Best Lenses under CA$700 for video production

Best Pick

Canon RF RF45mm F1.2 STM 45mm

74.8 Video/Cinema Score
45mmf/1.2Canon RF
Why we recommend this

The f/1.2 maximum aperture delivers exceptionally shallow depth of field and strong low-light performance in a compact 345g body, enabled by Canon’s first PMo aspheric lens in this design. Its natural 45mm perspective pairs with a customizable control ring and smooth STM autofocus, offering an affordable entry to ultra-fast RF glass. This lens is best for portrait and lifestyle photographers who want dramatic bokeh and a natural field of view without the bulk or cost of larger f/1.2 primes.

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Canon RF-S 14-30mm f/4-6.3 IS STM PZ 14-30mm

62.3 Video/Cinema Score
14-30mm22-36Canon RFIS
Why we recommend this

Weighing just 181g, the 14-30mm f/4-6.3 zoom (22-48mm equivalent) delivers up to 5-stop optical stabilization (7.5 stops with IBIS) and a variable-speed power zoom for smooth, quiet video pulls. Its 0.38x maximum magnification and 5.9-inch minimum focus distance enable dramatic wide-angle close-ups, while Air Super Spectra Coating and UD/aspherical elements suppress flare and aberrations. This lens suits vloggers and street photographers who need a compact, stabilized ultra-wide-to-standard zoom that transitions effortlessly between stills and video.

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Canon RF-S 14-30mm f/4-6.3 IS STM PZ 14-30mm lens
Price CA$499

Canon EF-S 18-55mm f/4-5.6 IS STM 55mm

52.3 Video/Cinema Score
18-55mmf/32Canon EF-SIS
Why we recommend this

One aspherical element and Super Spectra coating reduce aberrations and flare, while the 4-stop Optical Image Stabilizer and STM motor deliver sharp, near-silent autofocus. Weighing just 215g, this lens is highly portable and includes full-time manual focus override for precise adjustments without leaving autofocus. It's best for budget-conscious travelers with Canon APS-C DSLRs wanting a flexible everyday zoom that also offers 1:4 macro capability.

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Canon EF 0570C002+9519B002 10-18mm

46.5 Video/Cinema Score
10-18mmf/22Canon EFIS
Why we recommend this

The 50mm f/1.8 prime delivers sharp portraits with strong background blur, while the stabilized 10-18mm zoom captures shake-free wide-angle landscapes, both featuring fast, quiet STM autofocus ideal for video. This compact, lightweight 160g kit offers an affordable entry into prime lens quality and versatile ultra-wide perspectives without the bulk. It’s best for travel photographers and APS-C camera users who want a two-lens setup for portraits, landscapes, and smooth video recording on the go.

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Best Lenses under CA$1,500 for video production

Best Pick

Canon RF 28-70mm f/2.8 IS STM 28-70mm

82.3 Video/Cinema Score
28-70mmf/22Canon RFISWeather Sealed
Why we recommend this

Combining a constant f/2.8 aperture with a remarkably light 495g body, this lens delivers L-series optical quality through dual UD and aspherical elements in a collapsible, everyday design. Its redesigned stabilization unit provides 5.5 stops of correction, while the compact form factor and accessible price point make it a standout non-L standard zoom. This lens is best for hybrid shooters and content creators who need a fast, stabilized, all-day carry lens for both video and stills without the bulk or cost of professional glass.

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Price CA$1,499
Canon RF 28-70mm f/2.8 IS STM 28-70mm lens

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Canon EF-S 18-200mm f/3.5-5.6 IS 18-200mm

70.8 Video/Cinema Score
18-200mmf/3.5Canon EF-SIS
Why we recommend this

A refurbished all-in-one zoom spanning 18–200mm (29–320mm equivalent) with 4-stop optical stabilization ensures shake-free framing even at full telephoto. Its compact build focuses down to 0.45m for 0.24x magnification and the certified refurbished condition provides like-new performance at a budget-friendly price. It’s best for travelers and vloggers needing a single, lightweight lens to capture wide landscapes and distant details without swapping glass.

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Canon RF-S 3.9mm f/3.5 STM Dual Fisheye 4mm

46.9 Video/Cinema Score
4mmf/16Canon RF
Why we recommend this

Its dual-lens design captures stereoscopic 3D 180° VR imagery onto a single sensor, streamlining post-production for the EOS R7 at up to 4K 30 fps. The 144° field of view and Air Sphere Coating deliver immersive footage with reduced ghosting in a compact 289g body. This lens is best for VR content creators who need a simplified, single-camera workflow for spatial video.

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Canon RF-S 3.9mm f/3.5 STM Dual Fisheye 4mm lens
Price CA$1,435

Best Lenses under CA$2,000 for video production

Best Pick

Canon RF RF14-35mm F4L IS USM 14-35mm

85.4 Video/Cinema Score
14-35mmf/22Canon RFISWeather Sealed
Why we recommend this

Combining an ultra-wide 14mm field of view with a constant f/4 aperture and 5.5-stop optical stabilization, this lens stands out for its compact 544g build and advanced optics with SWC and ASC coatings. Its 0.38x maximum magnification at 35mm enables dramatic close-focusing perspectives, while the Nano USM motor delivers silent, smooth autofocus for video. This lens is best for landscape and architecture photographers who need a weather-sealed, portable zoom for walkaround shooting.

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Price CA$1,945
Canon RF RF14-35mm F4L IS USM 14-35mm lens

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Canon L EF 85mm f/1.4L IS USM 85mm

84.7 Video/Cinema Score
85mmf/16Canon EFISWeather Sealed
Why we recommend this

The combination of an f/1.4 aperture, 4-stop image stabilization, and Air Sphere Coating sets this lens apart for sharp, low-light portraiture with reduced ghosting. Its weather-sealed, 635g build and ring-type USM autofocus deliver reliable, quiet performance in a relatively portable package. This lens is best for portrait and wedding photographers using Canon EF-mount DSLRs who need handheld flexibility and precise subject isolation.

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Canon L EF 85mm f/1.4L IS USM 85mm lens
Price CA$1,999

Canon 9518B002

75.1 Video/Cinema Score
16-35mmf/22Canon EFISWeather Sealed
Why we recommend this

Combining L-series build quality with a constant f/4 aperture and a 4-stop image stabilizer, this 16-35mm zoom delivers sharp results from its 16-element optical design that includes three aspherical and two ED elements. The weather-sealed, 615g body accepts 77mm filters and offers a useful 0.23x maximum magnification for close-up wide-angle shots. This lens is best for landscape and architecture photographers who need a rugged, stabilized ultra-wide zoom for full-frame Canon EF bodies.

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Canon L-series EF 24mm f/1.4L II USM 24mm

56.4 Video/Cinema Score
24mmf/22Canon RFWeather Sealed
Why we recommend this

The f/1.4 maximum aperture and Sub Wavelength Coating deliver strong low-light performance with controlled flare, while two aspherical and two UD elements maintain sharpness across the frame. Its weather-sealed L-series build and ring-type USM motor provide reliable, quiet autofocus with full-time manual override. This lens is best for landscape and astrophotography shooters who need a durable, wide-angle prime with a bright aperture for challenging light.

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Canon L-series EF 24mm f/1.4L II USM 24mm lens
Price CA$1,899

Best Lenses under CA$3,500 for video production

Best Pick

Canon RF 15-35mm f/2.8L IS USM 15-35mm

74.2 Video/Cinema Score
15-35mmf/22Canon RFISWeather Sealed
Why we recommend this

A constant f/2.8 aperture across the 15-35mm zoom range pairs with a 5-stop Image Stabilizer for sharp handheld shooting in low light. The Nano USM autofocus is fast and silent, while Air-Sphere and Fluorine coatings protect the advanced 16-element optical design from flare and moisture. This lens is best for landscape photographers who need edge-to-edge sharpness and robust weather sealing in challenging outdoor conditions.

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Price CA$3,299
Check Price at Amazon.ca
Also available open box & refurbished:
Canon RF 15-35mm f/2.8L IS USM 15-35mm lens

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Canon TS-E 24mm f/3.5L II 24mm

59.2 Video/Cinema Score
24mmf/3.5Canon EFWeather Sealed
Why we recommend this

Combining four UD elements and one aspherical element with Subwavelength Coating, this lens delivers edge-to-edge sharpness with minimal chromatic aberration for full-frame EF-mount systems. Its robust L-series build includes weather sealing and a rotating tilt-shift mechanism offering ±8.5° of tilt and ±12mm of shift for precise perspective correction. This lens is best for architectural and interior photographers who require distortion-free, straight vertical lines in-camera without digital correction.

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Premium Lenses for video production

Best Pick

Canon RF24-105mm F2.8 L IS USM Z 105mm

82.3 Video/Cinema Score
24-105mmf/22Canon RFISWeather Sealed
Why we recommend this

Combining a first-of-its-kind constant f/2.8 aperture with a 24-105mm zoom range, this lens eliminates the need to swap optics for low-light shooting up to 105mm. It uniquely integrates a dedicated, click-less iris ring for smooth cinematic exposure control, paired with dual Nano USM motors for silent autofocus and up to 8 stops of coordinated stabilization. This lens is best for hybrid shooters and photojournalists who need a single, weather-sealed solution for both 4K video production and event photography.

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Canon L EF 200-400mm IS USM Extender 1.4x 400mm

62.9 Video/Cinema Score
400mmf/4Canon EFIS
Why we recommend this

The built-in 1.4x extender instantly shifts this 200-400mm f/4 lens to a 280-560mm f/5.6, offering unmatched focal length flexibility without swapping glass. Its optical design, incorporating one fluorite and four UD elements, delivers sharp, high-contrast images with minimal chromatic aberration. This lens is best for professional sports and wildlife photographers who need to rapidly adapt to changing distances in demanding outdoor environments.

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Canon L Series RF 14mm f/1.4 L VCM 14mm

56.7 Video/Cinema Score
14mmf/16Canon RFWeather Sealed
Why we recommend this

The f/1.4 aperture on a 14mm full-frame lens, combined with an 11-blade iris and VCM autofocus, delivers silent, fast focusing and strong low-light performance in a weather-sealed body. Its 895g weight and de-clickable manual aperture ring support smooth exposure changes, while minimal focus breathing keeps framing consistent during focus pulls. This prime is best for hybrid shooters and videographers capturing wide, dimly lit scenes where quiet operation and controlled depth of field are essential.

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Canon L RF100-500mm F4.5-7.1 L IS USM 100-500mm

55.3 Video/Cinema Score
100-500mmf/54Canon RFISWeather Sealed
Why we recommend this

The 100-500mm f/4.5-7.1 L IS USM pairs a versatile 100–500mm focal range with 7 ED elements, Air Sphere coating, and 5-stop optical stabilization in a weather-sealed, travel-sized build. Its Dual Nano USM autofocus drives swift, near-silent focusing, and three IS modes—standard, panning, and exposure-only—enable precise control for moving subjects. This lens suits wildlife and sports photographers who need a portable super-telephoto zoom for handheld shooting in the field.

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