Pentax D FA 21217 70-210mm
A constant f/4 aperture across the 70-210mm range and weather-sealed construction make this lens a reliable outdoor performer for Pentax K-mount shooters. Its optical design uses three ED and two anomalous dispersion elements with HD coating to suppress flare and chromatic aberrations, delivering clean contrast. This lens is best for landscape photographers who need a durable, full-frame telephoto zoom that won't fail in rain or dust.
Snapshot
The 30-Second Version
The Pentax 70-210mm f/4 is a sharp, lightweight telephoto zoom that's a near-perfect match for Pentax DSLRs. Optical quality is best-in-class, but the slow aperture and lack of stabilization hold it back in low light. At discount prices, it's an easy recommendation for K-mount shooters who need a weather-sealed workhorse.
Pros & Cons
Pros
- Outstanding sharpness across the entire zoom range, even wide open. 92nd
- Lightweight and compact for a full-frame 70-210mm, easy to handhold all day. 82nd
- Weather-sealed construction with a Super Protect front coating for rough conditions. 81st
- Internal zoom and focus means the lens doesn't extend, keeping balance consistent.
Cons
- f/4 max aperture limits low-light shooting and subject isolation.
- No optical stabilization, relying entirely on in-body shake reduction.
- Bokeh quality is underwhelming, one of the weakest we've seen in this class.
- No tripod collar included, and the manual focus ring goes slightly past infinity.
What owners think
The Word on the Street
How owner sentiment changed over time
ExclusiveBased on when customers actually wrote their reviews - so you can see whether early praise held up.
Based on 16 dated customer reviews, grouped by calendar quarter. Period analysis is in English.
The proof
Performance
Sharpness is the headline here, and it's a good one. This lens delivers crisp detail across the frame at every focal length, which is why it lands among the best in our optical rankings. The constant f/4 aperture keeps exposure consistent as you zoom, which is great for video or shooting in changing light. Autofocus with the SDM motor is accurate and quiet enough for most situations, but it sits right around average for speed compared to newer mirrorless designs. The real weak spots are bokeh and low-light capability. With a 9-blade aperture that only opens to f/4, background blur is just okay, and our data puts it near the bottom of the barrel for both bokeh and aperture performance. You won't be melting backgrounds into butter with this one.
Specifications
Full Specifications
Optics
| Type | Zoom |
| Focal Length Min | 70 |
| Focal Length Max | 210 |
| Elements | 20 |
| Groups | 14 |
| ED Elements | 3 |
| Coating | HD Coating |
Aperture
| Max Aperture | f/32 |
| Min Aperture | f/4 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Pentax K |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 0.8 kg / 1.8 lbs |
| Filter Thread | 67 |
AF & Stabilization
| AF Type | SDM |
| Stabilization | No |
Focus
| Min Focus Distance | 950 |
| Max Magnification | 1:3.13 |
vs Competition
Stacked against the competition, the Pentax holds its own in sharpness but falls behind in versatility. The Sigma 16-300mm and Tamron 18-300mm offer massively wider zoom ranges and stabilization, making them far more flexible for travel and wildlife, though they give up the constant aperture. The Canon RF 28-70mm f/2.8 is a full stop faster and better for portraits, but it's a different beast entirely with a much shorter reach. If you need a dedicated telephoto zoom for a Pentax DSLR, this lens is basically your best modern option. Just know that you're trading reach and stabilization for that constant f/4 and excellent optics.
| Spec | Pentax D FA 21217 70-210mm | Tamron Di III VC 28-300mm f/4-7.1 VXD | Sigma Contemporary 18-50mm f/2.8 DC DN | Nikon NIKKOR Z 17-28mm f/2.8 | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E 18-135mm f/3.5-5.6 OSS |
|---|---|---|---|---|---|---|
| Focal Length | 70-210mm | 28-300mm | 18-50mm | 17-28mm | 12-35mm | 18-135mm |
| Max Aperture | f/32 | f/4 | f/2.8 | f/2.8 | f/2.8 | f/3.5 |
| Mount | Pentax K | Sony E | Sony E | Nikon Z | Micro Four Thirds | Sony E |
| Stabilization | false | true | false | false | true | true |
| Weather Sealed | true | true | true | true | true | false |
| Weight (g) | 820 | 590 | 290 | 450 | 306 | 326 |
| AF Type | SDM | VXD linear motor | stepping motor | Stepping Motor | Autofocus | Linear motor |
| Lens Type | zoom | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Product | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Pentax D FA 21217 70-210mm | 53.9 | 7.2 | 50.2 | 46 | 91.9 | 4.7 | 80.9 | 81.9 | 58.2 | 36.8 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 98 | 77.9 | 65.1 | 85.8 | 96.7 | 66 | 91.2 | 97.7 | 55.7 | 82.4 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 86.8 | 81.8 | 86 | 91.7 | 82.2 | 83.9 | 80.9 | 78.6 | 89.8 | 36.8 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 86.8 | 87 | 75.1 | 85.8 | 88.2 | 83.9 | 91.2 | 68 | 69.6 | 36.8 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.9 | 81.8 | 85.4 | 51 | 86.5 | 83.9 | 63.7 | 80.6 | 85.4 | 96.9 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 98 | 75.4 | 72.4 | 40.3 | 78.5 | 77.3 | 44.7 | 95.8 | 89.8 | 82.4 |
Price
Value & Pricing
Pricing on this lens is all over the map depending on where you look, with a spread of over $24,000 between the lowest and highest listings. Ignore the crazy high outliers. At the lower end around $1,097, this lens is a steal for the optical quality you're getting. It's widely considered a rebadged Tamron design, but with Pentax's HD coatings and weather sealing added in. For a K-1 or K-3 shooter who wants a sharp, weather-resistant telephoto zoom without breaking the bank, the value proposition at discount prices is hard to beat.
Amazon 1 offer From $718
B&H Photo 1 offer From $1,097
Price History
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Overview
Pentax shooters have been waiting a long time for a modern telephoto zoom that doesn't cost a fortune or require a gym membership to carry. The HD D FA 70-210mm f/4 steps right into that gap. It's a constant aperture lens that covers a super useful range on full-frame K-mount bodies, and it does it while staying under 820 grams. That's refreshingly portable for a lens that reaches out to 210mm.
Optically, this thing punches way above its weight. Our database puts it in the 91st percentile for sharpness, and owners back that up. It's sharp wide open at f/4 and stays crisp all the way to the edges, even with a teleconverter attached. The build is weather-sealed and the autofocus is quiet, though not class-leading. If you're deep in the Pentax ecosystem and need a reliable telephoto zoom, this one demands a serious look.
Common Questions
Q: Does this lens work on crop-sensor Pentax bodies?
Yes, it works perfectly on APS-C cameras like the K-3 series, giving you an effective 105-315mm field of view while keeping all that sharpness.
Q: Is a tripod collar included or available?
No tripod collar comes in the box, and the lens is light enough that most shooters won't miss it, but it's something to note if you plan to use it on a tripod frequently.
Q: Who actually makes this lens?
The optical design matches a Tamron 70-210mm f/4, so it's likely manufactured by Tamron with Pentax's own HD coatings, weather sealing, and quality control applied.
Who Should Skip This
If you shoot a lot of portraits or low-light events, look elsewhere. The f/4 aperture and weak bokeh make it tough to get that creamy background separation, and you'll be cranking ISO more than you'd like indoors. A used 70-200mm f/2.8 would serve you better, even if it costs more and weighs a ton.
Verdict
This lens is for the Pentax faithful who prioritize image quality and weather sealing above all else. It's a fantastic match for a K-1 on a hike or a K-3 at an airshow, delivering sharp, consistent results without weighing you down. The lack of stabilization isn't a dealbreaker since Pentax bodies have excellent in-body shake reduction, but the mediocre bokeh and slow aperture mean it's not the right tool for portrait work or dimly lit events. If you find it at a good price, it's one of the smartest buys in the Pentax lineup right now.