IRIX Dragonfly 45mm f/1.4 45mm
A fast f/1.4 aperture combined with one aspherical and four HR elements delivers sharp, low-light imagery with controlled aberrations on full-frame Nikon F bodies. Its Dragonfly weather-sealed construction and focus lock mechanism provide a robust, tactile shooting experience in harsh conditions. This lens is best for portrait photographers who prioritize deliberate manual focus and shallow depth of field over autofocus speed.
Resumo
The 30-Second Version
A beautifully built, razor-sharp manual focus prime that's a joy for slow, deliberate shooting. The optics are fantastic for the price, but the lack of autofocus and occasionally harsh bokeh mean it's not for everyone. If you find it at the lower end of its massive price range, it's an absolute steal for astro and portrait work.
Pros & Cons
Prós
- Tack-sharp optics that punch way above the price for most mounts. 67th
- Rock-solid, weather-sealed metal build that feels like it'll survive a tumble.
- The manual focus ring is damped beautifully for precise, cinematic pulls.
- That bright f/1.4 aperture is a low-light monster for static subjects.
Contras
- Manual focus only, which is a non-starter if you need to track anything moving.
- Bokeh can look harsh and distracting, not the creamy dream you might expect.
- Known firmware bug prevents aperture display on Canon R-series adapters.
- It's a heavy chunk of glass at 925g, you'll feel it on a long hike.
O que dizem os donos
The Word on the Street
Como a opinião dos donos mudou ao longo do tempo
ExclusivoCom base em quando os clientes realmente escreveram suas avaliações - para ver se os elogios iniciais se mantiveram.
Com base em 9 avaliações de clientes datadas, agrupadas por trimestre civil. A análise por período está em inglês.
As provas
Performance
Sharpness is where this lens earns its keep. The optical score sits in the 68th percentile in our database, which translates to crisp, detailed images right from f/1.4, getting even better stopped down. Owners rave about it for astrophotography and portraits, and the natural color and contrast are genuinely lovely. The bokeh, however, is a weak spot, landing in the 23rd percentile. It can get a little busy and nervous instead of that buttery smooth look some people chase. Also, a recurring firmware hiccup on Canon R-series bodies means the aperture won't display, which is a pain.
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 45 |
| Focal Length Max | 45 |
| Elements | 11 |
| Groups | 9 |
| Aspherical Elements | 1 |
| ED Elements | 1 |
| Coating | UV-reactive paint |
Aperture
| Max Aperture | f/22 |
| Min Aperture | f/1.4 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Canon EF |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 0.9 kg / 2.0 lbs |
| Filter Thread | 77 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | No |
Focus
| Min Focus Distance | 400 |
vs Competition
Stacked against modern autofocus zooms like the Sigma 18-50mm f/2.8 or the Tamron 17-70mm, the IRIX feels like a completely different tool. Those lenses are all about speed and versatility, while the IRIX is a deliberate, single-focal-length experience. It's less versatile overall, scoring in the 34th percentile there, but it offers a faster aperture and a more tactile, mechanical shooting feel that those plastic zooms can't touch. If you're cross-shopping a Nikon Z 17-28mm f/2.8, you're prioritizing convenience. If you're looking at this IRIX, you're prioritizing the process and the specific look of a fast 45mm prime.
| Spec | IRIX Dragonfly 45mm f/1.4 45mm | Sigma Contemporary 18-50mm f/2.8 DC DN | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 24-200mm f/4-6.3 VR | Panasonic LUMIX S S-S85 | Sony E PZ 16-50mm f/3.5-5.6 OSS |
|---|---|---|---|---|---|---|
| Focal Length | 45mm | 18-50mm | 17-70mm | 24-200mm | 85mm | 16-50mm |
| Max Aperture | f/22 | f/2.8 | f/2.8 | f/4 | f/1.8 | f/3.5 |
| Mount | Canon EF | Sony E | Sony E | Nikon Z | L-Mount | Sony E |
| Stabilization | false | false | true | true | true | true |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 925 | 290 | 544 | 570 | 454 | 107 |
| AF Type | manual focus only | stepping motor | RXD | stepping motor | Linear motor | Autofocus |
| Lens Type | prime | zoom | zoom | zoom | telephoto | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produto | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Prova social | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| IRIX Dragonfly 45mm f/1.4 45mm | 13.2 | 22.5 | 46.2 | 62.8 | 67.4 | 19.8 | 63.7 | 33.7 | 16.1 | 36.7 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 86.8 | 81.1 | 86.4 | 91.4 | 82.4 | 83.3 | 80.9 | 78.6 | 90.2 | 36.7 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.7 | 86.4 | 69 | 85.5 | 91.2 | 83.3 | 63.7 | 89.6 | 86 | 82.4 |
| Nikon NIKKOR Z 24-200mm f/4-6.3 VR Compare | 86.8 | 63.7 | 67 | 38.8 | 93 | 65.2 | 0 | 96.6 | 90.2 | 96.9 |
| Panasonic LUMIX S S-S85 Compare | 98 | 93.6 | 75.3 | 52.3 | 51.9 | 92.5 | 75.9 | 33.7 | 93.5 | 82.4 |
| Sony E PZ 16-50mm f/3.5-5.6 OSS Compare | 53.7 | 74.6 | 98.5 | 43.9 | 68.5 | 76.6 | 63.7 | 83.3 | 81.8 | 93.4 |
Preço
Value & Pricing
Pricing is all over the map for this lens, with a wild spread from $359 to over $7500 depending on the mount and seller. If you can snag it at the lower end of that range, it's a screaming deal for the optical quality and build you're getting. At the high end, you're getting into used Zeiss Otus territory, and that math just doesn't work. Shop smart and this is a fantastic value play.
Amazon.com.mx 1 oferta A partir de MX$ 7.569
Price History
Saiba mais
Overview
The IRIX Dragonfly 45mm f/1.4 is a bit of a throwback, and we mean that as a compliment. It's a fully manual, all-metal, weather-sealed prime built for photographers who like to slow down and really feel the shot. There's no autofocus motor, no stabilization, and no electronic communication beyond basic aperture control on some mounts. It's just you, a big focus ring, and a bright f/1.4 aperture.
Common Questions
Q: Does this lens have autofocus?
No, it's a fully manual focus lens. The focus ring is well-damped for smooth adjustments, but you'll be doing all the work yourself.
Q: Will this work on my Canon EOS R or R5?
It works via an EF-to-RF adapter, but there's a known firmware bug where the camera won't display the set aperture. The lens still functions, you just won't see the f-stop in the viewfinder.
Q: Is this lens good for video work?
It can be, thanks to the de-clickable aperture ring and smooth focus throw. But the heavy weight and lack of stabilization mean you'll definitely want a solid tripod or rig.
Who Should Skip This
If you shoot any kind of action, events, or restless kids, just walk away. The lack of autofocus will drive you nuts. Also, if you're a bokeh purist who wants the creamiest background blur, this lens's busy bokeh in the 23rd percentile will probably disappoint you.
Verdict
The IRIX 45mm f/1.4 is for the patient photographer. If you shoot landscapes on a tripod, carefully composed portraits, or starry skies where autofocus is useless anyway, this lens will make you very happy. The image quality is excellent, and the build inspires confidence. Just know you're signing up for a fully manual experience, and double-check that firmware compatibility if you're in the Canon mirrorless world.