Sigma Art 18-35mm f/1.8 DC HSM
Ofrece una apertura constante f/1.8 en todo el rango 18-35mm, una rareza óptica en zooms para sensores APS-C, con 4 elementos asféricos y 5 ED que corrigen aberraciones. Su construcción con enfoque y zoom internos mantiene el tamaño invariable durante el uso, y cuenta con estabilización óptica integrada para reducir trepidaciones. La lente es idónea para retratistas, fotorreporteros y creadores de contenido con cámaras Canon EF APS-C que necesitan un zoom luminoso con alta calidad de detalle, aunque no es la opción más portátil para viajes largos.
Resumen
En 30 segundos
El precio subió a $620-$1397 y la puntuación bajó a 75. Sigue siendo un lente capaz, pero la competencia nueva de Sony, Tamron, Sigma, Nikon y Panasonic lo ha alcanzado. Cómpralo solo si lo consigues con descuento o si ya tienes el sistema y no quieres cambiar.
Ventajas y desventajas
Ventajas
- Calidad óptica consistente en todo el rango 98th
- Construcción sólida y confiable 94th
- Enfoque automático rápido y silencioso 93rd
- Buen manejo de aberraciones cromáticas 85th
Desventajas
- Precio más alto que antes, ahora $620-$1397
- La competencia ofrece más valor por menos dinero
- Puntuación general bajó a 75, ya no lidera su categoría
- Rango focal menos versátil que alternativas como el Tamron 17-70mm
Opinión de los propietarios
Cómo cambió la opinión de los propietarios con el tiempo
ExclusivaSegún cuándo escribieron realmente sus opiniones los clientes, para ver si los elogios iniciales se mantuvieron.
- Q2 202583/100
Buyers praise the Sigma 18-35mm f/1.8 Art lens for stunning image quality, sharpness, and fast constant aperture on Canon crop-sensor cameras. Some note the learning curve and weight.
- Exceptional image quality, sharpness, and color rendering widely praised.
- Versatile 18-35mm focal range and constant f/1.8 aperture highly valued for video and photo.
- Autofocus described as not for beginners, requiring some skill to master.
- Solid build quality and premium feel, though lens is heavy.
- Q4 202480/100
Buyers praise this lens as versatile and sharp, comparing it to multiple primes. It is favored for events and video work.
- Versatile zoom that replaces multiple primes, ideal for cars, hiking, concerts.
- Sharp performance even at wide apertures (f/1.8) for both photos and video.
- Pairs well with 70-200mm lens, preferred over standard 24-70mm by some users.
- Theme extraction limited by review count; no defects or reliability issues mentioned.
- Q3 2024100/100
Buyers praised the lens for its sharpness, colors, and build quality. Compatibility with Canon R7 and R50 was noted positively.
- Excellent image sharpness and color reproduction, especially reds and magentas.
- High build quality and materials; feels balanced despite weight.
- Fast and reliable autofocus, handles glare well.
- Compatible with Canon R7 and R50, works as expected.
- Q2 202387/100
Buyers praise the lens's sharpness, build quality, and low-light performance, but note vignetting at 18mm and lack of IS hinders video use.
- Excellent image sharpness, detail, and robust build quality.
- Strong low-light performance, especially with speedbooster on GH4.
- Vignetting at 18mm and heavy weight; some find it not ideal for walking around.
- No image stabilization limits video use without gimbal or steady hand.
- Q3 2022100/100
Buyers in Q3 2022 praised this lens as sharp, fast, and well-built, ideal for motion work with a BMPCC 6K Pro.
- Lens is sharp, fast, and suitable for high-def motion work.
- Excellent condition for a used G-grade with only hood scratches.
- Desired internal stabilization but understood given the cost.
- Consistent go-to lens across multiple projects over time.
- Q1 2022100/100
Buyers in Q1 2022 praise this lens as exceptional for astrophotography and video work, noting sharpness, build quality, and versatility.
- Excellent image quality, especially for low-light aurora shots and video.
- Sharp and solid build; works well on multiple camera systems.
- Versatile zoom range ideal for music videos and various coverage.
- So good it becomes the primary lens; users wish they bought sooner.
- Q4 202183/100
Buyers praised sharpness, speed, and image quality for the price, noting it's ideal for crop sensor cameras like the Blackmagic 6K Pro.
- Sharpness and image quality consistently highlighted as superb.
- Fast autofocus and speed appreciated in interviews and events.
- No stabilization and weight noted as downsides by some users.
- Compatibility with Canon T7i and Sigma SD Quattro praised; no AF on some versions.
- Q3 202195/100
Buyers praise this lens as exceptionally sharp and versatile for video, especially with BMPCC 6K. Some note weight and a minor aperture display quirk.
- Sharp, crisp photos and buttery smooth video performance.
- Excellent pairing with BMPCC 6K; great for video work.
- Some report aperture shows F1.7 instead of F1.8 on BMPCC 6K.
- Heavy; nearly double the weight of a D5600 body.
- Q2 202195/100
Buyers praised the lens for its sharpness, fast autofocus, and excellent color rendition, calling it a versatile day-to-day lens for APSC cameras.
- Sharp images and fast autofocus, even compared to primes.
- Excellent for street, portrait, landscape, and travel photography.
- Some light fall-off wide open, but not an objectionable issue.
- No optical stabilization, but tripod mitigates for long exposures.
- Q1 2021100/100
Buyers praised the lens as sharp, versatile, and affordable, ideal for cinema cameras and crop sensor bodies. It paired well with adapters for a cinematic look.
- Lens praised for sharp, crisp images and creamy quality, suitable for 4K video and photography.
- Great value for the price, considered a budget-friendly alternative to expensive cine lenses.
- Solid build quality, with fast autofocus and well-placed controls; effective with adapters.
- Users on Blackmagic 6K and GH5 highlight compatibility for video, aided by speedboosters.
- Q4 202088/100
Overwhelmingly positive for sharpness, build, and value on crop sensors, but a few report focus issues and black edging.
- Sharpness and build quality praised, often called a "poor man's cinema lens."
- Excellent value and results on APS-C/MFT/BMPCC bodies; preferred over Canon L glass.
- Some users report focus accuracy problems; others had no issues on mirrorless.
- Black vignetting/edging noted on some camera bodies.
- Q3 202086/100
Buyers praise sharpness, build quality, and value, especially for APS-C cameras with adapters. Weight is a consistent drawback; autofocus issues and needed USB dock are noted.
- Excellent sharpness and image quality across zoom range and wide aperture.
- Heavy build and large size are noted, but acceptable for the quality offered.
- Great value and versatility for APS-C cameras, using adapters for other mounts.
- Autofocus issues reported, optional USB dock needed for calibration.
Basado en 101 opiniones de clientes con fecha, agrupadas por trimestre natural. El análisis por periodo está en inglés.
Las pruebas
Rendimiento
Especificaciones
Especificaciones completas
Optics
| Type | Zoom |
| Focal Length Min | 18 |
| Focal Length Max | 35 |
| Elements | 17 |
| Groups | 12 |
| Aspherical Elements | 4 |
| ED Elements | 5 |
| Coating | Super Multi-Layer Coating |
Aperture
| Max Aperture | f/1.8 |
| Min Aperture | f/1.8 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Nikon F |
| Format | APS-C |
| Weather Sealed | No |
| Weight | 0.8 kg / 1.8 lbs |
| Filter Thread | 72 |
AF & Stabilization
| AF Type | HSM |
| Stabilization | No |
Focus
| Min Focus Distance | 280 |
| Max Magnification | 0.23x |
Frente a la competencia
La competencia se ha puesto seria. El Sony E 11mm F1.8 APS-C Ultra-Wide-Angle Prime for Cameras es una opción excelente si buscas algo más angular y luminoso para interiores o astrofotografía, aunque pierdes el rango flexible. El Tamron Di III 17-70mm f/2.8 Di III-A VC RXD ofrece estabilización y un rango más largo por un precio similar o menor, lo que lo hace muy atractivo para video y viajes. El Sigma Contemporary 28-70mm f/2.8 DG DN es más compacto y ligero, ideal si el tamaño importa más que el alcance. El Nikon NIKKOR Z 17-28mm f/2.8 compite bien en el extremo ancho, pero no llega tan lejos en telefoto. Y el Panasonic Leica DG Vario-Elmarit H-ES12035 es una alternativa sólida en el sistema Micro Cuatro Tercios si ya estás en ese ecosistema. Frente a todos ellos, este lente ya no domina como antes. Sigue siendo bueno, pero la ventaja se ha reducido bastante.
| Spec | Sigma Art 18-35mm f/1.8 DC HSM | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Sony E 18-135mm f/3.5-5.6 OSS | Panasonic Leica DG Vario-Elmarit H-ES12035 | Canon RF 28-70mm f/2.8 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | 18-35mm | 17-70mm | 17-28mm | 18-135mm | 12-35mm | 28-70mm |
| Max Aperture | f/1.8 | f/2.8 | f/2.8 | f/3.5 | f/2.8 | f/22 |
| Mount | Nikon F | Sony E | Nikon Z | Sony E | Micro Four Thirds | Canon RF |
| Stabilization | false | true | false | true | true | true |
| Weather Sealed | false | true | true | false | true | true |
| Weight (g) | 810 | 544 | 450 | 326 | 306 | 495 |
| AF Type | HSM | RXD | Stepping Motor | Linear motor | Autofocus | STM |
| Lens Type | zoom | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Producto | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Valoración social | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Sigma Art 18-35mm f/1.8 DC HSM | 53.6 | 94.2 | 23.7 | 43.3 | 98 | 93 | 70.3 | 84.5 | 37.2 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.6 | 86.8 | 69.8 | 85.2 | 91.1 | 83.8 | 89.5 | 84.5 | 82.9 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.6 | 86.8 | 76.1 | 85.2 | 88.4 | 83.8 | 68 | 68.1 | 37.2 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 98.1 | 75.1 | 73.4 | 40 | 79.1 | 77 | 95.8 | 89.1 | 82.9 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.6 | 81.6 | 85.9 | 50.7 | 86.8 | 83.8 | 80.4 | 84.5 | 97 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 87.6 | 23.4 | 72.9 | 79.4 | 86.8 | 20.6 | 77.4 | 89.1 | 98.6 |
Precio
Relación calidad-precio
El precio ha subido un poco, ahora entre $620 y $1397, y eso cambia la conversación. Antes era fácil recomendarlo como una ganga relativa, pero con este aumento de aproximadamente 7% ya no se siente tan agresivo frente a lo que ofrece. Sigue siendo un lente competente para fotografía de viaje y uso general, pero si tu presupuesto es ajustado, vale la pena mirar opciones como el Sigma Contemporary 28-70mm f/2.8 DG DN o el Tamron Di III 17-70mm f/2.8 Di III-A VC RXD, que entregan mucho por menos dinero. ¿Es buena compra en 2025? Depende de cuánto valores la construcción y la consistencia óptica sobre el ahorro inmediato. Para quienes ya tienen el sistema, el salto de precio se nota menos si aprovechas ofertas o compras usado en buen estado.
Amazon 4 ofertas Desde 589 US$
Newegg 18 ofertas Desde 845 US$
Price History
Leer más
Veredicto
Con el precio más alto y una puntuación que bajó de 89 a 75, la recomendación se enfría. No es un mal lente, pero ya no es la elección obvia que era hace un año. Si lo encuentras en oferta o usado a buen precio, sigue teniendo sentido. Si pagas precio completo, hay alternativas más nuevas que ofrecen más por tu dinero. La decisión final depende de qué tan casado estés con este sistema y cuánto valores la consistencia sobre la novedad.
