Sigma Art 50-100mm f/1.8 DC HSM 100mm
A constant f/1.8 aperture across the 50-100mm zoom range delivers full-frame equivalent depth of field control on APS-C sensors, paired with 7 ED elements for high clarity. The internal zoom and Hyper Sonic Motor provide fast, quiet autofocus without extending the barrel, maintaining balance on a gimbal. This lens is best for portrait and event photographers who need a fast telephoto zoom but don't require stabilization.
Panoramica
Cosa dicono i proprietari
Come è cambiata l'opinione dei proprietari nel tempo
EsclusivaIn base a quando i clienti hanno effettivamente scritto le recensioni, per vedere se gli elogi iniziali sono durati.
- Q2 202688/100
Buyers recommend the lens for low light and action shots, praising image quality and fast aperture, while noting focusing inconsistencies on DX cameras and weight.
- Excellent low-light performance and f/1.8 aperture praised for indoor sports and stage.
- Focus accuracy issues reported on DX cameras like D500 and D3300, especially in low light.
- Build quality and durability praised; handled extreme temps and snow at Grand Canyon.
- Heavy weight noted; lens described as cumbersome without VR, tripod collar design odd.
- Q2 202285/100
Buyers praised sharpness and APS-C compatibility for sports and portraits, but noted significant weight, noisy AF, and rare focus misses.
- Sharp lens delivers great results on APS-C cameras for sports and portraits.
- Lens is versatile and works well across multiple APS-C bodies.
- Lens is very heavy; arm fatigue occurs for those unaccustomed to beefy lenses.
- AF is noisy and slow; some users report missed shots despite overall satisfaction.
- Q2 202187/100
Buyers praised the lens for sharpness, bokeh, and portrait versatility, but noted back-focus, focus breathing, and a non-removable tripod foot as minor drawbacks.
- Sharpness and image quality praised, with good bokeh and resolving power.
- Excellent for portraits, particularly headshots with the 70mm focal length.
- Back-focus issue fixable; focus breathing requires careful subject distance.
- Non-removable tripod foot causes mounting inconvenience with battery grip.
- Q4 202075/100
Buyers praised the lens' sharpness and bokeh for portraits on crop sensors, but warned it is incompatible with full-frame cameras and noted its heavy weight and some focusing issues.
- Produces tack-sharp images with amazing bokeh, ideal for portraits.
- Incompatible with full-frame cameras despite Sigma Art branding.
- Heavy lens, but results compensate for the inconvenience.
- Significant vignetting occurs at the 50mm focal length.
- Q2 201993/100
Buyers praise this lens for its sharpness, speed, and low-light performance, with the main trade-off being its considerable weight, which many find acceptable for the image quality.
- Sharp, fast, accurate autofocus, and beautiful bokeh even in tricky light.
- Heavy and takes getting used to, but reduces need for cropping and shake with bracing.
- Excellent for video interviews and capturing performers from a distance.
- Great companion to 18-35mm f/1.8, covers most shooting needs without reservation.
- Q1 201994/100
Buyers praised the lens for its sharpness, perfect focal range for interviews, and fast autofocus. Some noted its size and weight.
- Lens is sharp and produces great images with Canon 7D Mark II.
- Ideal focal range for interviews (50-90mm) without lens changes.
- Fast and quiet autofocus works well with DPAF on C300 Mk2.
- Lens is a bit big and heavy.
- Q2 201897/100
Buyers praise the lens for its dreamy images, sharpness, and bokeh, though note its heavy weight and occasional focus adjustment needs.
- Image quality is outstanding with sharpness and beautiful bokeh.
- Auto focus may need calibration with Sigma dock for best performance.
- Lens is heavy and cumbersome for all-day event shooting.
- Great value for portrait photography on crop sensors.
- Q2 2017100/100
Buyers are extremely satisfied, praising the lens's sharpness, fast aperture, and image quality rivaling full-frame gear. The heavy weight is noted as a positive for stability.
- Exceptional image quality, rivaling full-frame gear with sharpness and isolation.
- Excellent value and performance versus high-end Canon 70-200mm f/2.8L IS II.
- Fast and quiet autofocus, suitable for portraits and general use.
- Heavy weight is favored for steadier shots; included USB dock for fine-tuning focus.
- Q1 201785/100
Buyers praised the lens for exceptional sharpness, build quality, and fast aperture, but noted weight, reverse zoom direction, and slight calibration issues.
- Excellent image sharpness, color, and build quality praised by most reviewers.
- Heavy weight appreciated for solid feel but criticized for daily carry.
- Calibration via Sigma dock resolves softness, but some residual issues at 100mm.
- Reverse zoom direction compared to Canon lenses is a minor annoyance.
- Q4 201678/100
Buyers praise the lens for its sharpness, fast aperture, and pro-level build, but cite stiff zoom ring, lack of weather sealing, and unreliable autofocus for professional use.
- Excellent sharpness across all focal lengths and apertures, with beautiful bokeh and solid construction.
- Fast constant f/1.8 aperture delivers stunning images, rivaling FX cameras and f/2.8 zooms.
- Unreliable autofocus randomly misses focus, a fatal flaw for professionals despite calibration attempts.
- Stiff zoom ring and zoom/collar proximity can hinder operation, especially for action photography.
- Q3 201687/100
Buyers praised the lens for exceptional sharpness, fast f/1.8 aperture, and solid build, but noted heavy weight and lack of image stabilization.
- Excellent sharpness and fast, accurate autofocus.
- Lens is very heavy; one reviewer noted it feels like holding a cinder block.
- Build quality praised but lack of weather sealing and image stabilization noted.
- Great value for crop sensor cameras, rivaling pro primes.
- Q2 201687/100
Buyers praised low-light performance, color reproduction, and image clarity, noting heavy build and some vignetting on full-frame.
- Excellent image quality, sharpness, and bokeh.
- Good low-light performance suited for events.
- Heavy lens with noticeable focus breathing.
- Vignetting occurs when used on full-frame cameras.
Basato su 69 recensioni dei clienti datate, raggruppate per trimestre solare. L'analisi per periodo è in inglese.
Le prove
Prestazioni
Scheda tecnica
Specifiche tecniche complete
Optics
| Type | Zoom |
| Focal Length Min | 50 |
| Focal Length Max | 100 |
| Elements | 21 |
| Groups | 15 |
| Aspherical Elements | 0 |
| ED Elements | 7 |
| Coating | Super Multi-Layer Coating |
Aperture
| Max Aperture | f/16 |
| Min Aperture | f/1.8 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Nikon F |
| Format | APS-C |
| Weather Sealed | No |
| Weight | 1.5 kg / 3.3 lbs |
| Filter Thread | 82 |
AF & Stabilization
| AF Type | HSM |
| Stabilization | No |
Focus
| Min Focus Distance | 950 |
| Max Magnification | 1:6.67 |
Rispetto alla concorrenza
| Spec | Sigma Art 50-100mm f/1.8 DC HSM 100mm | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Sony E PZ 16-50mm f/3.5-5.6 OSS | Panasonic LUMIX S S-R28200 | OM System M.Zuiko Digital ED 12-100mm f/4 IS PRO |
|---|---|---|---|---|---|---|
| Focal Length | 50-100mm | 17-70mm | 17-28mm | 16-50mm | 28-200mm | 12-100mm |
| Max Aperture | f/16 | f/2.8 | f/2.8 | f/3.5 | f/4 | f/4 |
| Mount | Nikon F | Sony E | Nikon Z | Sony E | L-Mount | Micro Four Thirds |
| Stabilization | false | true | false | true | true | true |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 1490 | 544 | 450 | 107 | 413 | 561 |
| AF Type | HSM | RXD | Stepping Motor | Autofocus | Autofocus | Autofocus |
| Lens Type | zoom | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Prodotto | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Riscontro degli utenti | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Sigma Art 50-100mm f/1.8 DC HSM 100mm | 53.7 | 36.4 | 11.9 | 45.7 | 98.4 | 40.3 | 63.2 | 72 | 93.2 | 36.9 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.7 | 86.2 | 69.7 | 85.1 | 91.1 | 83.2 | 63.2 | 89.5 | 85.5 | 82.6 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.7 | 86.2 | 76 | 85.1 | 88.4 | 83.2 | 90.8 | 68 | 70.1 | 36.9 |
| Sony E PZ 16-50mm f/3.5-5.6 OSS Compare | 53.7 | 74.2 | 98.6 | 43.7 | 69.1 | 76.3 | 63.2 | 83.2 | 81.1 | 93.5 |
| Panasonic LUMIX S S-R28200 Compare | 53.7 | 76.8 | 78.3 | 74.2 | 92 | 65.1 | 22 | 95.4 | 76 | 99.5 |
| OM System M.Zuiko Digital ED 12-100mm f/4 IS PRO Compare | 53.7 | 63.5 | 68.6 | 57 | 96.9 | 65.1 | 0 | 96.6 | 63.1 | 96.9 |