Best Pick

Sony G SELP28135G.SYX 28-135mm

88.4 Score
28-135mmf/4Sony EISWeather Sealed
Why we recommend this

A servo-powered zoom mechanism and constant f/4 aperture across the 28-135mm range make this a standout for controlled video environments. Optical SteadyShot stabilization and a Nano AR Coating ensure sharp, consistent footage, while the full-frame E-mount compatibility offers wide creative latitude. This lens is best for documentary filmmakers and event videographers who need a single, reliable parfocal zoom for run-and-gun shooting.

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Great Alternatives

These options also score highly and may better suit your specific needs

Zeiss Batis 000000-2136-695 135mm

71.2 Score
135mmf/2.8Sony EISWeather Sealed
Why we recommend this

The Apo Sonnar optical design with 14 elements and ZEISS T* coating delivers high contrast and vivid color while suppressing stray light. Its weather-sealed metal build, optical stabilization, and an innovative OLED display for focus distance make it durable and intuitive in the field. This 135mm f/2.8 is best for portrait photographers and videographers on Sony E-mount who need a compact, 614g telephoto with reliable autofocus and rich subject isolation.

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BLAZAR LENS Remus-M 1.5x FF Anamorphic 33 85mm

55.6 Score
33-85mmT2.8Sony E
Why we recommend this

The 1.5x full-frame squeeze and fast T1.8-T2.8 aperture range across 33, 50, and 85mm focal lengths deliver a classic widescreen look with pronounced silver flares and a 16-blade iris for smooth, oval bokeh. The set’s 107g weight and included Canon RF adapters make it a portable, adaptable option for both Sony E and RF mirrorless shooters. This kit is best for portrait and street videographers seeking an affordable entry into anamorphic capture without sacrificing full-frame coverage.

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Sigma Sports 730956 300-600mm

41.2 Score
600mmf/22Sony EISWeather Sealed
Why we recommend this

A 10x zoom range from 60-600mm combined with three FLD elements and Super Multi-Layer Coating suppresses aberrations and flare, while Hyper Sonic AF provides fast focusing. The TSC barrel and Arca-type foot improve durability and tripod handling, and the 9-blade aperture offers pleasing bokeh. It’s ideal for wildlife and sports shooters needing a versatile telephoto range without lens changes.

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Sigma Sports 730956 300-600mm lens
Price CA$3,014

Sony G Master SEL50F12GM 50mm

79.2 Score
50mmf/1.2Sony EWeather Sealed
Why we recommend this

The f/1.2 aperture and 11-blade diaphragm deliver exceptionally shallow depth of field with smooth, rounded bokeh, while four XD Linear Motors provide fast, silent autofocus for both stills and video. Despite its bright design, the lens maintains a relatively portable 778g build with comprehensive weather sealing and a de-clickable aperture ring for seamless video operation. This lens is best for portrait photographers and wedding shooters who need uncompromising low-light performance and definitive subject separation.

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Sony FE SEL1224G 12-24mm

65.9 Score
12-24mmf/4Sony EWeather Sealed
Why we recommend this

Combining a versatile 12-24mm focal range with a constant f/4 aperture, this lens delivers sharp results through 4 aspherical and 4 ED glass elements in a compact 565g body. Its dust and moisture-resistant build and Nano AR Coating ensure reliable performance with dramatically reduced flare, even in challenging light. This is best for landscape and architecture photographers who need an ultra-wide, rectilinear zoom that remains portable for extensive field work.

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Sony HEKTOR SEL50F14Z 50mm

40.1 Score
50mmf/16Sony EWeather Sealed
Why we recommend this

Delivering a classic widescreen look, this 50mm T2.1 anamorphic lens produces natural horizontal flares and signature oval bokeh on full-frame Sony E-mount cameras. Its ultralightweight, weather-sealed build and selectable autofocus make it practical for fast-paced gimbal and drone work where manual cine lenses are cumbersome. This lens is best for solo video shooters and cinematographers needing an affordable, compact anamorphic option for run-and-gun projects.

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Sirui Astra T1.8 1.33x AF Anamorphic 50mm

37.1 Score
50-100mmT22Sony E
Why we recommend this

A constant T1.8 aperture across three anamorphic focal lengths—50mm, 75mm, and 100mm—on full-frame Sony E mount with selectable autofocus enables 2.4:1 widescreen shooting without cropping. Neutral streak flares and a consistent 44mm image circle deliver a unified, subtle cinematic look, while the shared 67mm filter thread streamlines rig changes. This kit is ideal for indie filmmakers and Sony hybrid shooters who need a compact, autofocus-capable anamorphic set for run-and-gun video with natural flare character.

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