New

Hila 2.2FU50230-58A 50-230mm

★★★★★ 5.0 (1)

The 2.2x telephoto converter extends the Fujifilm XC 50-230mm f/4.5-6.7 OIS lens to a 110-506mm equivalent, using a 3-element, 3-group MultiCoated optical design with a 72mm filter thread. It mounts directly on top of the existing lens, preserving autofocus and stabilization while adding reach for distant subjects. Best for Fujifilm X shooters who already own the 50-230mm kit lens and need extra telephoto range for wildlife or sports photography without buying a new lens.

Focal length 50-230mm
Aperture f/4.5
Mount Fujifilm X
stabilization Yes
af type Autofocus
lens type telephoto
Hila 2.2FU50230-58A 50-230mm lens
53 Overall Score
Also available in:

Snapshot

The 30-Second Version

The Hila 2.2X doubles your reach for $135, but the optical quality is the worst we've ever tested. It's a cheap stopgap for reach, not a real lens solution. Buy it only if you need magnification and literally cannot afford anything else.

Pros & Cons

Pros

  • Cheap way to double your reach at $135 93rd
  • Autofocus still functions with the base lens 92nd
  • Decent pseudo-macro capability 79th
  • Uses standard 72mm filters

Cons

  • Optical quality is the worst in our database
  • Only 3 elements means soft, low-contrast images
  • No weather sealing
  • Adds significant bulk to the front of your lens

The proof

Performance

The headline feature is the 2.2x magnification, which does extend your reach significantly. Autofocus still works since it's a front-mounted converter, and the stabilization from your base lens carries through. But the optical hit is brutal. Three elements means soft corners, heavy chromatic aberration, and a real loss of contrast. The constant f/4.5 aperture claim is misleading too, since you're stacking this on a variable aperture lens. Your effective light gathering takes a nosedive. Macro performance is surprisingly decent at the 93rd percentile, mostly because close focusing with that much magnification gets you pseudo-macro results. But for landscape work, it's a disaster at the 33rd percentile.

Performance Percentiles

AF 53.9
Bokeh 59.9
Build 51.3
Macro 93.1
Optical 0.8
Aperture 60.3
Versatility 92.3
Social Proof 40.5
Stabilization 79.3

Specifications

Full Specifications

Optics

Type Telephoto
Focal Length Min 50
Focal Length Max 230
Elements 3
Groups 3
Coating MultiCoated

Aperture

Max Aperture f/4.5
Min Aperture 4.5-6.7
Constant Yes

Build

Mount Fujifilm X
Filter Thread 72

AF & Stabilization

AF Type Autofocus
Stabilization Yes

Focus

Min Focus Distance 72

vs Competition

Stacked against something like the Tamron 28-300mm, the Hila is a toy. The Tamron gives you real optical engineering, better build, and actual image quality across the range. The Sony 16-50mm PZ is a different beast entirely, but even that kit lens outresolves this converter. The Meike 85mm F1.4 II and Viltrox 20mm F2.8 are primes that absolutely destroy this thing in sharpness, though they don't give you the reach. If you need telephoto on a budget, you're better off cropping from a sharper lens than magnifying a soft one.

Spec Hila 2.2FU50230-58A 50-230mm Tamron Di III VC 28-300mm f/4-7.1 VXD Sony E PZ 16-50mm f/3.5-5.6 OSS Nikon NIKKOR 2178 Canon EF-M 15-45mm f/3.5-6.3 IS STM Panasonic LUMIX S S-R2060
Focal Length 50-230mm 28-300mm 16-50mm 16-85mm 15-45mm 20-60mm
Max Aperture f/4.5 f/4 f/3.5 f/3.5 f/3.5 f/3.5
Mount Fujifilm X Sony E Sony E Nikon F Canon EF-M L-Mount
Stabilization true true true true true false
Weather Sealed false true true false false true
Weight (g) - 590 107 485 463 350
AF Type Autofocus VXD linear motor Autofocus AF-S STM stepping motor
Lens Type telephoto zoom zoom zoom zoom zoom
Compare Compare Compare Compare Compare
Product AFBokehBuildMacroOpticalApertureVersatilitySocial ProofStabilization
Hila 2.2FU50230-58A 50-230mm 53.959.951.393.10.860.392.340.579.3
Tamron Di III VC 28-300mm f/4-7.1 VXD Compare 97.783.762.983.296.371.197.950.779.3
Sony E PZ 16-50mm f/3.5-5.6 OSS Compare 53.981.59841.466.582.983.58192.2
Nikon NIKKOR 2178 Compare 53.981.554.863.167.582.994.190.792.2
Canon EF-M 15-45mm f/3.5-6.3 IS STM Compare 84.781.556.696.345.782.981.973.590
Panasonic LUMIX S S-R2060 Compare 84.789.280.265.17882.981.972.334.4

Price

Value & Pricing

At $135, it's tempting. A real 100-400mm Fuji lens costs over a grand. But you get what you pay for. This is a single piece of glass in a metal tube, and the image quality reflects that. If you absolutely need reach and have zero budget, it's a stopgap. Just don't expect sharp photos.

From $135 1 offer across 1 retailer
Amazon 1 offer From $135

We started tracking prices for this product on Oct 28, 2026. The chart appears once we have more data.

Read more

Overview

The Hila 2.2X is a screw-on teleconverter that mounts on top of your existing lens, specifically the Fujifilm XC 50-230mm here. It promises to turn that 50-230mm into a 110-440mm reach without buying a whole new lens. That sounds great on paper for wildlife or sports shooters on a budget.

But the specs tell a different story. We're looking at 3 elements in 3 groups, which is about as simple as optics get. The optical quality score is dead last in our database, 1st percentile. That's not a typo. This thing is cheap for a reason.

Common Questions

Q: Will this work on any lens or just the Fujifilm XC 50-230mm?

It's designed to mount on the front of lenses with 72mm filter threads, so it can physically attach to many lenses. But the optics are optimized for the Fujifilm XC 50-230mm, and results on other lenses will vary wildly.

Q: Does autofocus still work with this attached?

Yes, since it mounts on the front of the lens, the AF system still functions. But expect slower, less accurate focusing because the converter reduces light and contrast reaching the sensor.

Q: How much image quality do I lose?

A lot. With only 3 elements, you'll see soft corners, chromatic aberration, and reduced contrast across the frame. Our optical quality score puts it at the 1st percentile, meaning nearly every other lens we've tested performs better.

Who Should Skip This

Skip this if you care about image quality at all. If you shoot landscapes, portraits, or anything where sharpness matters, this converter will frustrate you. Also skip it if you shoot in wet or dusty conditions, since there's no weather sealing. And if you already own a decent telephoto, just crop in post. You'll get better results.

Verdict

This is for someone who needs maximum reach for minimum cash and doesn't care about image quality. Think bird identification photos, not bird photography. If you're documenting something far away and just need to see it, fine. If you want photos you'd actually print or share proudly, save your money.

Usage Scores

Macro (54.1)Overall (52.6)Budget (49.9)Street (39.1)Travel (43.1)Portrait (46.5)Landscape (34.8)Professional (40)Video Cinema (47.2)Wildlife Sports (43.8)

Similar Products