Best Pick

Sigma Cine 28-105mm T3 FF Cine 105mm

41.9 Professional Score
28-105mm T22 Sony E
Why we recommend this

Constant T3 aperture across the 28-105mm zoom range and a 12-blade iris maintain exposure and soft bokeh, while the AF/MF switch brings rare autofocus to a cine lens. The 1300g build and 15.7-inch minimum focus distance offer versatile close-framing without heavy rigging, though it skips weather sealing. Best for indie filmmakers and solo shooters who need a single full-frame zoom with AF for handheld documentary or event work.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma EX DG HSM APO 300-800mm f/5.6 EX DG HSM APO IF 300mm

38.1 Professional Score
300-800mm f/5.6 APO
Why we recommend this

Covering a 300-800mm range at a constant f/5.6, this lens uses two ELD elements and APO glass to minimize chromatic aberration across its full-frame image circle. Internal zooming and focusing maintain its physical length during operation, while the HSM motor provides quiet autofocus with full-time manual override. This optic is best for wildlife and field sports photographers who need extreme reach without changing lenses.

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Sigma AF Cine 28-45mm T2 Cine 45mm

23.1 Professional Score
28-45mm T16 L-Mount
Why we recommend this

The constant T2 aperture across its 28-45mm zoom range and integrated autofocus make it a flexible option for full-frame cine cameras. An 11-blade iris renders soft bokeh, and the 11.8-inch minimum focus distance delivers 1.4:1 magnification for close-up detail. It suits narrative and documentary shooters who need quick AF transitions and a compact wide-to-normal zoom without lens changes.

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