Tamron Di III-A AFB061S700 18-300mm
Covering a massive 18-300mm focal range with VXD linear autofocus and VC stabilization, this lens eliminates the need to swap glass from wide landscapes to tight telephoto shots. Its 1:2 maximum magnification at a 5.9-inch minimum focus distance enables near-macro detail, while the weather-sealed 621g body remains portable for all-day carry. This lens is best for travel and hiking photographers who want a single, versatile solution for capturing everything from sweeping vistas to distant wildlife.
概览
The 30-Second Version
The Tamron 18-300mm is the ultimate convenience lens for APS-C shooters, with a best-in-class zoom range and solid stabilization. It's a daylight superstar but falls apart in low light due to its slow aperture. If you want one lens for everything and can live with the compromises, this is it.
Pros & Cons
优点
- Insane 16.6x zoom range covers everything from wide landscapes to distant wildlife. 99th
- VXD autofocus is fast, accurate, and whisper-quiet for both stills and video. 89th
- Surprisingly good 1:2 macro capability at the wide end. 82nd
- Weather-sealed build with effective stabilization for handheld telephoto shots.
缺点
- The slow f/3.5-6.3 aperture struggles hard in low light.
- Bokeh is busy and nervous, not a lens for creamy backgrounds.
- Optical sharpness is just average, especially at the long end.
- Portrait performance is a real letdown due to the dim aperture and harsh rendering.
实测数据
Performance
The VXD autofocus is snappy and accurate, landing in the middle of the pack for its class, which is more than fine for a superzoom. The real star is the stabilization, which is well above average and lets you handhold shots at 300mm without a tripod in decent light. Optically, it's solid but not spectacular, with sharpness that's good enough for social media and prints but won't make pixel-peepers sell their primes. The close-focusing ability is a standout, letting you get to just 5.9 inches at the wide end for a 1:2 magnification, which opens up some fun pseudo-macro opportunities. The weak spot is the slow, variable aperture, which ranks near the bottom of the barrel and makes subject separation a challenge unless you're zoomed all the way in with some distance between your subject and the background.
Specifications
Full Specifications
Optics
| Type | Zoom |
| Focal Length Min | 18 |
| Focal Length Max | 300 |
| Coating | VC |
Aperture
| Max Aperture | f/22 |
| Min Aperture | f/3.5 |
| Constant | No |
Build
| Mount | Sony E |
| Format | APS-C |
| Weather Sealed | Yes |
| Weight | 0.6 kg / 1.4 lbs |
| Filter Thread | 67 |
AF & Stabilization
| AF Type | VXD |
| Stabilization | Yes |
Focus
| Min Focus Distance | 150 |
| Max Magnification | 1:2 |
vs Competition
Stacked against the Sigma 18-50mm f/2.8 DC DN, the Tamron gives up a lot of light-gathering ability and optical sharpness in exchange for that massive 300mm reach. The Sigma is the better lens for image quality and low light, but it can't touch the Tamron's versatility. The Nikon Z 17-28mm f/2.8 and Panasonic Leica 12-35mm f/2.8 are in a different league optically but are much more limited in range. Even the cheap Sony 16-50mm kit lens is smaller and brighter at the wide end, but it's a toy compared to the Tamron's telephoto punch. The Canon RF 28-70mm f/2.8 is a stunning lens, but it's a heavy, expensive standard zoom that can't dream of 300mm. The Tamron's only real competition is other superzooms, and in that niche, it's one of the best.
| Spec | Tamron Di III-A AFB061S700 18-300mm | Sigma Contemporary 18-50mm f/2.8 DC DN | Nikon NIKKOR Z 17-28mm f/2.8 | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E PZ 16-50mm f/3.5-5.6 OSS | Canon RF 28-70mm f/2.8 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | 18-300mm | 18-50mm | 17-28mm | 12-35mm | 16-50mm | 28-70mm |
| Max Aperture | f/22 | f/2.8 | f/2.8 | f/2.8 | f/3.5 | f/22 |
| Mount | Sony E | Sony E | Nikon Z | Micro Four Thirds | Sony E | Canon RF |
| Stabilization | true | false | false | true | true | true |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 621 | 290 | 450 | 306 | 107 | 495 |
| AF Type | VXD | stepping motor | Stepping Motor | Autofocus | Autofocus | STM |
| Lens Type | zoom | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| 产品 | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | 用户口碑 | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Tamron Di III-A AFB061S700 18-300mm | 53.7 | 13.2 | 64.6 | 88.6 | 46 | 20.1 | 99.2 | 59.9 | 82.4 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 87.6 | 80.4 | 86.5 | 90.8 | 82.5 | 82.8 | 78.5 | 90.1 | 36.7 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.6 | 85.7 | 76 | 84.9 | 88.4 | 82.8 | 68 | 71.4 | 36.7 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.7 | 80.4 | 85.8 | 50.2 | 86.7 | 82.8 | 80.4 | 86 | 97 |
| Sony E PZ 16-50mm f/3.5-5.6 OSS Compare | 53.7 | 73.7 | 98.6 | 43.2 | 69 | 75.9 | 83.1 | 82 | 93.5 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 87.6 | 23 | 72.9 | 78.9 | 86.7 | 20.1 | 77.3 | 90.1 | 98.6 |
价格
Value & Pricing
Priced between $599 and $699, this lens is a solid deal if you value convenience above all else. You're getting a massive zoom range, good stabilization, and weather sealing for the cost of a mid-range smartphone. It's not going to replace a set of fast primes or a constant f/2.8 zoom for image quality, but it's not trying to. For the traveler who wants one lens to do it all without breaking the bank, the value proposition is hard to beat.
Best Buy 3 个报价 最低 US$600
Price History
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Overview
The Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD is basically the only lens you need to throw in your bag for a day out with an APS-C Sony or Canon RF camera. It goes from a proper wide 18mm all the way to a ridiculous 300mm, which is a 16.6x zoom range that means you can shoot a landscape and then immediately grab a tight shot of a bird without swapping glass. The build is solid, it's weather sealed, and the VXD autofocus motor is quick and nearly silent. At around 621g, it's not a pancake lens, but for the reach you get, it's impressively portable.
But there's a catch, and it's a big one. The aperture starts at f/3.5 and quickly gets dimmer as you zoom, bottoming out at f/6.3. This makes it a daylight champion and a low-light wallflower. If you're shooting indoors or at golden hour without a flash, you'll be cranking your ISO. Still, for travel, hiking, and general walkaround photography where you don't want to carry a bag of primes, this lens is a compelling argument for keeping things simple.
Common Questions
Q: Is this lens good in low light?
Not really. The f/3.5-6.3 aperture gets dim fast as you zoom, so you'll need good light or a high ISO to keep shutter speeds up indoors or at night.
Q: Can I use this for portraits?
You can, but it's not ideal. The slow aperture makes it hard to get a soft, blurry background, and our data shows portrait performance is this lens's weakest area.
Q: Does the autofocus work well for video?
Yes, the VXD linear motor is fast, precise, and nearly silent, making it a solid choice for video work where you don't want focus noise ruining your audio.
Who Should Skip This
If you shoot a lot of portraits or events in low light, skip this lens. The slow aperture and mediocre bokeh will frustrate you. Get a fast prime or a constant f/2.8 zoom instead. Also, if you're a sharpness fanatic who zooms in to 200% on every shot, the optical performance here won't satisfy you.
Verdict
This lens is for the photographer who hates changing lenses and prioritizes capturing the moment over absolute image perfection. If you're a travel shooter, a hiker, or just someone who wants a single do-it-all lens for family outings, the Tamron 18-300mm is a fantastic choice. It's not for pixel-peepers, portrait specialists, or anyone who regularly shoots in dimly lit venues.