Sigma Art 35mm f/1.4 DG DN 35mm
The 15-element optical design with SLD, ELD, and FLD glass delivers exceptional sharpness and well-controlled aberrations at f/1.4. Its weather-sealed, 665g build is notably compact for a full-frame prime, complemented by a manual aperture ring with a de-click switch for smooth video iris pulls. This lens is best for portrait and professional photographers who need critical edge-to-edge clarity and reliable autofocus in challenging light.
요약
The 30-Second Version
The bokeh on this Sigma is a 99th-percentile showstopper, giving you creamy backgrounds that make your subject pop. It's incredibly sharp, focuses fast and silently, and owners rave about its value. Just know that it skips stabilization and isn't the most versatile lens for travel, but for pure image quality, it's a knockout.
Pros & Cons
장점
- Best-in-class bokeh (99th percentile) with an 11-blade diaphragm 91st
- Outstanding sharpness and optical quality (90th percentile) 90th
- Fast, silent autofocus (88th percentile) thanks to dual HLA motors 90th
- Excellent value compared to first-party f/1.4 options 70th
- Weather-sealed build with a useful manual aperture ring
단점
- No optical stabilization, a real miss for handheld video
- Travel score is a disappointing 55.8 out of 100
- Build quality is just middle-of-the-pack (62nd percentile)
- Minimum focus distance of 30cm limits close-up flexibility
- Minor distortion is present, though easily corrected in post
사용자 의견
The Word on the Street
시간에 따라 사용자 평판이 어떻게 변했는가
독점고객이 실제로 리뷰를 작성한 시점을 기준으로 합니다. 초기의 호평이 유지되었는지 확인할 수 있습니다.
날짜가 있는 고객 리뷰 152건을 기준으로 달력 분기별로 묶었습니다. 기간별 분석은 영어로 제공됩니다.
근거 자료
Performance
Sharpness is the headline here, and it's backed up by a complex 15-element optical design with a pile of special glass. We're talking two SLD elements, one ELD, one FLD, and a couple of aspherical elements. In practice, that translates to images that are crisp from corner to corner, even wide open at f/1.4. The Super Multi-Layer Coating does its job too, keeping flare and ghosting well under control when you're shooting into the light.
Autofocus is a strong point, landing in the 88th percentile. The dual HLA-driven motor is fast and practically silent, making it a solid pick for video work as well as stills. The real star of the show, though, is the bokeh. With an 11-blade diaphragm and that f/1.4 aperture, out-of-focus areas are creamy and smooth. It's the kind of rendering that makes your subject pop and gives images a three-dimensional feel. For pure image quality, this lens is a standout.
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 35 |
| Focal Length Max | 35 |
| Elements | 15 |
| Groups | 11 |
| Aspherical Elements | 2 |
| ED Elements | 4 |
| Coating | Super Multi-Layer Coating |
Aperture
| Max Aperture | f/16 |
| Min Aperture | f/1.4 |
| Constant | Yes |
| Diaphragm Blades | 11 |
Build
| Mount | Sony E |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 0.7 kg / 1.5 lbs |
| Filter Thread | 67 |
AF & Stabilization
| AF Type | HSM |
| Stabilization | No |
Focus
| Min Focus Distance | 300 |
| Max Magnification | 1:5.4 |
vs Competition
Stacked against the competition, the Sigma carves out a very specific niche. A zoom like the Tamron 17-70mm f/2.8 will run circles around it for versatility and travel, but it can't touch the Sigma's f/1.4 aperture or bokeh quality. The Sony E PZ 16-50mm f/3.5-5.6 OSS is far more compact and has stabilization, but its optical performance is in a completely different, lower league. You're trading convenience for pure image magic. The Sigma is for the shooter who prioritizes the final image over everything else, and it beats most zooms hands down in that department.
| Spec | Sigma Art 35mm f/1.4 DG DN 35mm | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E PZ 16-50mm f/3.5-5.6 OSS | Canon RF 28-70mm f/2.8 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | 35mm | 17-70mm | 17-28mm | 12-35mm | 16-50mm | 28-70mm |
| Max Aperture | f/16 | f/2.8 | f/2.8 | f/2.8 | f/3.5 | f/22 |
| Mount | Sony E | Sony E | Nikon Z | Micro Four Thirds | Sony E | Canon RF |
| Stabilization | false | true | false | true | true | true |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 665 | 544 | 450 | 306 | 107 | 495 |
| AF Type | HSM | RXD | Stepping Motor | Autofocus | Autofocus | STM |
| Lens Type | prime | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| 제품 | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | 사용자 평판 | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Sigma Art 35mm f/1.4 DG DN 35mm | 53.7 | 41.9 | 61.2 | 70.3 | 90.2 | 39.8 | 90.8 | 33.6 | 90.1 | 36.7 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.7 | 85.7 | 69.8 | 84.9 | 91 | 82.8 | 63.3 | 89.4 | 86 | 82.4 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.6 | 85.7 | 76 | 84.9 | 88.4 | 82.8 | 90.8 | 68 | 71.3 | 36.7 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.7 | 80.4 | 85.8 | 50.2 | 86.7 | 82.8 | 63.3 | 80.4 | 86 | 96.9 |
| Sony E PZ 16-50mm f/3.5-5.6 OSS Compare | 53.7 | 73.7 | 98.6 | 43.2 | 69 | 75.9 | 63.3 | 83.1 | 82 | 93.5 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 87.6 | 23 | 72.9 | 78.9 | 86.7 | 20.1 | 98.1 | 77.3 | 90.1 | 98.6 |
가격
Value & Pricing
This is where the Sigma gets really interesting. While we don't have a single fixed price, the spread across vendors is massive, ranging from $500 to $1649. That low end is an absolute steal for this level of optical performance. Even at the higher end, you're getting a lens that directly challenges glass costing significantly more. The user sentiment score of 92/100 backs this up, with owners consistently calling it a great value for the money. If you can find it closer to that $500 mark, it's a no-brainer.
Best Buy 가격 5개 최저 US$500
Newegg 가격 20개 최저 US$635
B&H Photo 가격 8개 최저 US$810
Amazon 가격 4개 최저 US$899
Price History
더 보기
Overview
The Sigma Art 35mm f/1.4 DG DN is a lens that lives and breathes by its image quality. Our database puts its bokeh in the 99th percentile and its overall optical performance in the top 10% of lenses we've tested. That means you're getting a level of sharpness and background separation that's basically best-in-class, all wrapped in a body that's 20% lighter than the old DSLR version. It's a portrait and professional workhorse that just happens to be a 35mm prime.
But it's not a jack-of-all-trades. The travel score is a rough 55.8 out of 100, and there's no stabilization built in. At 665g, it's not a featherweight pancake lens you'll forget is on your camera. Think of this as a specialist. It's the lens you reach for when you absolutely need the shot to look stunning, not the one you grab for a casual hike.
Common Questions
Q: How does this lens perform for video work?
It's a strong contender. The dual HLA autofocus motor is fast and nearly silent, which is crucial for video. The manual aperture ring also has a de-click switch, letting you make smooth, silent aperture adjustments while recording. The main downside is the lack of optical stabilization, so you'll want to use it on a camera with IBIS or a gimbal for smooth handheld footage.
Q: Is this lens weather-sealed?
Yes, it is. The lens features a splash-resistant design and a water- and oil-repellent coating on the front element. This makes it a reliable partner for shooting in light rain or dusty conditions, which is a big plus for landscape and event photographers who can't always control the environment.
Q: How does the bokeh compare to other 35mm lenses?
It's at the very top of the charts. Our data puts its bokeh quality in the 99th percentile. The combination of the bright f/1.4 aperture and an 11-blade rounded diaphragm produces exceptionally smooth, creamy out-of-focus backgrounds. It's one of the absolute best 35mm lenses you can buy for subject separation and that three-dimensional pop.
Who Should Skip This
Travel and casual shooters should probably look elsewhere. The travel score is a weak 55.8 out of 100, and at 665g, it's a substantial piece of glass to carry around all day. If you need a single do-it-all lens for vacations, a quality zoom will serve you much better. Videographers who rely solely on handheld work without a stabilized body should also be cautious, as the lack of OIS will lead to shaky footage. This lens is for deliberate image-making, not run-and-gun convenience.
Verdict
The Sigma Art 35mm f/1.4 DG DN is a specialist's tool that delivers world-class image quality. The bokeh and sharpness are simply stunning, and the autofocus keeps up without a fuss. The lack of stabilization and mediocre travel score are the trade-offs, but they're easy to accept once you see the results. If your priority is making images with a beautiful, professional look, this lens is one of the best on the market. The overwhelmingly positive user feedback, with a 4.7-star average, confirms that this isn't just a lab champion, it's a real-world winner.