Best Lenses under €500 for video production

Best Pick

Canon EF-S 18-55mm f/3.5-5.6 IS II

79.1 Video/Cinema Score
18-55mmf/3.5Canon EF-SIS
Why we recommend this

Its 18-55mm focal range on an EF-S mount offers a versatile standard zoom for APS-C Canon DSLRs, with a constant f/3.5 aperture at the wide end. This lens is typically positioned as an affordable kit option, making it an accessible entry point for new photographers. It's best for beginners wanting a general-purpose walkaround lens for casual portraits and everyday shooting.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma MC-11 89E965

45.7 Video/Cinema Score
Canon EF a Sony E (EOS-SE)IS
Why we recommend this ▼

This Sigma MC-11 mount converter enables full electronic control, including autofocus and aperture selection, when adapting Canon EF or Sigma SA lenses to Sony FE bodies. It uniquely supports both in-lens optical stabilization and in-body camera shake reduction, bridging two major lens ecosystems. This adapter is best for portrait photographers with existing Canon glass who are transitioning to Sony mirrorless systems.

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Big Mike's LYSB00KMEPHF2-ELECTRNCS

45 Video/Cinema Score
500-1000mmf/8Canon EFIS
Why we recommend this ▼

Reaching 1000mm with the included 2X teleconverter, this lens offers extreme magnification in a lightweight 680g body for Canon EF-mount DSLRs. The fully manual focus and aperture controls, combined with multi-coated optical glass, provide direct creative control at a budget-friendly price point. This lens is best for hobbyist wildlife and moon photographers willing to trade autofocus for extreme reach on a tight budget.

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Serounder 01 5-50mm

44.6 Video/Cinema Score
5-50mmCanon EF
Why we recommend this ▼

The 0.39x magnification and HD coating provide close-up detail within a 100mm minimum focus distance, while the wide-angle element extends spatial depth in a 213g package. Its bundled phone clip and macro lens add versatility across DSLRs, camcorders, and mobile devices, aided by a common 72mm filter thread. This lens is best for casual videographers and vloggers seeking an affordable, lightweight wide-angle option for product close-ups and establishing shots.

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Canon EF 50mm f/1.8 STM 50mm

53.2 Video/Cinema Score
50mmf/22Canon EF
Why we recommend this ▼

The f/1.8 maximum aperture and optimized lens coatings deliver strong subject separation and a 60.5 portrait score, making it a classic full-frame portrait lens. Its STM stepping motor supports near-silent Movie Servo AF with manual focus override, paired with a durable metal lens mount. This lens is best for portrait photographers and video creators on Canon EF systems who prioritize shallow depth of field over travel portability.

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AstrHori 120mm f/2.8 Full-Frame Macro Lens 120mm 2X Macro 120mm

33.3 Video/Cinema Score
120mmf/22Canon EFWeather Sealed
Why we recommend this ▼

A 120mm focal length paired with 2:1 maximum magnification captures extreme close-ups at a bright f/2.8 aperture on full-frame Nikon Z bodies. The 13-blade diaphragm delivers smooth bokeh, and a weather-sealed build with front screw holes supports external macro lights. Macro shooters who need twice life-size reproduction and deliberate manual focus will find this lens ideally suited.

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TTArtisan 11mm f/2.8 11mm

30.2 Video/Cinema Score
11mmf/16Canon EF
Why we recommend this ▼

The 180-degree field of view and bright f/2.8 aperture give full-frame shooters a distinct fishbowl distortion and low-light capability in a compact, all-metal body. Its manual focus design and close 17cm minimum focus distance enable dramatic wide-angle perspectives at an affordable price point compared to first-party options. This lens is best for full-frame Canon photographers experimenting with stylized landscapes and creative close-ups who do not require autofocus.

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Best Lenses under €900 for video production

Best Pick

Tamron SP AF 10-24mm f / 3.5-4.5 Zoom

72 Video/Cinema Score
10-24mmf/10Canon EF-SISWeather Sealed
Why we recommend this

The 10-24mm range on an APS-C body provides a versatile 16-37mm equivalent field of view, paired with Vibration Compensation and a new HLD autofocus motor for quiet, precise focusing. Its compact, moisture-resistant build weighs just 405g and includes full-time manual focus override, making adjustments seamless without switching out of AF mode. This lens is best for landscape photographers who need a stabilized, ultra-wide zoom with strong edge-to-edge sharpness from its aspherical and low-dispersion elements.

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Great Alternatives

These options also score highly and may better suit your specific needs

Canon EF 35mm f/2 IS USM 35mm

64.3 Video/Cinema Score
35mmf/22Canon EFISWeather Sealed
Why we recommend this ▼

Combining a bright f/2 aperture with a 4-stop Optical Image Stabilizer, this 335g lens enables sharp handheld shooting in low light that unstabilized 35mm primes cannot match. Its ring-type USM motor delivers fast, near-silent autofocus and full-time manual override, making it equally capable for stills and video work. This lens is best for documentary photographers and videographers using full-frame Canon DSLRs who need a stabilized, walk-around wide-angle prime.

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Tokina atx-i 11-20mm f/2.8 CF

49.6 Video/Cinema Score
11-20mmf/22Canon EFWeather Sealed
Why we recommend this ▼

The constant f/2.8 aperture across the 11-20mm zoom range, combined with a weather-sealed build and water-repellent coating, makes this lens a reliable tool for challenging light and conditions. Its optical formula, incorporating three aspherical and three ED elements, delivers sharp, high-contrast images while the One-Touch Focus Clutch mechanism allows for instant switching between autofocus and manual focus. This lens is best for APS-C landscape and astrophotography shooters who need a bright, ultra-wide zoom with rugged, all-weather durability.

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Rokinon Series II 14mm f/2.8 14mm

42.5 Video/Cinema Score
14mmf/22Canon EFWeather Sealed
Why we recommend this ▼

Covering a 115° full-frame field with a fast T3.1 aperture and full weather sealing, this 14mm cine prime captures dramatic wide-angle shots in harsh conditions. Color-matched across the DSX line, it streamlines multi-camera shoots and slashes post-production grading time. It’s best for cinematographers needing a rugged ultra-wide lens for narrative establishing shots and cramped interior work.

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Tokina opera 16-28mm f/2.8 FF 28mm

42.6 Video/Cinema Score
16-28mmf/22Canon EF
Why we recommend this ▼

Its constant f/2.8 aperture and 15-element optical design prioritize high contrast and rich color gradation, making it particularly suited for landscape and black-and-white work on full-frame DSLRs. The focus ring’s rotation direction matches proprietary Canon and Nikon lenses, while the 939g build features a balanced, slim housing for confident handling. This lens is best for landscape and architecture photographers using Canon or Nikon full-frame DSLRs who need high contrast and precise control, but not for travel due to its weight.

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Samyang AF 14mm f/2.8 14mm

37.6 Video/Cinema Score
14mmf/22Canon EFWeather Sealed
Why we recommend this ▼

The 14mm f/2.8 ultra-wide prime delivers sharp astrophotography images with its fast aperture, two aspherical and two ED elements, and weather-sealed 641g body. A de-clickable aperture ring and smooth manual focus with a lock ring make it equally suited for silent video work and precise night-sky shooting. This lens is ideal for landscape astrophotographers needing a durable, wide-angle manual-focus prime.

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Rokinon Cine 135M-FX 135mm

33.3 Video/Cinema Score
135mmf/22Canon EF
Why we recommend this ▼

The f/2.0 aperture and one extra-low dispersion element deliver sharp, high-contrast images with minimal chromatic aberration for low-light portraiture and astrophotography. Its smooth, well-damped manual focus ring and Ultra Multi-Coated optics provide precise control and flare resistance at a budget-friendly price. This lens is best for portrait and astrophotography enthusiasts using Canon EF DSLRs who prioritize optical quality over autofocus.

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Laowa 15mm f/4 Macro 15mm

32.5 Video/Cinema Score
15mmf/32Canon EF
Why we recommend this ▼

Offering true 1:1 macro at an ultra-wide 15mm focal length, this manual lens eliminates extension tubes with a 4.7-inch minimum focus and internal focusing that avoids disturbing subjects. Its near-circular 14-blade aperture and Multi-Layer Low-Reflective Coating produce smooth bokeh and controlled flares, suiting deliberate, tripod-based compositions. It’s ideal for Pentax K-mount photographers capturing close-up subjects like insects or flowers where the wide perspective preserves environmental context.

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No Lenses under €1,500 yet. See our top picks under €2,500

Best Lenses under €2,500 for video production

Best Pick

Canon L-series EF 100-400mm f/4.5-5.6L IS II USM

53.9 Video/Cinema Score
100-400mmf/100Canon EFISWeather Sealed
Why we recommend this

Integrating one fluorite and one Super UD element with Air Sphere Coating, this lens delivers sharp, high-contrast images with minimal aberrations, supported by a 4-stop Image Stabilizer for handheld clarity. A rotating zoom ring with adjustable torque and comprehensive weather sealing with a fluorine coating set it apart for reliable, precise control in tough conditions. It’s best for wildlife and sports photographers who need a rugged, stabilized telephoto zoom for tracking fast-moving subjects from a distance.

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No Lenses found in this category. See our top picks under €2,500