Laowa 24mm f/14 Probe 24mm
The 24mm f/14 probe lens stands out with its 1.3-foot waterproof barrel and built-in LED ring light, enabling 2:1 macro shots from a comfortable 1.5-foot distance. Its wide-angle perspective and f/14 to f/40 aperture range deliver greater depth of field than traditional telephoto macros, while the cine-mod gears suit precise video work. This lens is best for wildlife filmmakers and product photographers needing to place a camera inside tight, wet, or hard-to-reach spaces.
Resumo
The 30-Second Version
A weird, wonderful periscope lens that captures impossible wide-angle macro shots, but it's hungrier for light than a vampire at a solar eclipse. Buy it for the unique perspective, not for casual snapping.
Pros & Cons
Prós
- Creates a completely unique wide-angle macro look nothing else can touch 98th
- Excellent optical sharpness, a top-tier performer in our database 81st
- Waterproof front barrel lets you dip it into liquids for insane shots
- The long, thin barrel is less intimidating to skittish bugs and small animals
Contras
- f/14 aperture is painfully slow, demanding studio lights even in daylight
- Manual focus only, with no stabilization to help with handheld wobble
- The built-in LED light has poor color accuracy for serious work
- It's a one-trick pony, nearly useless for anything outside of macro and video
O que dizem os donos
The Word on the Street
Como a opinião dos donos mudou ao longo do tempo
ExclusivoCom base em quando os clientes realmente escreveram suas avaliações - para ver se os elogios iniciais se mantiveram.
Com base em 36 avaliações de clientes datadas, agrupadas por trimestre civil. A análise por período está em inglês.
As provas
Performance
The optical quality here is a standout, landing in the 98th percentile of our database. That's best-in-class territory. The sharpness and detail at 2:1 magnification are stunning, and the wide 24mm perspective gives you a huge depth of field compared to a traditional telephoto macro, so you actually see the environment around your subject. The real shocker, though, is how much light this thing needs. At f/14 wide open and stopping down to f/40, you're living in a world of constant artificial lighting. The built-in LED ring light at the tip is a clever idea for poking into dark crevices, but its color rendering is a weak spot for critical work. Manual focus is the only option, and at these magnifications, you'll be doing the focus-by-wobble dance more often than not.
Specifications
Full Specifications
Optics
| Type | Macro |
| Focal Length Min | 24 |
| Focal Length Max | 24 |
| Elements | 27 |
| Groups | 19 |
| ED Elements | 2 |
| Coating | One Extra Refractive Index Element |
Aperture
| Max Aperture | f/40 |
| Min Aperture | f/14 |
| Constant | No |
| Diaphragm Blades | 7 |
Build
| Mount | Canon EF |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 0.5 kg / 1.0 lbs |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | No |
Focus
| Min Focus Distance | 470 |
| Max Magnification | 2:1 |
vs Competition
You can't really compare this to a standard zoom like the Sigma 16-300mm or Tamron 18-300mm. Those are Swiss Army knives, and the Laowa is a scalpel. If you need a versatile all-in-one lens for travel and general photography, go buy the Tamron and don't look back. The Laowa's real competition is other specialized macro lenses, but even a traditional 100mm macro can't do what this does. It's in a class of one. The only reason to cross-shop is if you're unsure whether you need a unique perspective or just a really good close-up lens. If it's the latter, save your money and get a standard macro.
| Spec | Laowa 24mm f/14 Probe 24mm | Nikon NIKKOR Z 17-28mm f/2.8 | Tamron Di III 28-75mm f/2.8 VXD G2 | Sigma Contemporary 10-18mm f/2.8 DC DN | Panasonic Leica DG Vario-Elmarit H-ES12060 | Canon RF 28-70mm f/2.8 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | 24mm | 17-28mm | 28-75mm | 10-18mm | 12-60mm | 28-70mm |
| Max Aperture | f/40 | f/2.8 | f/2.8 | f/2.8 | f/2.8 | f/22 |
| Mount | Canon EF | Nikon Z | Sony E | Sony E | Micro Four Thirds | Canon RF |
| Stabilization | false | false | false | false | true | true |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 474 | 450 | 540 | 260 | 320 | 495 |
| AF Type | manual focus only | Stepping Motor | VXD | Autofocus | linear motor | STM |
| Lens Type | macro | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produto | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Prova social | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Laowa 24mm f/14 Probe 24mm | 13.9 | 2.1 | 62.5 | 80.5 | 98.3 | 2.3 | 63.3 | 33.6 | 55.6 | 38 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87 | 88.2 | 73.6 | 86.3 | 87 | 85.9 | 90.8 | 68.1 | 64.3 | 38 |
| Tamron Di III 28-75mm f/2.8 VXD G2 Compare | 54.6 | 88.2 | 67.3 | 87.3 | 87.8 | 85.9 | 80.4 | 78.2 | 83 | 38 |
| Sigma Contemporary 10-18mm f/2.8 DC DN Compare | 54.6 | 83.6 | 87.4 | 93.3 | 81.6 | 85.9 | 80.4 | 69.1 | 68.6 | 38 |
| Panasonic Leica DG Vario-Elmarit H-ES12060 Compare | 98 | 88.2 | 83.2 | 50.4 | 90.2 | 85.9 | 44.2 | 93.1 | 63.3 | 83.2 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 87 | 26 | 70.2 | 80.4 | 85 | 22.6 | 98.1 | 77.2 | 87.8 | 98.5 |
Preço
Value & Pricing
Pricing is all over the map, with a wild spread from $999 to $1968 across vendors. At the lower end, it's a justifiable splurge for a dedicated macro or video shooter who will actually use its unique capabilities. At nearly two grand, you really need to be making money with this lens to stomach the cost. Shop around, because paying the higher price is just leaving money on the table for the exact same optic.
Saiba mais
Overview
The Laowa 24mm f/14 Probe is the weirdest lens you'll probably ever use, and that's exactly the point. It's a long, skinny periscope of a macro lens that lets you shove a camera into places no other lens can go, capturing a bug's-eye view of the world with a wild 2:1 magnification. This isn't a walk-around lens. It's a specialized tool for creators who want shots that look like they came from a nature documentary or a high-end product commercial. The one thing to know? It demands patience, a mountain of light, and a tripod, but the images you get back are genuinely impossible to replicate with anything else.
Common Questions
Q: Can I use this lens for regular portraits or landscapes?
Absolutely not. Well, you can physically mount it, but the results will be terrible. It's an f/14 lens with a 24mm focal length designed for extreme close-ups. For portraits, the bokeh is non-existent and the sharpness profile is all wrong. For landscapes, it's just a slow, awkward prime. This is a macro and video specialty tool, period.
Q: Do I really need a tripod and external lighting?
Yes, without a doubt. At f/14, your shutter speeds will be painfully slow in anything but direct sunlight. Handholding at 2:1 magnification is a recipe for blurry disappointment. You'll want a continuous LED panel or a powerful flash, and a solid tripod is non-negotiable for nailing focus.
Q: Is the front of the lens actually waterproof?
The front barrel is waterproof, so you can submerge the tip in shallow water, drinks, or mud to get some wild shots. Just don't dunk the whole lens. The camera mount end is definitely not waterproof, so keep that part dry and be careful.
Who Should Skip This
If you're looking for a general-purpose macro lens to casually shoot flowers and bugs on a sunny afternoon, this isn't it. The slow aperture and manual focus will just frustrate you. Go get a stabilized 100mm macro with autofocus instead. This lens is for people who specifically need the probe form factor and the wide-angle perspective for creative video or specialized studio work.
Verdict
The Laowa 24mm f/14 Probe is a brilliant, frustrating, and utterly unique piece of glass. It's not for everyone, not even for most people. But for the macro specialist, the creative videographer, or the photographer who lives for the shot nobody else can get, this lens is pure magic. Just know that you'll be hauling lights and a sturdy tripod everywhere you go. If you're willing to work for it, the results are absolutely worth the effort.