Sigma 875205
Doubling the reach of compatible Minolta-mount lenses, this dedicated APO teleconverter maintains auto focus and AE functionality without complex exposure calculations. Its apochromatic design suppresses chromatic aberration, a key differentiator for a converter at this level, though it lacks weather sealing and stabilization. This converter is best for portrait and street photographers needing extra focal length on a budget, provided their lens has a sufficiently bright open-aperture F-value.
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요약
The 30-Second Version
A cheap way to double your reach on old Minolta glass, but the image quality hit is brutal. Only worth it if you find one for pocket change and know exactly what you're getting into.
Pros & Cons
장점
- Dirt cheap way to double your focal length 71st
- Maintains autofocus and auto-exposure with compatible lenses 70th
- APO design helps control some chromatic aberration
- Lightweight and simple to use
단점
- Optical quality takes a serious nosedive
- Loses two stops of light, killing low-light performance
- Only works with specific older Minolta lenses
- No weather sealing or stabilization
근거 자료
Performance
What surprised us most is how much this little tube can drag down an otherwise sharp lens. Our database puts its optical quality in the bottom 20th percentile, which means you'll see a noticeable drop in sharpness and contrast. The autofocus works, but it's middling at best, and on anything but a fast prime, it'll hunt in anything less than bright sunlight. You're also losing two full stops of light, turning an f/2.8 lens into a dim f/5.6.
Specifications
Full Specifications
Optics
| Type | Telephoto |
Build
| Mount | Minolta |
| Weight | 0.4 kg / 0.9 lbs |
AF & Stabilization
| AF Type | Auto Focus |
vs Competition
Stacking this up against modern glass like the Tamron Di III VC 28-300mm or the Sony E 18-135mm is almost unfair. Those are modern, optically stabilized, all-in-one zooms that run circles around this converter in terms of versatility and image quality. The Viltrox Pro AF 27mm f/1.2 is a different beast entirely, a fast prime that prioritizes sharpness and bokeh over reach. This Sigma converter is for a very specific person: someone with a cabinet full of old Minolta A-mount glass who wants to play with a doubler for less than the cost of a nice dinner.
| Spec | Sigma 875205 | Tamron Di III VC 28-300mm f/4-7.1 VXD | Nikon NIKKOR 20059 | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E 18-135mm f/3.5-5.6 OSS | Canon RF 28-70mm f/2.8 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | - | 28-300mm | 18-55mm | 12-35mm | 18-135mm | 28-70mm |
| Max Aperture | - | f/4 | f/3.5 | f/2.8 | f/3.5 | f/2.8 |
| Mount | Minolta | Sony E | Nikon F | Micro Four Thirds | Sony E | Canon RF |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | false | true | false | true | false | true |
| Weight (g) | 399 | 590 | 205 | 306 | 326 | 495 |
| AF Type | Auto Focus | VXD linear motor | pulse stepping motor | Autofocus | Linear motor | STM |
| Lens Type | telephoto | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| 제품 | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Stabilization |
|---|---|---|---|---|---|---|---|---|
| Sigma 875205 | 53.8 | 69.8 | 45.4 | 12.1 | 17.4 | 70.8 | 33.2 | 34.4 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 97.7 | 83.5 | 62.9 | 83.2 | 96.3 | 70.8 | 97.9 | 79.3 |
| Nikon NIKKOR 20059 Compare | 84.6 | 81.2 | 83.6 | 95.3 | 54.4 | 82.7 | 82.7 | 92.3 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.8 | 86.6 | 83.8 | 48.8 | 86.1 | 88.3 | 80.4 | 96.4 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 97.7 | 81.2 | 70.9 | 37.3 | 77.9 | 82.7 | 95.8 | 79.3 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 84.6 | 86.6 | 70.3 | 41.4 | 83.8 | 88.3 | 76.9 | 98.4 |
가격
Value & Pricing
Pricing is all over the map, from a reasonable $184 to an absurd $35,686 from some joker on Amazon. At the low end, it's a fun experiment for a Minolta shooter on a budget. Paying anything over $200 for this is a mistake. If you see a clean copy for under $200, it's a cheap thrill. Otherwise, just crop your photos.
더 보기
Overview
The Sigma 2.0x APO Tele Converter is a niche piece of kit that doubles your reach for a song, but it comes with some serious strings attached. It's a dedicated doubler for old Minolta SLR glass, and finding one in good shape today is the real challenge. The one thing to know is this: you're trading image quality and light for focal length, and the hit to optical performance is significant.
Common Questions
Q: Will this work with my modern Sony Alpha camera?
Nope. This is strictly for older Minolta A-mount SLRs. You'd need an A-mount to E-mount adapter, and even then, autofocus performance would be a total crapshoot. You're better off buying a native teleconverter for your system.
Q: Does it work with all Minolta lenses?
Definitely not. It's designed for specific APO telephoto lenses. Slapping it on a random kit zoom will likely result in physical damage or terrible image quality. Check Sigma's old compatibility charts before you buy.
Q: How much light do I lose?
You lose two full stops. So an f/2.8 lens becomes an f/5.6 lens. Your viewfinder will get darker, and your camera's autofocus system will struggle a lot more in low light.
Who Should Skip This
If you're looking for a sharp, modern telephoto solution, this isn't it. Go get a used superzoom lens or a native teleconverter for your current mirrorless system instead. This is a vintage curiosity, not a serious tool for image quality.
Verdict
The Sigma 2.0x APO Tele Converter is a relic from a different era. It does exactly what it says on the tin, but the optical penalty is steep. If you're a Minolta die-hard and find one for under $200, it's a fun way to get more reach from a fast telephoto prime. For everyone else, this is an easy pass. Modern superzoom lenses or even digital cropping on a high-megapixel body will give you better results without the hassle.