Best Pick

Canon RF 24-70mm f/2.8 L IS USM

96 Video/Cinema Score
24-70mmf/2.8Canon RFISWeather Sealed
Why we recommend this

A constant f/2.8 aperture across the 24-70mm zoom range, paired with one Super UD and two UD elements, delivers sharp, color-accurate images with minimal chromatic aberration. Its weather-sealed, 805g build and fluorine coating provide reliable durability for field use, while the 5-stop image stabilization enables sharper handheld shooting. This lens is best for landscape and travel photographers needing a rugged, versatile workhorse with a 92.5/100 landscape score.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sony G SELP28135G.SYX 28-135mm

92.7 Video/Cinema Score
28-135mmf/4Sony EISWeather Sealed
Why we recommend this

A servo-powered zoom mechanism and constant f/4 aperture across the 28-135mm range make this a standout for controlled video environments. Optical SteadyShot stabilization and a Nano AR Coating ensure sharp, consistent footage, while the full-frame E-mount compatibility offers wide creative latitude. This lens is best for documentary filmmakers and event videographers who need a single, reliable parfocal zoom for run-and-gun shooting.

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Panasonic LUMIX S PRO S-E70200 70-200mm

92.1 Video/Cinema Score
70-200mmf/2.8L-MountISWeather Sealed
Why we recommend this

Constant f/2.8 aperture across the 70-200mm range pairs with a 7-stop stabilization system for sharp low-light results and distinct subject separation. Its dust, splash, and freeze-resistant build houses 22 elements that minimize aberrations, delivering high-resolution clarity in demanding conditions. This lens is best for event photographers and portrait specialists who require unwavering autofocus speed and rugged reliability on L-Mount bodies.

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Fujifilm XF 50-140mm f/2.8 R LM OIS WR 140mm

81.3 Video/Cinema Score
50-140mmf/22Fujifilm XISWeather Sealed
Why we recommend this

A constant f/2.8 aperture across the 76-213mm equivalent zoom range pairs with a Triple Linear Motor for fast, near-silent autofocus and 5-stop optical stabilization. The fully weather-sealed, all-metal construction and Nano-GI coating ensure sharp, contrast-rich images even in harsh outdoor conditions. This lens is best for portrait and event photographers who need reliable, professional-grade telephoto reach on Fujifilm X-mount bodies.

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Fujifilm XF 50-140mm f/2.8 R LM OIS WR 140mm lens
Price CA$2,160

Sony G Master SEL50F12GM 50mm

90.8 Video/Cinema Score
50mmf/1.2Sony EWeather Sealed
Why we recommend this

The f/1.2 aperture and 11-blade diaphragm deliver exceptionally shallow depth of field with smooth, rounded bokeh, while four XD Linear Motors provide fast, silent autofocus for both stills and video. Despite its bright design, the lens maintains a relatively portable 778g build with comprehensive weather sealing and a de-clickable aperture ring for seamless video operation. This lens is best for portrait photographers and wedding shooters who need uncompromising low-light performance and definitive subject separation.

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Panasonic Leica DG Vario-Summilux H-X1025 10-25mm

77.8 Video/Cinema Score
10-25mmf/1.7Micro Four ThirdsWeather Sealed
Why we recommend this

A constant f/1.7 aperture across the entire 10-25mm zoom range eliminates exposure shifts while shooting, paired with a stepless, de-clicked aperture ring for silent, smooth iris pulls. Its Leica-certified optical design, featuring 4 ED and 3 aspherical elements, delivers high resolution in a rugged, weather-sealed 690g body. This lens is best for run-and-gun videographers and hybrid shooters who need a single, fast wide-to-standard zoom for documentary or event work.

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Zeiss Batis 000000-2136-695 135mm

77.2 Video/Cinema Score
135mmf/2.8Sony EISWeather Sealed
Why we recommend this

The Apo Sonnar optical design with 14 elements and ZEISS T* coating delivers high contrast and vivid color while suppressing stray light. Its weather-sealed metal build, optical stabilization, and an innovative OLED display for focus distance make it durable and intuitive in the field. This 135mm f/2.8 is best for portrait photographers and videographers on Sony E-mount who need a compact, 614g telephoto with reliable autofocus and rich subject isolation.

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Sony FE SEL1224G 12-24mm

74.4 Video/Cinema Score
12-24mmf/4Sony EWeather Sealed
Why we recommend this

Combining a versatile 12-24mm focal range with a constant f/4 aperture, this lens delivers sharp results through 4 aspherical and 4 ED glass elements in a compact 565g body. Its dust and moisture-resistant build and Nano AR Coating ensure reliable performance with dramatically reduced flare, even in challenging light. This is best for landscape and architecture photographers who need an ultra-wide, rectilinear zoom that remains portable for extensive field work.

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Fujifilm GF 50mm f/3.5 R LM WR 50mm

71.3 Video/Cinema Score
50mmf/3.5Fujifilm GWeather Sealed
Why we recommend this

Weighing just 335g, this medium-format prime is exceptionally portable, pairing a 50mm focal length with a linear motor for quick, near-silent autofocus and minimal focus breathing. Its optical design with an aspherical element delivers sharp images with rich tones, while weather sealing across ten points ensures reliability in dusty or damp conditions. This lens is best for street and travel photographers who want a lightweight, discreet setup without sacrificing the resolution of the Fujifilm G-mount system.

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Panasonic Lumix G Leica DG Elmarit H-ES200 200mm

70.9 Video/Cinema Score
200mmf/2.8Micro Four ThirdsISWeather Sealed
Why we recommend this

The 200mm f/2.8 prime combines a Leica-certified optical path with a bright constant aperture, delivering sharp subject isolation and beautiful bokeh on Micro Four Thirds bodies. Its triple linear motor autofocus and built-in POWER O.I.S. ensure fast, stabilized acquisition, while the weather-sealed, freezeproof build and included 1.4x teleconverter add field-ready versatility. This lens is best for portrait and professional wildlife photographers who need a 400mm equivalent reach in a relatively compact, rugged package.

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Tamron Di VC USD 100-400mm f/4.5-6.3

70.8 Video/Cinema Score
100-400mmf/4.5Nikon FISWeather Sealed
Why we recommend this

Its magnesium alloy construction and 4-stop Vibration Compensation enable sharp, handheld shooting at 400mm without adding heft. The lens's 1.5m minimum focus distance and 1:3.6 maximum magnification deliver close-up detail rarely found in super-telephoto zooms. This lens best suits travel and wildlife photographers who need a compact, weather-sealed option for all-day handheld use.

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OM System M.Zuiko 150-600mm f/5.0-6.3 IS 300-1200mm

64.9 Video/Cinema Score
150-600mmf/5Micro Four ThirdsISWeather Sealed
Why we recommend this

Delivering a 1200mm equivalent field of view in a weather-sealed body, this lens provides extreme reach with 7-stop Sync IS for hand-held shooting. Its 0.56m minimum focus distance enables 0.7x tele-macro magnification, doubling as a close-up tool for detailed subjects. This is best for wildlife photographers and birders who need maximum focal length without a tripod.

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Nikon NIKKOR Z 28-135mm f/4 PZ

63 Video/Cinema Score
28-135mmf/22Nikon ZWeather Sealed
Why we recommend this

The internal zoom mechanism and constant f/4 aperture across the 28-135mm range provide consistent exposure and balance on a gimbal, while the Meso Amorphous Coating effectively suppresses flare. Its programmable control ring and smooth power zoom functionality, driven by a stepping motor, offer precise, near-silent focal length adjustments critical for run-and-gun shooting. This lens is best for documentary filmmakers and event videographers needing a single, weather-sealed solution that eliminates the need for frequent lens changes.

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Nikon NIKKOR Z 28-135mm f/4 PZ lens
Price CA$3,299