Sigma Art 28-105mm f/2.8 DG DN
A constant f/2.8 aperture across a 28-105mm zoom range paired with an HLA motor delivers fast, precise autofocus and a useful 1:3.1 magnification for close-ups. Its dust- and splash-resistant build, combined with a 12-blade diaphragm for smooth bokeh, offers a durable, all-in-one solution that reduces lens swaps during events. This lens is best for portrait and wedding photographers who need a versatile, weather-sealed workhorse with a bright aperture for low light.
एक नज़र में
The 30-Second Version
The Sigma 28-105mm f/2.8 is the 24-70mm killer nobody saw coming. Sharp enough to embarrass lenses twice its price, heavy enough to remind you it's there.
Pros & Cons
खूबियाँ
- Optical quality is elite, 98th percentile sharpness 98th
- Constant f/2.8 with extra reach over a 24-70mm 94th
- Gorgeous bokeh from the 12-blade aperture 88th
- Weather sealed and built for real-world abuse 86th
कमियाँ
- 998g is a lot of glass to carry all day
- No image stabilization built in
- Zoom ring is stiff out of the box
- Autofocus is just average, not class-leading
मालिकों की राय
The Word on the Street
मालिकों की राय समय के साथ कैसे बदली
विशेषग्राहकों ने वास्तव में अपनी समीक्षाएँ कब लिखीं, इसके आधार पर - ताकि आप देख सकें कि शुरुआती तारीफ़ टिकी या नहीं।
- Q4 2025100/100
Buyers praised the lens for its unique focal range, versatility, image quality, and fast autofocus. One mentioned a stiff zoom ring, but overall sentiment was highly positive.
- Unique and versatile focal range from 28 to 105 mm is widely appreciated.
- Excellent image quality, fast autofocus, and a precise aperture ring set a new standard.
- A few users find the lens reasonably light; one mentions the zoom ring is very stiff.
- Highly recommended for events, video, and everyday carry despite being slightly larger than a 24–70.
- Q2 202580/100
Reviewers praised the lens as a versatile all-around option, especially for video and weddings, with good build quality and sharpness.
- Versatile all-around lens, ideal for weddings and video work.
- Sharpness and build quality satisfy users.
- Some prefer it over 24-70mm for extra reach, others miss wide end.
- No reliability or defect issues reported in this period.
12 तिथि-युक्त ग्राहक समीक्षाओं पर आधारित, कैलेंडर तिमाही के अनुसार समूहित। अवधि-वार विश्लेषण अंग्रेज़ी में है।
प्रमाण
Performance
Optically, this thing is a monster. Sharpness is right up there with the absolute best we've tested, and the bokeh from that 12-blade diaphragm sits in the 92nd percentile, which means backgrounds melt away nicely for a zoom. The close focus distance of 15.8 inches across the entire range is a sneaky party trick, you can get surprisingly tight shots without swapping lenses. But here's the catch: autofocus is only middle of the pack, and there's no stabilization. On a modern Sony body with IBIS you'll be fine, but on anything without it, handheld video gets shaky fast.
Specifications
Full Specifications
Optics
| Type | Zoom |
| Focal Length Min | 28 |
| Focal Length Max | 105 |
| Elements | 18 |
| Groups | 13 |
| Aspherical Elements | 5 |
| ED Elements | 3 |
| Coating | water- and oil-repellent coating |
Aperture
| Max Aperture | f/2.8 |
| Min Aperture | f/2.8 |
| Constant | Yes |
| Diaphragm Blades | 12 |
Build
| Mount | Sony E |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 1.0 kg / 2.2 lbs |
| Filter Thread | 82 |
AF & Stabilization
| AF Type | HLA |
| Stabilization | No |
Focus
| Min Focus Distance | 401 |
| Max Magnification | 1:3.1 |
vs Competition
The obvious comparison is the Tamron 35-150mm f/2-2.8, which gives you more reach but weighs even more and costs more. The Sigma's 28mm wide end is actually more useful for interiors and landscapes than Tamron's 35mm start. Against a traditional 24-70mm f/2.8, you're trading 4mm on the wide end for 35mm on the long end, and for event shooters that's a trade worth making every time. The Sony E 18-135mm is lighter and cheaper but it's an f/3.5-5.6 variable aperture lens, not even in the same conversation for low light.
| Spec | Sigma Art 28-105mm f/2.8 DG DN | Tamron Di III VC 28-300mm f/4-7.1 VXD | Nikon NIKKOR 20059 | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E 18-135mm f/3.5-5.6 OSS | Meike MIX Series 85mm F1.4 II |
|---|---|---|---|---|---|---|
| Focal Length | 28-105mm | 28-300mm | 18-55mm | 12-35mm | 18-135mm | 85mm |
| Max Aperture | f/2.8 | f/4 | f/3.5 | f/2.8 | f/3.5 | f/1.4 |
| Mount | Sony E | Sony E | Nikon F | Micro Four Thirds | Sony E | L-Mount |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | true | true | false | true | false | true |
| Weight (g) | 998 | 590 | 205 | 306 | 326 | 914 |
| AF Type | HLA | VXD linear motor | pulse stepping motor | Autofocus | Linear motor | STM |
| Lens Type | zoom | zoom | zoom | zoom | zoom | telephoto |
| Compare | Compare | Compare | Compare | Compare |
| उत्पाद | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | सामाजिक प्रमाण | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Sigma Art 28-105mm f/2.8 DG DN | 53.9 | 93.8 | 37.7 | 59.8 | 98 | 87.5 | 64 | 85.7 | 82.9 | 34.3 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 97.7 | 82.5 | 62.5 | 83.1 | 96.3 | 70.4 | 91 | 97.9 | 50.6 | 79.2 |
| Nikon NIKKOR 20059 Compare | 84.5 | 80.2 | 83.2 | 95.2 | 53.9 | 81.8 | 64 | 82.7 | 85.9 | 92.2 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.9 | 85.7 | 83.4 | 48 | 86 | 87.5 | 91 | 80.4 | 85.9 | 96.4 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 97.7 | 80.2 | 70.5 | 36.7 | 77.7 | 81.8 | 45.2 | 95.8 | 90.6 | 79.2 |
| Meike MIX Series 85mm F1.4 II Compare | 84.5 | 98.4 | 40.7 | 92 | 50.9 | 97.4 | 80.7 | 33.1 | 76.3 | 79.2 |
कीमत
Value & Pricing
At USD 1,510 to USD 1,699 across US retailers, this lens undercuts Sony's own f/2.8 zooms by a meaningful margin while delivering comparable or better optics. The best deal we're seeing is at the lower end of that range, so shop around before you buy. In Canada, expect to pay CAD 1,999 to CAD 2,249. For what you get, this is one of the better value propositions in the full-frame zoom market right now.
Newegg 4 ऑफ़र से $1,510
Best Buy 3 ऑफ़र से $1,649
Amazon 2 ऑफ़र से $1,649
Price History
और पढ़ें
Overview
The Sigma 28-105mm f/2.8 DG DN Art is the lens a lot of Sony shooters have been waiting for without realizing it. You get constant f/2.8 brightness, a genuinely useful zoom range, and optical quality that lands in the 98th percentile of our database. That's not just good, that's best-in-class territory. The one thing to know? This lens makes a strong case for ditching your 24-70mm.
Common Questions
Q: Does this lens work on the Sony FX3 or FX6?
Yes, it works fine on Sony's cinema bodies. But remember it's a manual zoom, so the zoom rocker on the FX6 handle won't do anything. You'll be turning the ring by hand.
Q: Is this good for action photography?
For action within its focal range, like events, kids, or street stuff, it's great. But for fast sports or wildlife, the autofocus is only average and the 105mm reach won't get you close enough. Look at a 70-200mm instead.
Q: How does it compare to a 24-70mm f/2.8?
You lose 4mm on the wide end and gain 35mm on the long end. For most people, especially event and portrait shooters, that's a winning trade. The 28mm is still wide enough for most interiors and landscapes.
Who Should Skip This
If you shoot wildlife or sports, this isn't your lens. The 105mm reach is too short and the autofocus isn't fast enough for tracking fast action. Go grab a 70-200mm f/2.8 instead. And if you're a run-and-gun video shooter who needs power zoom or hates carrying weight, the 998g body and manual zoom ring will annoy you daily.
Verdict
Buy it. The Sigma 28-105mm f/2.8 is the most compelling all-around zoom for Sony E-mount right now. It's sharp, bright, versatile, and priced to make Sony's own lenses look overpriced. The weight and lack of stabilization are real trade-offs, but for event, wedding, portrait, and travel shooters, this lens does almost everything well. If you can only own one zoom, this is the one.
