Best Lenses under CA$700 for video production

Best Pick

Sigma Contemporary 30mm f/1.4 DC DN 30mm

85.4 Video/Cinema Score
30mmf/1.4Nikon FWeather Sealed
Why we recommend this

The bright f/1.4 aperture and 45mm full-frame equivalent field of view make this a versatile normal prime for APS-C shooters, delivering strong subject separation and low-light capability. Its compact 265g build includes weather sealing at the mount and a stepping motor for quiet, smooth autofocus that benefits video recording. This lens is best for street and travel photographers who prioritize a lightweight, fast-aperture setup with dependable autofocus.

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Sigma Art 28mm f/1.4 DG HSM

72.8 Video/Cinema Score
28mmf/1.4Sony EWeather Sealed
Why we recommend this ▼

The f/1.4 maximum aperture and an optical design with three aspherical and five SLD/FLD elements deliver exceptional sharpness and contrast control for low-light scenes. Its weather-sealed, robust build and Super Multi-Layer Coating ensure reliable, flare-resistant performance in demanding conditions. This lens is best for professional landscape and street photographers needing a fast, wide-angle prime with uncompromising optical clarity.

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Sigma DC 883101 18mm

63.9 Video/Cinema Score
18-250mmf/3.5Nikon FIS
Why we recommend this ▼

An expansive 13.9x zoom range (27–375mm equivalent on APS‑C) with 4‑stop stabilization and a lightweight 454g body defines this all-in-one superzoom. A 1:2.9 macro capability allowing focus as close as 35cm adds close‑up versatility, while the Super Multi‑Layer Coating reduces flare for consistent contrast. This lens is ideal for travelers and hobbyists on Canon, Nikon, or Sony APS‑C DSLRs who need a single, portable optic covering everything from wide landscapes to distant details with occasional macro.

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Sigma TC-1401

52.9 Video/Cinema Score
Nikon FISWeather Sealed
Why we recommend this ▼

Extending the reach of compatible Sigma telephoto lenses by 1.4x without sacrificing autofocus capability, this converter maintains full electronic communication between the lens and Nikon F-mount body. Its compact design preserves handling balance while adding versatility to your existing kit. This accessory is best for portrait and wildlife photographers needing extra focal length without investing in a dedicated super-telephoto prime lens.

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Sigma MC-11 89E965

45.7 Video/Cinema Score
Canon EF a Sony E (EOS-SE)IS
Why we recommend this ▼

This Sigma MC-11 mount converter enables full electronic control, including autofocus and aperture selection, when adapting Canon EF or Sigma SA lenses to Sony FE bodies. It uniquely supports both in-lens optical stabilization and in-body camera shake reduction, bridging two major lens ecosystems. This adapter is best for portrait photographers with existing Canon glass who are transitioning to Sony mirrorless systems.

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Sigma B00005RKST

45.3 Video/Cinema Score
28mmf/1.8Nikon F
Why we recommend this ▼

The 28mm f/1.8 aperture with a 1:2.9 macro reproduction ratio and 200mm minimum focus distance sets this Sigma apart for close-up wide-angle shots. Its 9-blade diaphragm and dual-focus mechanism deliver smooth bokeh and stable manual control, while the internal focus system keeps the front element still for polarizers. Best for Nikon F shooters who want a fast, wide prime for portraits and occasional macro work, though its 500g weight and lack of stabilization limit travel use.

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Sigma Aspherical IF Macro 709-205 28-135mm

43 Video/Cinema Score
28-135mmf/3.8Konica Minolta
Why we recommend this ▼

The 28-135mm zoom range with f/3.8-5.6 aperture and a 135mm minimum focus distance delivers a 2.4x macro capability, making it a flexible all-in-one for close-up work. Its 410g weight and APS-C coverage for Konica Minolta mounts offer a lightweight, budget-friendly option without stabilization or weather sealing. Best for portrait and macro shooters on a budget who want a single lens for everyday use.

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Sigma 879956

42.8 Video/Cinema Score
1400mmSigma SAWeather Sealed
Why we recommend this ▼

The 1.4x teleconverter extends autofocus capability up to f/8 with compatible cameras, making it a practical tool for telephoto shooters. Its dust and splash-proof construction adds durability for outdoor use, while the compact 9.9 cm package keeps it easy to carry. Best for photographers using Sigma SA-mount lenses who need extra reach without losing autofocus in challenging conditions.

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Best Lenses under CA$1,500 for video production

Best Pick

Sigma Contemporary 12mm f/1.4 DC

91.6 Video/Cinema Score
12mmf/1.4Canon RFWeather Sealed
Why we recommend this

Combining an ultra-bright f/1.4 aperture with a compact 225g build, this 12mm prime delivers a 19.2mm full-frame equivalent view ideal for low-light landscapes and vlogging. Its stepping motor provides fast, quiet autofocus with minimal focus breathing, while the dust- and splash-resistant construction ensures reliability outdoors. This lens is best for street photographers and vloggers needing a lightweight, weather-sealed wide-angle with strong subject separation.

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Sigma Art 17-40mm f/1.8 DC

89.2 Video/Cinema Score
17-40mmf/1.8Fujifilm XWeather Sealed
Why we recommend this ▼

A constant F1.8 aperture across the 17-40mm zoom range delivers consistent brightness and depth-of-field control unmatched by typical kit lenses. Its Art-series optical design ensures crisp image quality for both stills and cinematic video on Canon RF APS-C bodies. This lens is best for portrait and event photographers who need a fast, versatile wide-to-standard zoom in a compact 562g package.

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Sigma EX DC 10-20mm f/4-5.6D

62.3 Video/Cinema Score
10-20mmf/4Sony A
Why we recommend this ▼

An ultrawide 10-20mm zoom with a constant f/4-5.6 aperture, it uses three aspherical and three SLD elements to fight distortion and color fringing, driven by a fast, quiet HSM autofocus motor with full-time manual override. Its internal focusing keeps the front element fixed, making polarizer use seamless and optical quality consistent at any distance. It suits budget-conscious landscape and architecture photographers who need a sharp, portable wide-angle lens for APS-C DSLRs.

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Sigma EX DC HSM 10-20mm f/3.5

57.7 Video/Cinema Score
10-20mmf/22Nikon FIS
Why we recommend this ▼

A constant f/3.5 aperture across the 10-20mm zoom range provides consistent exposure control, supported by 3 ED and 4 aspherical elements to curb distortion. The HSM autofocus motor delivers quiet, fast focusing, while the built-in stabilization aids handheld shooting in tight interiors. This lens is best for APS-C landscape photographers needing an ultra-wide perspective without the bulk, weighing just 520g.

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Sigma DC 203101 8-16mm

44.2 Video/Cinema Score
8-16mmf/4.5Canon EF
Why we recommend this ▼

An 8-16mm focal range delivers a 121° angle of view on APS-C sensors, with HSM autofocus and three aspherical elements with Super Multi-Layer Coating to minimize ghosting. Weighing just 555 grams, it remains highly portable for an ultra-wide zoom without compromising optical precision. This lens is best for architectural interiors and street shooters who need dramatic, distortion-free perspectives in tight spaces.

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Sigma 750975

36.6 Video/Cinema Score
100-400mm
Why we recommend this ▼

Combining a 100-400mm reach with a relatively light 1100g build, this lens stands out for full-frame mirrorless portability. Its dust- and splash-proof brass mount and optical design that minimizes flare add rugged, practical reliability. This is best for outdoor enthusiasts and travelers who need handheld telephoto range without the bulk of traditional pro glass.

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Sigma 477-110_AG3_2

35.8 Video/Cinema Score
10mmSigma
Why we recommend this ▼

The 10mm f/2.8 prime delivers a 154° diagonal field of view with a unique rectangular fisheye distortion, plus a 1:3.3 magnification ratio and 135mm minimum focus for close-up shots. Its Super Multi-Layer Coating and built-in lens hood reduce flare, while the HSM motor provides fast, quiet autofocus with manual override. This bundle, including a 64 GB card and cleaning kit, suits APS-C Sigma shooters who want creative fisheye perspectives for artistic or scientific imaging, not travel photography.

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Best Lenses under CA$2,000 for video production

Best Pick

Sigma Art 24-70mm f/2.8 DG DN II

70.1 Video/Cinema Score
24-70mmf/22Sony EISWeather Sealed
Why we recommend this

A redesigned HLA autofocus motor and a 7% smaller, 10% lighter body than its predecessor make this a fast-handling f/2.8 standard zoom. Its 6.7-inch minimum focusing distance delivers a strong 1:2.7 magnification ratio, offering near-macro versatility uncommon in this class. This lens is best for hybrid shooters needing a single, weather-sealed tool that excels at both detailed close-ups and general landscape work.

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Price CA$1,530
Sigma Art 24-70mm f/2.8 DG DN II lens

Best Lenses under CA$3,500 for video production

Best Pick

Sigma Art 28-105mm f/2.8 DG DN

82.2 Video/Cinema Score
28-105mmf/2.8Sony EWeather Sealed
Why we recommend this

A constant f/2.8 aperture across a 28-105mm zoom range paired with an HLA motor delivers fast, precise autofocus and a useful 1:3.1 magnification for close-ups. Its dust- and splash-resistant build, combined with a 12-blade diaphragm for smooth bokeh, offers a durable, all-in-one solution that reduces lens swaps during events. This lens is best for portrait and wedding photographers who need a versatile, weather-sealed workhorse with a bright aperture for low light.

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Sigma Sports 70-200mm f/2.8 DG DN OS

71 Video/Cinema Score
70-200mmf/22Sony EISWeather Sealed
Why we recommend this ▼

Dual HLA motors deliver fast, quiet autofocus and the OS2 algorithm provides 7.5 stops of stabilization, making this f/2.8 telephoto zoom exceptionally steady for handheld work. Its internal zoom mechanism and weather-sealed Sports-line build resist dust and moisture while minimizing focus breathing for consistent framing. This lens is best for sports and wildlife photographers using Sony E-mount who need reliable subject tracking and sharp results in challenging outdoor conditions.

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