Sigma Sports 185956 500mm
A 500mm f/4 optical formula with one SLD and two FLD elements, plus Super Multi-Layer coating, delivers sharp, contrast-rich images, aided by a 4-stop Optical Stabilizer for handholding in dim conditions. Its dust- and splash-proof magnesium-alloy barrel, brass mount, and teleconverter compatibility ensure durability and extended reach options. This lens is ideal for sports and wildlife photographers who rely on fast Hyper Sonic AF with full-time manual override and a bright f/4 aperture to track distant, fast-moving subjects.
Обзор
The 30-Second Version
The Sigma 500mm f/4 DG OS HSM Sport delivers excellent optics in the 83rd percentile and best-in-class stabilization at the 93rd percentile. But it's built for the dead Sigma SA mount, and the build quality score lands in the 8th percentile, one of the worst we've seen. Great glass, terrible ecosystem.
Pros & Cons
Плюсы
- 4-stop stabilization ranks in the 93rd percentile, near best-in-class 92nd
- Optical quality in the 83rd percentile with SLD and FLD elements 83rd
- f/4 constant aperture at 500mm is solid for low light 83rd
- Weather-sealed with magnesium-alloy barrel and brass mount 71st
- 9-blade diaphragm delivers bokeh in the 79th percentile
Минусы
- Build quality score lands in the 8th percentile, one of the worst we've seen
- Sigma SA mount is a dead system with no upgrade path
- Autofocus sits at the 54th percentile, just average
- 3,175 grams makes this a tripod-only lens for most shooters
- Versatility score of 34th percentile, this is a one-trick pony
Мнение владельцев
The Word on the Street
Факты
Performance
The optical performance is where this lens earns its keep. At the 83rd percentile, it's one of the best on the market for sharpness and aberration control. The 16 elements in 11 groups include one SLD and two FLD elements, which do the heavy lifting against chromatic aberration. The Super Multi-Layer Coating keeps flare and ghosting in check, and the 9-blade diaphragm produces bokeh that lands in the 79th percentile, well above average for a super-telephoto.
Stabilization is the real headline here. The 4-stop Optical Stabilizer ranks in the 93rd percentile, which puts it near the top of the charts for handheld shooting. That's a big deal at 500mm, where camera shake is brutal. The f/4 max aperture sits at the 68th percentile, solid but not exceptional. Autofocus is the weak link at the 54th percentile, middle of the pack. The Hyper Sonic AF motor gets the job done, but it's not going to blow anyone away for fast action tracking.
Specifications
Full Specifications
Optics
| Type | Super-telephoto |
| Focal Length Min | 500 |
| Focal Length Max | 500 |
| Elements | 16 |
| Groups | 11 |
| ED Elements | 3 |
| Coating | Super Multi-Layer Coating |
Aperture
| Max Aperture | f/4 |
| Min Aperture | f/32 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Sigma SA |
| Format | Full-Frame |
| Weather Sealed | Yes |
| Weight | 3.2 kg / 7.0 lbs |
| Filter Thread | 46 |
AF & Stabilization
| AF Type | Autofocus |
| Stabilization | Yes |
| Stabilization Stops | 4 |
Focus
| Min Focus Distance | 3500 |
| Max Magnification | 1:6.67 |
vs Competition
Stacked against the competition, the Sigma 500mm f/4 is a weird mix. The Tamron 28-300mm f/4-7.1 Di III VC VXD offers way more versatility with its zoom range, though it gives up the f/4 constant aperture. The Nikon Z 24-200mm f/4-6.3 VR and Panasonic Lumix S 24-105mm f/4 Macro O.I.S. are both more practical everyday lenses with modern mounts and better build quality scores. The Viltrox 13mm f/1.4 and Sony 16-50mm f/3.5-5.6 OSS aren't even in the same conversation, different tools entirely. What the Sigma has that none of these competitors can touch is 500mm of reach with a constant f/4 aperture and top-tier stabilization. But you're paying a premium for a mount that's going nowhere.
| Spec | Sigma Sports 185956 500mm | Tamron Di III VC 28-300mm f/4-7.1 VXD | Nikon NIKKOR 20059 | Sony E 18-135mm f/3.5-5.6 OSS | Panasonic Lumix G Leica DG Vario-Elmarit 8-18mm f/2.8-4 | Canon EF-S 55-250mm f/4-5.6 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | 500mm | 28-300mm | 18-55mm | 18-135mm | 8-18mm | 55-250mm |
| Max Aperture | f/4 | f/4 | f/3.5 | f/3.5 | f/2.8 | f/4 |
| Mount | Sigma SA | Sony E | Nikon F | Sony E | Micro Four Thirds | Canon EF-S |
| Stabilization | true | true | true | true | true | true |
| Weather Sealed | true | true | false | false | true | false |
| Weight (g) | 3175 | 590 | 205 | 326 | 313 | 375 |
| AF Type | Autofocus | VXD linear motor | pulse stepping motor | Linear motor | 240-fps autofocus drive | STM |
| Lens Type | super-telephoto | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Товар | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Отзывы пользователей | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Sigma Sports 185956 500mm | 53.8 | 83.3 | 6.5 | 29.3 | 82.8 | 70.7 | 33.2 | 40.4 | 92.3 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 97.7 | 83.3 | 62.9 | 83.2 | 96.3 | 70.7 | 97.9 | 50.5 | 79.3 |
| Nikon NIKKOR 20059 Compare | 84.6 | 81.1 | 83.6 | 95.3 | 54.4 | 82.5 | 82.8 | 86.2 | 92.3 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 97.7 | 81.1 | 70.9 | 37.2 | 77.9 | 82.5 | 95.8 | 90.7 | 79.3 |
| Panasonic Lumix G Leica DG Vario-Elmarit 8-18mm f/2.8-4 Compare | 53.8 | 86.5 | 83.5 | 35 | 93.4 | 88.1 | 75.1 | 80.8 | 79.3 |
| Canon EF-S 55-250mm f/4-5.6 IS STM Compare | 84.6 | 69.7 | 64.8 | 30.4 | 74.3 | 70.7 | 92.2 | 90.7 | 92.3 |
Цена
Value & Pricing
At USD 6,599 from US retailers, this lens is a hard sell. The EUR listings run 7,545 to 7,707, and Canadian buyers are looking at CAD 9,035 to 9,097. For that kind of money, you're getting excellent optics and stabilization, but you're also buying into a mount system that Sigma abandoned years ago. The resale value on SA mount glass is rough, and the build quality percentile doesn't inspire confidence for a lens this expensive. If you already own an SA body and need 500mm reach, this is your only real option. For everyone else, that money goes much further on a current mount.
Amazon 1 предложение От 6 599 $
Мы отслеживаем цены на этот товар с 29 мая 2026 г.. График появится, когда накопится больше данных.
Подробнее
Overview
The Sigma 500mm f/4 DG OS HSM Sport is a serious piece of glass for a mount system that's basically on life support. The optical performance is a standout, sitting in the 83rd percentile across our database, and the stabilization is even better at the 93rd percentile. That 4-stop Optical Stabilizer is the kind of thing that makes handheld super-telephoto work actually possible, which matters when you're hauling around 3,175 grams of lens.
But here's the thing: this is a Sigma SA mount lens. That's a dead system. Sigma stopped making SA cameras years ago, and the build quality score lands in the 8th percentile, which is one of the worst we've seen for a lens in this class. The magnesium-alloy barrel and brass mount sound premium on paper, but the data tells a different story. You're buying into a format with no future, and that's a big asterisk on an otherwise impressive optic.
Common Questions
Q: Will this lens work on my Pentax or Sony camera?
No. This is a Sigma SA mount lens, and it won't fit Pentax K, Sony E, or any other mount without an adapter that doesn't really exist. The SA mount was Sigma's proprietary system for their own camera bodies, and it's been discontinued for years.
Q: Is the 4-stop stabilization enough for handheld shooting at 500mm?
The stabilization ranks in the 93rd percentile across our database, which is near the top of the charts. That 4-stop compensation is genuinely helpful at 500mm, but the lens weighs 3,175 grams, so most shooters will want a tripod or monopod regardless.
Q: How does the image quality compare to other super-telephoto lenses?
The optical performance sits in the 83rd percentile, which puts it among the best on the market. The 16 elements in 11 groups with one SLD and two FLD elements do solid work against chromatic aberration, and the Super Multi-Layer Coating keeps contrast strong in backlit situations.
Who Should Skip This
Skip this if you don't already own a Sigma SA body. The mount is dead, the build quality is in the 8th percentile, and the versatility score of 34th percentile means this lens does exactly one thing. At USD 6,599, you're paying flagship money for a lens with no future. If you need 500mm reach on a modern system, look at adapted EF glass or native options from Canon, Nikon, or Sony. The autofocus at the 54th percentile also won't impress anyone shooting fast action, which is kind of the whole point of a Sports line lens.
Verdict
The Sigma 500mm f/4 DG OS HSM Sport is a genuinely excellent super-telephoto trapped in a dead mount. The optical quality and stabilization are legitimately impressive, ranking in the 83rd and 93rd percentiles respectively. If you're one of the few people still shooting Sigma SA bodies and you need serious reach, this lens delivers. But the 8th percentile build quality score and the complete lack of an upgrade path make it impossible to recommend for anyone else. The numbers on optics are great, but the numbers on longevity are not.