Samyang SY12M-N 12mm f/2.8

★★★★★ 5.0 (23)

The 12mm full-frame fisheye provides a 180° diagonal field of view and an f/2.8 aperture, with an optical design incorporating three ED and two aspherical elements with Nano Coating to suppress aberrations. Its manual-focus-only build with an integrated AE chip gives full exposure control on Nikon F bodies while keeping weight at 500g. Best for architectural interior photographers and creative shooters pursuing extreme, immersive barrel distortion without needing autofocus or weather sealing.

Focal length 12mm
Aperture f/2.8
Mount Nikon F
format coverage full-frame
Weight 500 g
af type manual focus only
lens type fisheye
Samyang SY12M-N 12mm f/2.8 lens
36 종합 점수

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요약

The 30-Second Version

Sharp, affordable, and gloriously weird. The Samyang 12mm f/2.8 is the full-frame fisheye your Nikon has been waiting for, just don't drop it on that protruding front element.

Pros & Cons

장점

  • Sharp edge-to-edge, even wide open 96th
  • Full 180-degree fisheye coverage on full-frame 93rd
  • Excellent color and contrast from the Nano Coating 75th
  • Fantastic value for what you get 70th
  • Great for 360-degree virtual tour work

단점

  • Manual focus only, no AF at all
  • Protruding front element is a scratch magnet
  • No weather sealing
  • Bokeh is mediocre at best
  • Build quality feels a bit basic

사용자 의견

The Word on the Street

5.0/5 (23 reviews)
👍 Owners consistently praise the sharpness and color, with several saying it punches way above its price.
👍 A lot of buyers are using this for 360-degree virtual tours and report it works beautifully for stitching panoramas.
🤔 The manual focus and aperture ring trip up a few people on newer Nikon bodies, but most figure it out quickly.

시간에 따라 사용자 평판이 어떻게 변했는가

독점

고객이 실제로 리뷰를 작성한 시점을 기준으로 합니다. 초기의 호평이 유지되었는지 확인할 수 있습니다.

92/100당사 AI 감성 분석신뢰도 보통 · 18개 출처 · 2026년 6월
31211Q2 '21Q3 '21Q1 '22Q2 '22Q3 '25
만족 (4-5★)불만족 (1-2★)막대 높이 = 리뷰 수

날짜가 있는 고객 리뷰 8건을 기준으로 달력 분기별로 묶었습니다. 기간별 분석은 영어로 제공됩니다.

근거 자료

Performance

The sharpness here is the real surprise. Samyang has a reputation for hit-or-miss quality control, but this 12mm delivers edge-to-edge sharpness that owners consistently rave about. The 12 elements in 8 groups, including 3 ED and 2 aspherical elements, do serious work. Color and contrast are excellent too, thanks to the Nano Coating System. The f/2.8 max aperture is genuinely useful for low light and lets you get a bit of subject separation, though bokeh is not this lens's strong suit. It's a fisheye, so creamy background blur was never the point. Macro performance lands well above average, which is a nice bonus for close-up creative shots.

Performance Percentiles

AF 20.8
Bokeh 7.3
Build 30.7
Macro 6.1
Reach 2.9
Video 28.8
Optical 74.6
Aperture 44
User Sentiment 92.7
Wide Angle 95.6
Portability 50.4
Versatility 32.9
사용자 평판 47.5
Affordability 69.6
Stabilization 36

Specifications

Full Specifications

Optics

Type Fisheye
Focal Length Min 12
Focal Length Max 12
Elements 12
Groups 8
Aspherical Elements 2
ED Elements 3
Coating Nano Coating System

Aperture

Max Aperture f/2.8
Min Aperture f/22
Constant No
Diaphragm Blades 7

Build

Mount Nikon F
Format full-frame
Weight 0.5 kg / 1.1 lbs

AF & Stabilization

AF Type manual focus only
Stabilization No

Focus

Min Focus Distance 200

vs Competition

The Sony FE Distagon T-Star 35mm f/1.4 ZA is a completely different animal, a premium autofocus prime that costs way more and doesn't give you the fisheye look at all. The Sigma Contemporary 18-50mm f/2.8 DC DN is a crop-sensor zoom, so it's not even playing the same game on full-frame. The Tamron Di III VC 28-300mm is a superzoom for convenience, not creative distortion. Honestly, none of these are direct competitors. If you want a full-frame fisheye for Nikon F mount at this price, there's basically nothing else that does what this Samyang does. The Nikon NIKKOR 2178 is the closest in spirit, but it's a different focal length and costs more.

Spec Samyang SY12M-N 12mm f/2.8 Canon RF 24-105mm f/2.8 L IS USM Z Viltrox LAB AF 35mm f/1.2 LAB FE Sony G Master FE 50-150mm f/2 GM Sigma Art 17-40mm f/1.8 DC Tamron Di III 70-180mm f/2.8 VC VXD G2
Focal Length 12mm 24-105mm 35mm 50-150mm 17-40mm 70-180mm
Max Aperture f/2.8 f/2.8 f/1.2 f/2 f/1.8 f/2.8
Mount Nikon F Canon RF Sony E Sony E Fujifilm X Sony E
Format Coverage full-frame full-frame full-frame full-frame APS-C full-frame
Stabilization false true false false false true
Weather Sealed false true true true true true
Weight (g) 500 1315 910 1340 535 855
AF Type manual focus only Nano USM VCM XD linear motors HLA (High-response Linear Actuator) VXD
Lens Type fisheye zoom prime zoom zoom zoom
Compare Compare Compare Compare Compare
제품 AFBokehBuildMacroReachVideoOpticalApertureUser SentimentWide AnglePortabilityVersatility사용자 평판AffordabilityStabilization
Samyang SY12M-N 12mm f/2.8 20.87.330.76.12.928.874.64492.795.650.432.947.569.636
Canon RF 24-105mm f/2.8 L IS USM Z Compare 89.978.995.369.373.788.2984481.874.711.391.9888.296
Viltrox LAB AF 35mm f/1.2 LAB FE Compare 95.469.190.845.129.272.592.996.181.853.420.732.98833.536
Sony G Master FE 50-150mm f/2 GM Compare 95.49698.951.98088.295.764.166.440.21182.192.77.236
Sigma Art 17-40mm f/1.8 DC Compare 95.453.195.354.252.888.297.374.798.868.946.97592.733.736
Tamron Di III 70-180mm f/2.8 VC VXD G2 Compare 95.486.677.475.580.984.496.54466.429.3227792.727.797.4

가격

Value & Pricing

At USD 329 to 349 in the US, this lens is a steal for full-frame fisheye coverage. Canadian buyers should shop around, prices swing from CAD 457 to CAD 562 across vendors, so check both listings before you commit. The cheaper CAD option is the obvious pick. For what you're getting optically, this undercuts name-brand fisheyes by a wide margin. It's not the most polished lens physically, but the image quality per dollar is hard to beat.

Price History

MX$7,000 MX$8,000 MX$9,000 MX$10,000 MX$11,000 MX$12,000 MX$13,000 6월 4일7월 20일11월 3일 MX$8,230

더 보기

Overview

The Samyang 12mm f/2.8 fisheye is a niche lens that absolutely nails its niche. If you want that full 180-degree distorted look on a full-frame Nikon body without spending a fortune, this is the one to get. It's manual focus only, which scares some people off, but for the kind of work this lens excels at, autofocus barely matters. Owners are practically gushing about it, and our data backs that up with user sentiment sitting near the top of the charts.

Common Questions

Q: Will this give me the classic fisheye look?

Yes, absolutely. On a full-frame Nikon DSLR you get the full 180-degree diagonal view with that signature curved distortion. On a crop sensor it's less extreme, but still noticeably fisheye.

Q: Does it work on Nikon mirrorless cameras?

It does, but you'll need the FTZ adapter. Users report it works fine on the Z6 and Z7 after a firmware update. Just remember it's manual focus either way.

Q: Is this good for 360-degree virtual tours?

This is one of the most popular uses for this lens. Shoot vertically, rotate, and take 4 to 6 shots, then stitch them. The 180-degree coverage makes stitching much easier than with a standard wide angle.

Who Should Skip This

If you want autofocus, weather sealing, or a lens you can toss in a bag without worrying, this isn't it. The protruding front element demands careful handling, and the manual focus will frustrate anyone shooting fast-moving subjects. Wildlife and sports shooters should look elsewhere, this lens scores near the bottom for that kind of work. If you need a general-purpose wide angle rather than a fisheye, grab a standard 14mm or 16mm prime instead.

Verdict

Buy it. If you shoot full-frame Nikon and want the classic fisheye look for virtual tours, creative landscapes, or just messing around with wild perspectives, this Samyang is the obvious choice. The manual focus is a non-issue for the kind of shooting this lens is made for. Owners give it a perfect 5 out of 5 across 23 reviews, and our sentiment analysis puts it in the top tier. The only real caveat is that front element, get a good case and treat it gently.

Usage Scores

Macro (15.6)종합 (36.1)Budget (60)Street (30.6)Travel (23)Portrait (20)Landscape (46.6)Professional (31.2)Video Cinema (19.6)Wildlife Sports (10.6)
  • Macro15.6
  • 종합36.1
  • Budget60
  • Street30.6
  • Travel23
  • Portrait20
  • Landscape46.6
  • Professional31.2
  • Video Cinema19.6
  • Wildlife Sports10.6

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