Pentax HD Pentax-DA 16-50mm f/2.8 ED PLM AW
A constant f/2.8 aperture and 16-element/10-group optics with ED and aspherical elements deliver sharp, high-contrast images, while the PLM autofocus motor provides rapid, precise focus across the 16–50mm range. Weighing only 109g, it’s exceptionally portable yet fully weather-sealed for AW protection, and the included 77mm filter kit and cleaning bundle add practical value for field work. This lens is best for street and professional Pentax APS-C shooters needing a rugged, constant-aperture zoom that performs reliably in low light and harsh weather.
Panoramica
The 30-Second Version
Pentax finally made the 16-50mm f/2.8 everyone wanted: sharp, quick to focus, and weather-sealed. Just don't expect dreamy background blur.
Pros & Cons
Pro
- Exceptional sharpness across the zoom range 89th
- Weather-sealed like a tank, ready for anything 83rd
- PLM autofocus is fast, accurate, and silent
- Constant f/2.8 aperture for consistent exposure
Contro
- Bokeh is harsh and ugly; this isn't a portrait lens
- No optical stabilization—rely on your body
- Macro performance is mediocre at best
- Wild price swings across vendors—shop carefully
Cosa dicono i proprietari
The Word on the Street
Come è cambiata l'opinione dei proprietari nel tempo
EsclusivaIn base a quando i clienti hanno effettivamente scritto le recensioni, per vedere se gli elogi iniziali sono durati.
Basato su 9 recensioni dei clienti datate, raggruppate per trimestre solare. L'analisi per periodo è in inglese.
Le prove
Performance
What surprised us is just how sharp this thing is wide open across the frame. Our database puts it in the 83rd percentile for optical quality, and real-world shots back that up, edge-to-edge detail is phenomenal for a zoom. But the bokeh, ugh. At 22nd percentile, it's harsh and busy, so don't expect creamy backgrounds. The PLM motor is a revelation after years of SDM lag; it snaps into focus almost instantly and is dead silent, making it a solid choice for video on a K-3 Mark III or newer body. You'll feel the 712g weight after a long day, but that's the price of the rugged all-metal build.
Specifications
Full Specifications
Optics
| Type | Zoom |
| Focal Length Min | 16 |
| Focal Length Max | 50 |
| Elements | 16 |
| Groups | 10 |
| Aspherical Elements | 2 |
| ED Elements | 3 |
| Coating | HD Multicoating |
Aperture
| Max Aperture | f/22 |
| Min Aperture | f/2.8 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Pentax K |
| Format | APS-C |
| Weather Sealed | Yes |
| Weight | 0.7 kg / 1.6 lbs |
| Filter Thread | 77 |
AF & Stabilization
| AF Type | PLM (Pulse Motor) |
| Stabilization | No |
Focus
| Min Focus Distance | 300 |
| Max Magnification | 0.24x |
vs Competition
If you're stuck comparing this to the Canon RF 28-70mm f/2.8 or Sony's old 24-70mm f/2.8, just stop. Those are for totally different mounts. The only real competitor for a Pentax APS-C body is the old SMC DA* 16-50mm f/2.8 SDM, and the new PLM version smokes it in autofocus speed, sharpness, and reliability. Cross-system your only alternative would be adapting something manual, which kills the point. For Pentax users, this is it—accept no substitutes.
| Spec | Pentax HD Pentax-DA 16-50mm f/2.8 ED PLM AW | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Sigma Contemporary 16-28mm f/2.8 DG DN | Panasonic Leica DG Vario-Elmarit H-ES12060 | Canon RF 28-70mm f/2.8 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | 16-50mm | 17-70mm | 17-28mm | 16-28mm | 12-60mm | 28-70mm |
| Max Aperture | f/22 | f/2.8 | f/2.8 | f/2.8 | f/2.8 | f/22 |
| Mount | Pentax K | Fujifilm X | Nikon Z | Sony E | Micro Four Thirds | Canon RF |
| Stabilization | false | true | false | false | true | true |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 712 | 544 | 450 | 450 | 320 | 495 |
| AF Type | PLM (Pulse Motor) | RXD | Stepping Motor | Stepping AF Motor | linear motor | STM |
| Lens Type | zoom | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Prodotto | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Riscontro degli utenti | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Pentax HD Pentax-DA 16-50mm f/2.8 ED PLM AW | 53.8 | 24 | 58.9 | 42.4 | 88.8 | 21 | 82.9 | 63 | 37.8 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.8 | 87.2 | 69.8 | 85.9 | 91 | 84.4 | 89.3 | 85.2 | 83.4 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.4 | 87.2 | 76.1 | 85.9 | 88 | 84.4 | 67.3 | 69.2 | 37.8 |
| Sigma Contemporary 16-28mm f/2.8 DG DN Compare | 87.4 | 87.2 | 76.1 | 77.8 | 97.2 | 84.4 | 67.9 | 63.2 | 37.8 |
| Panasonic Leica DG Vario-Elmarit H-ES12060 Compare | 98.1 | 87.2 | 84.6 | 51.7 | 91 | 84.4 | 93.1 | 68.2 | 83.4 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 87.4 | 24 | 72.9 | 80 | 86.2 | 21 | 76.8 | 89.3 | 98.6 |
Prezzo
Value & Pricing
The price spread on this lens is bonkers, from $499 to $1925. If you pay the lower end, you're getting a steal for a pro-grade zoom. At the top end, you're being robbed. We spotted the best deal at $499 from some smaller retailers, while the $1925 listings feel like they're preying on brand loyalty. For Pentax shooters, $800 or under is a solid buy. Above that, you'll start questioning life choices.
B&H Photo 1 offerta Da 1.925 CA$
Monitoriamo i prezzi di questo prodotto dal 17 mag 2026. Il grafico apparirà quando avremo più dati.
Approfondisci
Overview
The Pentax HD DA 16-50mm f/2.8 ED PLM AW is the standard zoom Pentaxians have been begging for. It's a complete overhaul of the old 16-50mm f/2.8 SDM, swapping that lens's famously unreliable autofocus motor for a fast, quiet PLM motor that actually works. The constant f/2.8 aperture and weather sealing make it the go-to workhorse for everything from rainy landscapes to event photography. The one thing to know? This is the sharpest, most responsive standard zoom in the K-mount lineup, period.
Common Questions
Q: Will this lens work on a full-frame Pentax?
No, it's designed for APS-C sensors only. On a full-frame body like the K-1, you'll get heavy vignetting that isn't worth fixing. Stick with the D FA 24-70mm f/2.8 if you need a standard zoom for full-frame.
Q: How does the PLM autofocus sound?
It's essentially silent. You'll hear a faint click when it starts and stops, but during video recording it's practically inaudible. No more of that grinding screwdriver noise.
Q: Is the old 16-50mm f/2.8 SDM worth buying instead?
Not unless you find one dirt cheap and gamble on the SDM motor not failing. This new PLM version is so much better in every way that saving a few hundred bucks isn't worth the headache.
Who Should Skip This
If you're looking for image stabilization or creamy bokeh for portraits, this isn't it. Go grab a fast prime like the DA* 55mm f/1.4 instead, or at least a body with IBIS to offset the lack of lens stabilization. Also, if you mostly shoot macro, this lens's 0.24x magnification will leave you disappointed; get a dedicated macro lens.
Verdict
If you shoot Pentax APS-C and need a rugged, do-everything zoom, go buy this lens. It's the new standard bearer for K-mount glass, finally delivering the fast glass and fast focus the system deserves. Just budget for a good polarizer and don't expect it to replace a fast prime for portraits. For the right price, this is the lens your K-3 Mark III has been waiting for.