its 0.5x maximum magnification and optical design with 3 ED elements deliver sharp, aberration-free macro and portrait results. The built-in 5-stop image stabilization and weather-resistant construction enable reliable handheld shooting in challenging conditions. This lens is best for studio portrait photographers who need a stabilized medium telephoto with true 1:2 macro capability on the GFX system.

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Sony G Master SEL1635GM2 16-35mm

70.3 Video/Cinema Score
16-35mmf/22Sony EWeather Sealed
Why we recommend this ▼

A 20% weight reduction to just 547g makes this f/2.8 zoom remarkably portable without sacrificing its constant aperture or weather-sealed build. Four XD Linear Motors deliver fast, silent autofocus and the 0.32x maximum magnification offers close-focusing versatility rare in wide-angle zooms. This lens is best for landscape and architecture photographers who need a lightweight, full-frame 16-35mm optic for demanding field work.

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OM System M.Zuiko Digital ED 50-200mm f/2.8 IS PRO

68 Video/Cinema Score
50-200mmf/22Micro Four ThirdsISWeather Sealed
Why we recommend this ▼

A constant f/2.8 aperture across a 100-400mm equivalent range in a 1,075g, IP53 weather-sealed body makes this lens uniquely portable for super-telephoto work. Its 7-stop synchronized 5-axis image stabilization enables sharp handheld shooting at extreme focal lengths, complemented by a 0.5x maximum magnification for close-up detail. This is the ideal lens for wildlife and sports photographers who need a rugged, lightweight setup for all-day outdoor use without a tripod.

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Sony FE 400-800mm f/6.3-8 G OSS

67 Video/Cinema Score
400-800mmf/6.3Sony EISWeather Sealed
Why we recommend this ▼

Delivering an 800mm native reach that extends to 1600mm with teleconverters, its internal zoom design keeps the 2.5 kg lens balanced and sealed against the elements. Remarkable close-up capability for a super-telephoto, focusing down to 1.7 m at 0.23x magnification, allows frame-filling shots of small wildlife. This lens is ideal for birders, sports photographers, and videographers who demand 800mm reach with smooth, breathing-free video capture.

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Sigma Sports 185956 500mm

65.4 Video/Cinema Score
500mmf/4Sigma SAISWeather Sealed
Why we recommend this ▼

A 500mm f/4 optical formula with one SLD and two FLD elements, plus Super Multi-Layer coating, delivers sharp, contrast-rich images, aided by a 4-stop Optical Stabilizer for handholding in dim conditions. Its dust- and splash-proof magnesium-alloy barrel, brass mount, and teleconverter compatibility ensure durability and extended reach options. This lens is ideal for sports and wildlife photographers who rely on fast Hyper Sonic AF with full-time manual override and a bright f/4 aperture to track distant, fast-moving subjects.

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Fujifilm XF 18-135 F3.5-5.6 OIS WR 18-135mm

64.4 Video/Cinema Score
18-135mmf/22Fujifilm XISWeather Sealed
Why we recommend this ▼

A 7.5x zoom range covering 27-206mm equivalent and a 5-stop image stabilizer make this a uniquely versatile all-in-one lens for Fujifilm X-mount. The weather-sealed, 499g build withstands rain and dust while remaining light enough for all-day carry, and the inner focus motor delivers silent, 0.1-second autofocus. This is the ideal single-lens solution for travel and landscape photographers who prioritize framing flexibility and weather resistance over shallow depth of field.

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OM System M.ZUIKO DIGITAL V335930BW000 300-1200mm

62.7 Video/Cinema Score
150-600mmf/6.3Micro Four ThirdsISWeather Sealed
Why we recommend this ▼

Delivering a 1200mm equivalent field of view in a weather-sealed body, this lens provides extreme reach with 7-stop Sync IS for hand-held shooting. Its 0.56m minimum focus distance enables 0.7x tele-macro magnification, doubling as a close-up tool for detailed subjects. This is best for wildlife photographers and birders who need maximum focal length without a tripod.

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Sigma Art 14-24mm f/2.8 DG HSM

49 Video/Cinema Score
14-24mmf/22Nikon FWeather Sealed
Why we recommend this ▼

The constant f/2.8 aperture across the 14-24mm zoom range, combined with three FLD and three aspherical elements, delivers edge-to-edge sharpness and minimal distortion. Its robust, weather-sealed build and built-in lens hood provide a durable, all-in-one design that handles challenging conditions without requiring bulky external filters. This lens is best for architectural and landscape photographers who need a fast, ultra-wide rectilinear zoom with professional-grade optical performance.

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Tamron Di III 50-400mm f/4.5-6.3 VC VXD

44.3 Video/Cinema Score
50-400mmf/32Sony EISWeather Sealed
Why we recommend this ▼

An 8x zoom range starting at an uncommonly wide 50mm and half-life-size macro magnification at 9.8 inches set this lens apart from traditional 100-400mm telephotos. The VXD linear motor delivers fast, silent autofocus, while the 1152g build and 67mm filter thread keep it portable for a full-frame super-telephoto. This lens is best for wildlife and travel photographers who need a single, weather-sealed solution to capture both environmental context and distant details without switching lenses.

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Hasselblad XCD Lens 38mm

38.5 Video/Cinema Score
38mmf/32Hasselblad X
Why we recommend this ▼

Combining a 30mm full-frame equivalent field of view with a fast f/2.5 aperture, this lens delivers exceptional sharpness across the medium-format sensor via its 10-element optical design with three aspherical and three ED elements. Its compact 350g weight and robust metal build, featuring a push-pull focus ring for instant AF/MF switching, make it a highly portable and tactile tool. This lens is best for landscape and travel photographers using the Hasselblad X System who need a lightweight, wide-angle prime with strong low-light capability.

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