Olympus Zuiko Digital 261056 40-150mm
The 40-150mm f/4.0-5.6 ED lens packs an extra-low dispersion element into a 318g body, delivering a 3.8x telephoto zoom with sharply controlled chromatic aberration. Its 90cm minimum focus distance and common 58mm filter thread add practical versatility for close-ups and affordable accessory pairing. This lens suits budget-conscious Four Thirds DSLR owners who want a lightweight, everyday telephoto for outdoor portraiture and street photography.
概要
The 30-Second Version
The Olympus 40-150mm f/4.0-5.6 is a dirt-cheap, featherweight telephoto zoom for old Four Thirds DSLRs. Its best trick is the price, often under $150, but the optical quality is near the bottom of our database and the lack of stabilization hurts. Buy it if you need reach on a budget and shoot in good light, otherwise look for a native mirrorless option.
Pros & Cons
長所
- Incredibly light and compact for a 40-150mm zoom. 86th
- Dirt cheap on the used market, often under $150. 74th
- Useful 3.8x zoom range for general telephoto work.
- Close 90cm minimum focus distance adds flexibility.
短所
- Optical quality is near the bottom of our database.
- No image stabilization makes handheld telephoto shots tricky.
- Slow f/4-5.6 aperture struggles in low light.
- Designed for old Four Thirds DSLRs, not modern mirrorless.
実証データ
Performance
The optical performance is where this lens shows its age. It lands in the 21st percentile overall for optics, which is frankly disappointing. You'll get decent center sharpness when stopped down, but don't expect edge-to-edge crispness wide open. The ED glass element helps control some chromatic aberration, but it's not a miracle worker. Bokeh is middle of the pack, and the slow variable aperture means you'll be cranking ISO in anything but bright daylight. Autofocus speed is average at best, and the lack of stabilization really hurts at the long end where camera shake becomes a real problem. On the plus side, the close focusing distance of about 90cm is genuinely handy for a telephoto zoom, even if the macro score is a weak 33.7 out of 100.
Specifications
Full Specifications
Optics
| Type | Telephoto |
| Focal Length Min | 40 |
| Focal Length Max | 150 |
Aperture
| Max Aperture | f/4 |
| Min Aperture | 4.0-5.6 |
| Constant | No |
Build
| Mount | Micro Four Thirds |
| Format | micro-four-thirds |
| Weight | 0.3 kg / 0.7 lbs |
| Filter Thread | 58 |
Focus
| Min Focus Distance | 900 |
vs Competition
Stacked against modern competitors, the Zuiko feels ancient. The Tamron 28-75mm f/2.8 G2 is in a completely different league optically and in terms of speed, but it's also way more expensive and for full-frame systems. The Nikon Z DX 16-50mm and Sony E 16-50mm OSS are both stabilized, sharper, and built for mirrorless, though they lack the telephoto reach. Even the Viltrox 14mm f/4, while a prime, offers better optical quality in a similar budget bracket. The Zuiko's only real advantage is its specific focal range on a dead-end DSLR mount, and that's a niche within a niche.
| Spec | Olympus Zuiko Digital 261056 40-150mm | Nikon NIKKOR Z DX 16-50mm f/3.5-6.3 VR | Sony E PZ 16-50mm f/3.5-5.6 OSS | Tamron Di III VXD G2 28-75mm f/2.8 | Viltrox Air AF 14mm F4.0 Air | GoPro HB-Series AEWAL-001 |
|---|---|---|---|---|---|---|
| Focal Length | 40-150mm | 16-50mm | 16-50mm | 28-75mm | 14mm | - |
| Max Aperture | f/4 | f/3.5 | f/3.5 | f/2.8 | f/4 | f/0 |
| Mount | Micro Four Thirds | Nikon Z | Sony E | Sony E | Nikon Z | GoPro HERO Black Mount |
| Stabilization | false | true | true | false | true | true |
| Weather Sealed | false | false | true | true | true | true |
| Weight (g) | 318 | 135 | 107 | 540 | 185 | 100 |
| AF Type | - | Stepping Motor | Autofocus | VXD linear motor | STM | - |
| Lens Type | telephoto | zoom | zoom | zoom | wide-angle | wide-angle |
| Compare | Compare | Compare | Compare | Compare |
| 製品 | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | ユーザー評価 | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Olympus Zuiko Digital 261056 40-150mm | 53.7 | 62.9 | 74.1 | 46 | 21.2 | 64.6 | 85.7 | 48.6 | 36.7 |
| Nikon NIKKOR Z DX 16-50mm f/3.5-6.3 VR Compare | 87.6 | 73.7 | 92.8 | 44.5 | 74.5 | 75.9 | 83.1 | 78.7 | 95.4 |
| Sony E PZ 16-50mm f/3.5-5.6 OSS Compare | 53.7 | 73.7 | 98.6 | 43.2 | 69 | 75.9 | 83.1 | 82 | 93.5 |
| Tamron Di III VXD G2 28-75mm f/2.8 Compare | 98.2 | 85.7 | 70.2 | 85.8 | 89.1 | 82.8 | 78.4 | 15.1 | 36.7 |
| Viltrox Air AF 14mm F4.0 Air Compare | 87.6 | 62.9 | 94.7 | 54.2 | 84.6 | 64.6 | 33.6 | 82 | 82.4 |
| GoPro HB-Series AEWAL-001 Compare | 53.7 | 100 | 98.7 | 13.9 | 46 | 100 | 33.6 | 83.9 | 82.4 |
価格
Value & Pricing
Value is the one area where this lens actually shines. You can find it for between $134 and $192, which is pocket change in the lens world. For a beginner dipping their toes into telephoto photography on an old Olympus DSLR, it's a no-brainer. You're getting a lot of reach for very little money. But if you're adapting this to a Micro Four Thirds body, factor in the cost of an adapter and the sluggish autofocus. At that point, a native MFT kit lens might be a better use of your cash.
Amazon 1件の価格 最安 $134
Price History
詳細情報
Overview
The Olympus 40-150mm f/4.0-5.6 ED Zuiko Digital is one of those lenses that just makes sense if you're on a tight budget. It's a 3.8x telephoto zoom that covers a really useful range, from short portrait lengths out to proper telephoto reach. And it does it in a package so light you'll forget it's in your bag. At around 318 grams, it's basically a featherweight for a zoom that reaches 150mm.
But let's be real about what you're getting. This is an older Four Thirds DSLR lens, not a modern Micro Four Thirds mirrorless optic. The max aperture is slow, starting at f/4 and dropping to f/5.6 pretty quickly. There's no stabilization, the autofocus is just okay, and the optical quality sits near the bottom of our database. It's a budget telephoto, plain and simple. For the right person, that's perfectly fine.
Common Questions
Q: Will this lens work on my Micro Four Thirds camera?
Only with an adapter, and even then autofocus will be slow and clunky. It's designed for the older Four Thirds DSLR mount, so you're better off with a native MFT lens unless you already own the adapter and have very low expectations.
Q: Is the image quality good enough for wildlife or sports?
In bright daylight, stopped down to f/8, you can get usable shots. But the slow aperture and lack of stabilization make it tough to freeze action unless you're shooting at high shutter speeds with plenty of light.
Q: Does this lens have image stabilization?
No, there's no optical stabilization built in. You'll need to rely on your camera body's in-body stabilization if it has it, or keep your shutter speed high to avoid blur, especially at 150mm.
Who Should Skip This
If you need a lens that performs well in low light or you're shooting on a modern Micro Four Thirds body, skip this. The slow aperture and lack of stabilization will frustrate you. Anyone who values sharpness across the frame should also look elsewhere, the optical quality just isn't there compared to even budget native MFT zooms.
Verdict
This lens is for the Olympus Four Thirds DSLR owner who needs a cheap telephoto zoom and knows exactly what they're getting into. It's a daylight-only lens that demands good technique at the long end. If you're shooting an old E- series body and just want to photograph your kid's soccer game on a sunny Saturday, it'll do the job. Anyone expecting modern sharpness or low-light performance will be disappointed.