Samyang SY12M-N 12mm

★★★★★ 5.0 (23)

The 12mm full-frame fisheye provides a 180° diagonal field of view and an f/2.8 aperture, with an optical design incorporating three ED and two aspherical elements with Nano Coating to suppress aberrations. Its manual-focus-only build with an integrated AE chip gives full exposure control on Nikon F bodies while keeping weight at 500g. Best for architectural interior photographers and creative shooters pursuing extreme, immersive barrel distortion without needing autofocus or weather sealing.

Focal length 12mm
Aperture f/22
Mount Nikon F
Weight 500 g
af type manual focus only
lens type fisheye
Samyang SY12M-N 12mm lens
42 Punteggio Complessivo

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Disponibile anche in:

Panoramica

The 30-Second Version

Sharp, affordable, and gloriously weird. The Samyang 12mm f/2.8 is the full-frame fisheye your Nikon has been waiting for, just don't drop it on that protruding front element.

Pros & Cons

Pro

  • Sharp edge-to-edge, even wide open 92nd
  • Full 180-degree fisheye coverage on full-frame 81st
  • Excellent color and contrast from the Nano Coating 79th
  • Fantastic value for what you get
  • Great for 360-degree virtual tour work

Contro

  • Manual focus only, no AF at all
  • Protruding front element is a scratch magnet
  • No weather sealing
  • Bokeh is mediocre at best
  • Build quality feels a bit basic

Cosa dicono i proprietari

The Word on the Street

5.0/5 (23 reviews)
👍 Owners consistently praise the sharpness and color, with several saying it punches way above its price.
👍 A lot of buyers are using this for 360-degree virtual tours and report it works beautifully for stitching panoramas.
🤔 The manual focus and aperture ring trip up a few people on newer Nikon bodies, but most figure it out quickly.

Come è cambiata l'opinione dei proprietari nel tempo

Esclusiva

In base a quando i clienti hanno effettivamente scritto le recensioni, per vedere se gli elogi iniziali sono durati.

92/100La nostra analisi del sentiment con IAaffidabilità media · 18 fonti · giu 2026
31211Q2 '21Q3 '21Q1 '22Q2 '22Q3 '25
Soddisfatti (4-5★)Insoddisfatti (1-2★)Altezza della barra = numero di recensioni

Basato su 8 recensioni dei clienti datate, raggruppate per trimestre solare. L'analisi per periodo è in inglese.

Le prove

Performance

The sharpness here is the real surprise. Samyang has a reputation for hit-or-miss quality control, but this 12mm delivers edge-to-edge sharpness that owners consistently rave about. The 12 elements in 8 groups, including 3 ED and 2 aspherical elements, do serious work. Color and contrast are excellent too, thanks to the Nano Coating System. The f/2.8 max aperture is genuinely useful for low light and lets you get a bit of subject separation, though bokeh is not this lens's strong suit. It's a fisheye, so creamy background blur was never the point. Macro performance lands well above average, which is a nice bonus for close-up creative shots.

Performance Percentiles

AF 14.8
Bokeh 14
Build 28.8
Macro 81.1
Optical 79.2
Aperture 21.9
User Sentiment 92.1
Versatility 33.2
Riscontro degli utenti 57.3
Stabilization 34.4

Specifications

Full Specifications

Optics

Type Fisheye
Focal Length Min 12
Focal Length Max 12
Elements 12
Groups 8
Aspherical Elements 2
ED Elements 3
Coating Nano Coating System

Aperture

Max Aperture f/22
Min Aperture f/2.8
Constant No
Diaphragm Blades 7

Build

Mount Nikon F
Format full-frame
Weight 0.5 kg / 1.1 lbs

AF & Stabilization

AF Type manual focus only
Stabilization No

Focus

Min Focus Distance 200

vs Competition

The Sony FE Distagon T-Star 35mm f/1.4 ZA is a completely different animal, a premium autofocus prime that costs way more and doesn't give you the fisheye look at all. The Sigma Contemporary 18-50mm f/2.8 DC DN is a crop-sensor zoom, so it's not even playing the same game on full-frame. The Tamron Di III VC 28-300mm is a superzoom for convenience, not creative distortion. Honestly, none of these are direct competitors. If you want a full-frame fisheye for Nikon F mount at this price, there's basically nothing else that does what this Samyang does. The Nikon NIKKOR 2178 is the closest in spirit, but it's a different focal length and costs more.

Spec Samyang SY12M-N 12mm Tamron Di III VC 28-300mm f/4-7.1 VXD Nikon NIKKOR 20059 Sigma Art 17-40mm f/1.8 DC Sony E 18-135mm f/3.5-5.6 OSS Panasonic LUMIX S S-R28200
Focal Length 12mm 28-300mm 18-55mm 17-40mm 18-135mm 28-200mm
Max Aperture f/22 f/4 f/3.5 f/1.8 f/3.5 f/4
Mount Nikon F Sony E Nikon F Fujifilm X Sony E L-Mount
Stabilization false true true false true true
Weather Sealed false true false true false true
Weight (g) 500 590 205 535 326 413
AF Type manual focus only VXD linear motor pulse stepping motor HLA (High-response Linear Actuator) Linear motor Autofocus
Lens Type fisheye zoom zoom zoom zoom zoom
Compare Compare Compare Compare Compare
Prodotto AFBokehBuildMacroOpticalApertureUser SentimentVersatilityRiscontro degli utentiStabilization
Samyang SY12M-N 12mm 14.81428.881.179.221.992.133.257.334.4
Tamron Di III VC 28-300mm f/4-7.1 VXD Compare 97.783.462.983.296.370.892.197.950.479.3
Nikon NIKKOR 20059 Compare 84.681.283.695.354.482.664.982.886.192.3
Sigma Art 17-40mm f/1.8 DC Compare 53.9976772.296.695.398.375.794.134.4
Sony E 18-135mm f/3.5-5.6 OSS Compare 97.781.270.937.37882.647.195.890.779.3
Panasonic LUMIX S S-R28200 Compare 53.983.47672.291.670.831.495.474.699.5

Prezzo

Value & Pricing

At USD 329 to 349 in the US, this lens is a steal for full-frame fisheye coverage. Canadian buyers should shop around, prices swing from CAD 457 to CAD 562 across vendors, so check both listings before you commit. The cheaper CAD option is the obvious pick. For what you're getting optically, this undercuts name-brand fisheyes by a wide margin. It's not the most polished lens physically, but the image quality per dollar is hard to beat.

Price History

8000 MXN 9000 MXN 10.000 MXN 11.000 MXN 12.000 MXN 13.000 MXN 4 giu20 lug24 ott 9178 MXN

Approfondisci

Overview

The Samyang 12mm f/2.8 fisheye is a niche lens that absolutely nails its niche. If you want that full 180-degree distorted look on a full-frame Nikon body without spending a fortune, this is the one to get. It's manual focus only, which scares some people off, but for the kind of work this lens excels at, autofocus barely matters. Owners are practically gushing about it, and our data backs that up with user sentiment sitting near the top of the charts.

Common Questions

Q: Will this give me the classic fisheye look?

Yes, absolutely. On a full-frame Nikon DSLR you get the full 180-degree diagonal view with that signature curved distortion. On a crop sensor it's less extreme, but still noticeably fisheye.

Q: Does it work on Nikon mirrorless cameras?

It does, but you'll need the FTZ adapter. Users report it works fine on the Z6 and Z7 after a firmware update. Just remember it's manual focus either way.

Q: Is this good for 360-degree virtual tours?

This is one of the most popular uses for this lens. Shoot vertically, rotate, and take 4 to 6 shots, then stitch them. The 180-degree coverage makes stitching much easier than with a standard wide angle.

Who Should Skip This

If you want autofocus, weather sealing, or a lens you can toss in a bag without worrying, this isn't it. The protruding front element demands careful handling, and the manual focus will frustrate anyone shooting fast-moving subjects. Wildlife and sports shooters should look elsewhere, this lens scores near the bottom for that kind of work. If you need a general-purpose wide angle rather than a fisheye, grab a standard 14mm or 16mm prime instead.

Verdict

Buy it. If you shoot full-frame Nikon and want the classic fisheye look for virtual tours, creative landscapes, or just messing around with wild perspectives, this Samyang is the obvious choice. The manual focus is a non-issue for the kind of shooting this lens is made for. Owners give it a perfect 5 out of 5 across 23 reviews, and our sentiment analysis puts it in the top tier. The only real caveat is that front element, get a good case and treat it gently.

Usage Scores

Macro (58)Complessivo (41.5)Budget (28.6)Street (27.3)Travel (22.2)Portrait (29.3)Landscape (33.7)Professional (29.2)Video Cinema (24.7)Wildlife Sports (19)

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