AstrHori 28mm f/13 360° Rotating Macro Probe 28mm
The 2:1 magnification and 90° waterproof probe with a slim 1.2" diameter capture detailed close-ups in tight spaces that standard macro lenses cannot reach. Its 360° rotating base and direct view tube offer unusual compositional flexibility, while the built-in LED ring light illuminates subjects in dark, confined areas. This lens is best for specialized macro videographers and photographers documenting subjects like insect colonies, intricate product interiors, or small-scale model details.
Resumo
The 30-Second Version
The AstrHori 28mm f/13 Macro Probe is a ridiculously cool lens that captures shots no other optic can, thanks to its rotating, waterproof design and 2:1 magnification. Its optical performance is solid, but the f/13 aperture and zero stabilization make it a nightmare without a tripod and extra light. Worth buying if you need the perspective, but it's way too niche for most folks.
Pros & Cons
Prós
- Gives you perspectives no other lens can touch. 82nd
- Built-in LED ring and USB-C power are genuinely useful. 80th
- Waterproof barrel lets you dip into liquids or mud.
- 2:1 magnification puts tiny details front and center.
Contras
- f/13 aperture is absurdly dark—bring a studio light or shoot noon.
- No autofocus or stabilization means you'll live on a tripod.
- Build quality is the weakest we've recorded in this category.
- It's heavy, bulky, and awkward for anything outside its niche.
O que dizem os donos
The Word on the Street
Como a opinião dos donos mudou ao longo do tempo
ExclusivoCom base em quando os clientes realmente escreveram suas avaliações - para ver se os elogios iniciais se mantiveram.
Com base em 2 avaliações de clientes datadas, agrupadas por trimestre civil. A análise por período está em inglês.
As provas
Performance
Optical clarity sits in the 82nd percentile in our database—that's impressive for such a quirky design. Edge sharpness holds up well, and the f/13 to f/40 range keeps nearly everything in focus, which is exactly what you want for macro probe work. The LED light helps fill shadows in cramped environments, and USB-C power means you can run it off a power bank indefinitely. Focusing is smooth but entirely manual, and at these apertures, depth of field is generous, so nailing focus isn't too painful. The weak spots? Stabilization is nonexistent, so handheld video is a jittery mess unless you're bolted down. And let's be real: f/13 is painfully dim. Outdoors in daylight it's fine, but indoors you'll be cranking ISO or blasting LEDs. The 360° rotating base is smooth, though the overall build feels a bit hollow—our metrics place it near the very bottom for construction quality, so don't toss it in a bag unprotected.
Specifications
Full Specifications
Optics
| Type | Macro |
| Focal Length Min | 28 |
| Focal Length Max | 28 |
| Elements | 21 |
| Groups | 16 |
Aperture
| Max Aperture | f/40 |
| Min Aperture | f/40 |
| Constant | No |
Build
| Mount | Canon EF |
| Format | full-frame |
| Weight | 2.2 kg / 4.8 lbs |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | No |
Focus
| Min Focus Distance | 480 |
| Max Magnification | 2:1 |
vs Competition
Stack this against general-purpose zooms like the Nikon Z 18-140mm or Canon RF-S 18-150mm and you'll laugh—those lenses do everything decently, while this AstrHori does one bizarre thing brilliantly. The real rival is Laowa's 24mm f/14 Probe, which offers similar specs with a slightly wider aperture and slightly better build. Laowa's version costs more but feels more polished. If you're a serious macro videographer, the Laowa edges ahead. For occasional creative weirdness on a budget, AstrHori is the plucky underdog.
| Spec | AstrHori 28mm f/13 360° Rotating Macro Probe 28mm | Nikon NIKKOR Z 17-28mm f/2.8 | Tamron Di III 28-75mm f/2.8 VXD G2 | Sigma Contemporary 10-18mm f/2.8 DC DN | Panasonic Leica DG Vario-Elmarit H-ES12060 | Canon RF 28-70mm f/2.8 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | 28mm | 17-28mm | 28-75mm | 10-18mm | 12-60mm | 28-70mm |
| Max Aperture | f/40 | f/2.8 | f/2.8 | f/2.8 | f/2.8 | f/22 |
| Mount | Canon EF | Nikon Z | Sony E | Sony E | Micro Four Thirds | Canon RF |
| Stabilization | false | false | false | false | true | true |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 2168 | 450 | 540 | 260 | 320 | 495 |
| AF Type | manual focus only | Stepping Motor | VXD | Autofocus | linear motor | STM |
| Lens Type | macro | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produto | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Prova social | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| AstrHori 28mm f/13 360° Rotating Macro Probe 28mm | 13.9 | 2.1 | 0.8 | 79.6 | 81.6 | 2.3 | 33.6 | 34.9 | 38 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87 | 88.2 | 73.6 | 86.3 | 87 | 85.9 | 68.1 | 64.3 | 38 |
| Tamron Di III 28-75mm f/2.8 VXD G2 Compare | 54.6 | 88.2 | 67.3 | 87.3 | 87.8 | 85.9 | 78.2 | 83 | 38 |
| Sigma Contemporary 10-18mm f/2.8 DC DN Compare | 54.6 | 83.6 | 87.4 | 93.3 | 81.6 | 85.9 | 69.1 | 68.6 | 38 |
| Panasonic Leica DG Vario-Elmarit H-ES12060 Compare | 98 | 88.2 | 83.2 | 50.4 | 90.2 | 85.9 | 93.1 | 63.3 | 83.2 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 87 | 26 | 70.2 | 80.4 | 85 | 22.6 | 77.2 | 87.8 | 98.5 |
Preço
Value & Pricing
Pricing is all over the map, from $939 to $1,900 depending on the vendor. At the low end, you're getting a tool that unlocks visuals competitors just can't replicate. At the high end, you'd be better off with a used Laowa probe and a weekend rental budget. We'd say $1,100 or less is fair for the creative doors this opens, but anything above that feels like a premium just for novelty. Shop around aggressively.
Saiba mais
Overview
This is one of the strangest lenses we've ever tested, and we genuinely mean that as a compliment. The AstrHori 28mm f/13 360° Macro Probe lets you shove a waterproof tube right into tight spaces and spin the whole barrel around to frame your shot. It's built for a very specific, very cool job: getting macro perspectives that no normal lens can touch. And it pulls that off with a 2:1 magnification ratio, a built-in LED ring light, and a design that feels like something a wildlife documentarian would rig up.
But there's a catch, and it's a big one. This thing is manual focus only, maxes out at a dim f/13, and weighs over two kilograms. You'll need a ton of light, a steady tripod, and patience. For the right shooter, it's a creative Swiss Army knife. For everyone else, it's a paperweight.
Common Questions
Q: Does this lens have image stabilization or autofocus?
Nope, it's fully manual across the board. You'll want a solid tripod and good lighting, especially since the aperture is so narrow.
Q: Can I use this for normal everyday photography?
Technically yes, but f/13 and manual focus make it painfully impractical for anything moving or in dim light. It's really only at home in macro and probe-style video work.
Q: Is the front of the lens actually safe to put in water?
The probe barrel is waterproofed, so you can submerge it carefully. Just don't dip the entire lens—only the front tube is designed for it.
Who Should Skip This
If you need a lens for handheld video, low light, or anything other than methodical macro probe work, skip this entirely. Its f/13 aperture will drive you nuts indoors, and the lack of stabilization makes handheld shooting a wobbly mess. You'd be better served by a conventional macro lens with autofocus and a wider aperture, or even the Laowa probe if you must have this style but want better polish.
Verdict
Buy this if you know exactly what you're getting into. It's a specialist's tool for macro enthusiasts, product videographers, or anyone who wants to film inside a fishtank or a guitar body. Hobbyists will probably grab it, stare in awe for a weekend, then let it collect dust. Pros who need this angle will love the 360° rotation and waterproofing, but they'll curse the lack of stabilization and the enormous lighting rig required.