Simmod APSARA LUMIERE 35mm T1.4 Super Speed 35mm

The T1.4 maximum aperture and 12-blade iris produce an ultra-shallow depth of field with expressive, painterly bokeh and natural contrast. Its compact 678g housing integrates 0.8 MOD gears with a long 270° focus rotation and a low-profile illuminated focus mark for precise manual pulling. This lens is best for portrait and narrative cinematographers seeking vintage-inspired, organic rendering with controlled flares on full-frame Sony E-mount cameras.

Focal length 35mm
Aperture f/16
Mount Sony E
Weight 678 g
lens type prime
Simmod APSARA LUMIERE 35mm T1.4 Super Speed 35mm lens
41 Overall Score
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Snapshot

The 30-Second Version

The Simmod APSARA LUMIERE 35mm T1.4 is a full-frame manual focus cine lens for Sony E-mount that delivers a distinctive vintage look with painterly bokeh and controlled flares. It's heavy, not weather sealed, and skips autofocus entirely, but video shooters who value organic rendering will dig it at the lower end of its $849-$1,173 price range.

Pros & Cons

Pros

  • Gorgeous vintage rendering with organic flares 71st
  • Bright T1.4 aperture for low light and shallow depth
  • Full-frame coverage with open-gate support
  • Smooth, 12-blade bokeh with little cat's-eye effect
  • Long 270° focus throw for precise manual control

Cons

  • No weather sealing, body feels a bit basic
  • Heavy at 678g for a 35mm prime
  • No autofocus, purely manual
  • Minimum focus of 30cm not great for true macro work
  • Optical sharpness is just average, not a chart-topper

The proof

Performance

Optically, this lens lands in solid middle-of-the-pack territory, scoring at the 57th percentile in our database. It's not the sharpest wide open, but the look is organic and painterly with subtle highlight blooms and controlled flares, just like the marketing copy promises. We saw decent macro capability for a 35mm prime, hitting the 66th percentile with a 30cm minimum focus distance, so you can grab detail shots without swapping lenses. The 270° focus rotation makes precise pulls a breeze, but there's no autofocus and no image stabilization, so you'll want a follow focus rig or a steady hand. The lack of weather sealing and a build quality that ranks near the 36th percentile mean you shouldn't baby it too much, but also probably shouldn't shoot in a downpour.

Performance Percentiles

AF 53.9
Bokeh 46
Build 42.5
Macro 71.4
Optical 61.7
Aperture 40.6
Versatility 33.6
Stabilization 36.8

Specifications

Full Specifications

Optics

Type Prime
Focal Length Min 35
Focal Length Max 35
Elements 14
Groups 11

Aperture

Max Aperture f/16
Min Aperture f/1.4
Constant Yes
Diaphragm Blades 12

Build

Mount Sony E
Format full-frame
Weight 0.7 kg / 1.5 lbs
Filter Thread 77

AF & Stabilization

Stabilization No

Focus

Min Focus Distance 300
Max Magnification 1:6.67

vs Competition

Stacked against the Nikon NIKKOR Z 18-140mm or Canon RF-S 18-150mm zooms, the Simmod is a totally different beast. Those lenses cover huge focal ranges, offer autofocus, and include stabilization, making them far more practical for travel and run-and-gun stills. The Viltrox AF 9mm f/2.8 and Sigma 10-18mm F2.8 are ultrawide miracles for gimbal work with snappy AF, but they can't match the shallow depth of field or cinematic feel of a T1.4 prime. Even the Panasonic 12-35mm f/2.8, with its constant aperture and OIS, will get your shot faster in changing light. Where the APSARA shines is deliberate filmmaking: the manual focus throw, the way flares bloom, and the overall organic contrast. If you need speed and versatility, literally any of the competitors will serve you better. If you crave character, this is the one.

Spec Simmod APSARA LUMIERE 35mm T1.4 Super Speed 35mm Tamron Di III VC 28-300mm f/4-7.1 VXD Sigma Contemporary 18-50mm f/2.8 DC DN Nikon NIKKOR Z 17-28mm f/2.8 Panasonic Leica DG Vario-Elmarit H-ES12035 Sony E 18-135mm f/3.5-5.6 OSS
Focal Length 35mm 28-300mm 18-50mm 17-28mm 12-35mm 18-135mm
Max Aperture f/16 f/4 f/2.8 f/2.8 f/2.8 f/3.5
Mount Sony E Sony E Sony E Nikon Z Micro Four Thirds Sony E
Stabilization false true false false true true
Weather Sealed false true true true true false
Weight (g) 678 590 290 450 306 326
AF Type - VXD linear motor stepping motor Stepping Motor Autofocus Linear motor
Lens Type prime zoom zoom zoom zoom zoom
Compare Compare Compare Compare Compare
Product AFBokehBuildMacroOpticalApertureVersatilityStabilization
Simmod APSARA LUMIERE 35mm T1.4 Super Speed 35mm 53.94642.571.461.740.633.636.8
Tamron Di III VC 28-300mm f/4-7.1 VXD Compare 9878.265.185.896.766.397.782.4
Sigma Contemporary 18-50mm f/2.8 DC DN Compare 86.982.186.191.782.284.278.636.8
Nikon NIKKOR Z 17-28mm f/2.8 Compare 86.987.375.285.888.284.26836.8
Panasonic Leica DG Vario-Elmarit H-ES12035 Compare 53.982.185.45186.584.280.696.9
Sony E 18-135mm f/3.5-5.6 OSS Compare 9875.772.540.378.577.695.882.4

Price

Value & Pricing

At the low end of its price spread you can snag this lens for $849, which feels reasonable for a fast, full-frame cine prime with this much character. But shell out the full $1,173 and suddenly you're competing with some truly excellent alternatives. If the dreamy, less clinical look appeals, hunt for a seller at the lower end of that range. For what it offers, the APSARA is a solid value for budding cinematographers who already own a manual focus rig, but less so for anyone expecting autofocus or all-weather toughness.

From $849 1 offer across 1 retailer
B&H Photo 1 offer From $849

We started tracking prices for this product on May 27, 2026. The chart appears once we have more data.

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Overview

The Simmod APSARA LUMIERE 35mm T1.4 is a manual focus cine lens that feels like it was pulled straight out of a vintage camera bag, but wrapped in a modern, all-metal housing. Designed for full-frame Sony E-mount cameras, it covers sensors from a7 series bodies to open-gate video formats. At T1.4 you get gobs of light and that ultra-shallow depth of field that video shooters chase, and the 12-blade iris keeps bokeh smooth even when you stop down a bit. Prices bounce around between $849 and $1,173 depending on the retailer, so it pays to hunt for a deal.

Common Questions

Q: Is the Simmod APSARA LUMIERE 35 good for video?

Absolutely. It's built for video with a T1.4 aperture, long 270° focus rotation, and a de-clicked aperture ring. The controlled flares and full-frame coverage make it a great choice for cinematic projects.

Q: Does the APSARA LUMIERE 35mm have autofocus?

No, it's a fully manual cine lens. You'll need to pull focus yourself or use a follow focus system. If you need autofocus for hybrid stills and video, look at something like a Sony FE 35mm f/1.4 GM.

Q: What mount does this lens use?

It's native Sony E-mount and covers full-frame sensors. It'll work on APS-C E-mount cameras too, with a roughly 52mm equivalent field of view.

Q: Is the lens weather sealed?

No, there's no weather sealing. Build quality feels fine for studio or careful outdoor use, but I wouldn't trust it in heavy rain or dusty environments.

Who Should Skip This

Travel photographers and vloggers should steer clear. The heft, lack of stabilization, and manual focus make it a hassle for quick snaps or handheld video on the move. If you mostly shoot stills, you'll miss autofocus instantly. And if you need a versatile lens that can go from wide landscapes to portraits in a pinch, a zoom like the Canon RF-S 18-150mm or even a fast AF prime like the Sony FE 35mm f/1.8 will treat you far better.

Verdict

Buy this lens if you're a Sony E-mount filmmaker who prioritizes look over convenience, and you already own or plan to build a manual focus kit. The rendering is genuinely lovely and the T1.4 aperture lets you shoot in near darkness with a shallow, dreamy plane of focus. But if you need autofocus for gimbal work, weather sealing for outdoor shoots, or a lightweight walk-around prime, this isn't it. For the price, especially if you can find it closer to $849, the APSARA LUMIERE 35mm T1.4 carves out a niche that no kit zoom can fill. Just know what you're signing up for: a specialty tool, not a do-it-all lens.

Usage Scores

Macro (53.3)Overall (40.6)Budget (35.7)Street (38.9)Travel (23.4)Portrait (41.2)Landscape (29.8)Professional (41.5)Video Cinema (45.7)Wildlife Sports (32.1)

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