Best Lenses under €500 for video production

Best Pick

7Artisans AF 24mm f/1.8

51.2 Video/Cinema Score
24mmf/16L-Mount
Why we recommend this

The 14-element optical design with 2 aspherical and 3 ED elements delivers sharp full-frame images, while the f/1.8 aperture and 11-blade diaphragm create smooth bokeh for subject separation. Its quiet STM motor supports face and eye detection autofocus, making it a lightweight 424g option for L-Mount systems without weather sealing. This lens is best for street and environmental portrait photographers who prioritize a fast, wide-angle prime with strong close-up rendering.

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TTArtisan AF 75mm f/2 75mm

48.2 Video/Cinema Score
75mmf/16L-Mount
Why we recommend this ▼

The bright f/2 aperture and 9-blade diaphragm on this 329g full-frame prime deliver strong subject separation with smooth bokeh for portraiture. Its all-metal build and clickable aperture ring provide tactile, durable handling at a budget-friendly price point. This lens is best for portrait photographers seeking a lightweight autofocus 75mm with classic focal length rendering.

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Panasonic LUMIX S S-S50 50mm

46.9 Video/Cinema Score
50mmf/22L-MountWeather Sealed
Why we recommend this ▼

Its compact 300g build and weather-sealed construction stand out, delivering a standard 50mm f/1.8 perspective with a linear AF motor that suppresses focus breathing for smooth video pulls. The optical design incorporates three aspherical elements and one ED element to maintain sharpness and control chromatic aberration across the full-frame image. This lens is best for L-mount hybrid shooters needing a lightweight, all-purpose prime that transitions seamlessly between stills and video in harsh conditions.

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7Artisans 75mm f/1.4 75mm

32.6 Video/Cinema Score
75mmf/16L-Mount
Why we recommend this ▼

The 75mm f/1.4 prime delivers a classic portrait focal length with a 13-blade diaphragm for creamy bokeh, and its 408g metal body makes it easy to carry. The manual focus design suits controlled shooting, while the f/1.4 aperture captures bright images in low light. Best for Nikon Z shooters who prioritize portrait work and don't need autofocus.

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Best Lenses under €900 for video production

Best Pick

Sigma Contemporary 50mm f/2 DG 50mm

44.8 Video/Cinema Score
50mmf/22L-MountWeather Sealed
Why we recommend this

Delivering sharp images from an 11-element optical design with three aspherical elements, this 350g lens stands out for its all-metal build quality in a remarkably compact package. Its bright f/2 aperture and fast stepping motor autofocus provide strong performance for a premium feel at a mid-range price. This lens is best for portrait and street photographers using Sony E-mount who prioritize a lightweight, durable prime with a classic 50mm field of view.

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DZOfilm VESPID DZO-VM9021PL 90mm

42.9 Video/Cinema Score
90mmf/2.8PL-Mount (Super 16 and 2/3")
Why we recommend this ▼

A 16-blade iris and T2.8 aperture deliver exceptionally smooth, circular bokeh and precise depth-of-field control for full-frame cinematography. Its relatively compact 1361g build and standardized 80mm front diameter integrate seamlessly with common matte box systems, despite lacking weather sealing. This lens is best for independent filmmakers and videographers needing a dedicated macro prime for detailed close-up work and portrait-style interviews.

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Sirui Cine Lenses 20mm T1.8 1.33X Anamorphic 20mm

42.5 Video/Cinema Score
20mmf/22L-MountIS
Why we recommend this ▼

Featuring an integrated STM autofocus motor and a T1.8 aperture, this 20mm lens delivers a 1.33x anamorphic squeeze for a 2.35:1 widescreen image on APS-C sensors without cropping. At just 480g with an AF/MF switch and eye-tracking, it uniquely pairs cinematic character with gimbal-friendly, run-and-gun practicality. This lens is ideal for independent filmmakers and handheld shooters on Nikon Z-mount cameras who demand anamorphic aesthetics with reliable, quiet autofocus.

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Panasonic LUMIX S S-R1840 18-40mm

42.4 Video/Cinema Score
18-40mm22-32L-MountWeather Sealed
Why we recommend this ▼

Weighing just 155g and measuring 1.6 inches long, this full-frame zoom uses three aspherical, two ED, and one ultra-high refractive element for corner-to-corner sharpness. Weather sealing and fluorine coating resist dust and splashes, while suppressed focus breathing and the 120mm Hybrid Zoom with an S9 body cater to video. Best for travel photographers needing an ultra-light wide-to-normal lens, with capable macro and landscape performance.

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No Lenses under €1,500 yet. See our top picks

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Premium Lenses for video production

Best Pick

Leica APO-Summicron-SL 11637 75mm

63.7 Video/Cinema Score
75mmf/2L-MountWeather Sealed
Why we recommend this

Apochromatic correction and a floating element deliver outstanding clarity and contrast from its 0.7m close focus to infinity, with virtually zero distortion. Its compact 431g build, integrated lens hood, and f/2.0 aperture produce natural, three-dimensional portraits with beautiful subject isolation. This lens is best for portrait photographers using the Leica M system who demand precise manual focus and true-to-life rendering.

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Leica Super-Vario-Elmarit-SL 24mm

37.1 Video/Cinema Score
14-24mmf/22L-MountWeather Sealed
Why we recommend this ▼

The constant f/2.8 aperture across a 14-24mm zoom range, combined with three aspherical elements and Aqua-Dura coatings, ensures edge-to-edge sharpness and a sweeping 114-degree field of view. Its all-metal, dust and moisture-resistant design provides durability for outdoor use, while the fast autofocus system reliably handles moving subjects. This lens is best for landscape and architectural photographers who need a rugged, bright ultra-wide zoom with precise autofocus in challenging environments.

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