ARRI APO Cambrian Du 40mm
Apochromatic optics in this 40mm T2.0 lens virtually eliminate chromatic aberration for edge-to-edge sharpness, while the constant aperture keeps illumination consistent. A robust all-metal build and smooth, geared focus ring enable precise manual pulls for cinema setups. It’s ideally suited for portrait shooters and indie filmmakers needing a clean, color-accurate image with reliable tactile control.
Focal length 40mm
Aperture 2.0
Mount ARRI PL
lens type prime
39 Punteggio Complessivo
Prezzo 0 MXN
Nessuna offerta disponibile
Snapshot
Pro e contro
Pros
- Strong aperture (90th percentile) 90th
- Strong bokeh (88th percentile) 88th
Cons
- Below average macro (8th percentile)
- Below average optical (16th percentile)
- Below average build (27th percentile)
- Below average versatility (34th percentile)
What owners think
The proof
Prestazioni
Scheda tecnica
Specifiche tecniche complete
Optics
| Type | prime |
| Focal Length Min | 40 |
| Focal Length Max | 40 |
Aperture
| Max Aperture | 2 |
| Min Aperture | 2 |
| Constant | Yes |
Build
| Mount | ARRI PL |
Rispetto alla concorrenza
| Spec | ARRI APO Cambrian Du 40mm | Sigma Contemporary 16-300mm f/3.5-6.7 DC OS | Tamron Di III 18-300mm f/3.5-6.3 Di III-A VC VXD | Nikon NIKKOR Z 28-400mm f/4-8 VR | Panasonic LUMIX G Leica DG Vario-Elmarit H-ES50200 | Canon EF-S 18-135mm f/3.5-5.6 IS USM |
|---|---|---|---|---|---|---|
| Focal Length | 40mm | 16-300mm | 18-300mm | 28-400mm | 50-200mm | 18-135mm |
| Max Aperture | 2.0 | f/3.5 | f/3.5 | f/4 | f/2.8 | f/3.5 |
| Mount | ARRI PL | Sony E | Fuji X | Nikon Z | Micro Four Thirds | Canon EF-S |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | false | true | false | true | true | false |
| Weight (g) | - | 615 | 92 | 726 | 655 | 515 |
| AF Type | - | HLA | VXD linear motor | STM | linear motor | STM |
| Lens Type | prime | zoom | zoom | zoom | telephoto | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Bokeh | Build | Macro | Optical | Aperture | Versatility | Stabilization |
|---|---|---|---|---|---|---|---|---|
| ARRI APO Cambrian Du 40mm | 54.8 | 88.3 | 27.1 | 8.2 | 16.1 | 90.1 | 34.1 | 36 |
| Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Compare | 54.8 | 84.6 | 58.7 | 85.9 | 98.9 | 77.5 | 99.6 | 99 |
| Tamron Di III 18-300mm f/3.5-6.3 Di III-A VC VXD Compare | 98.3 | 75.5 | 96.4 | 87.8 | 74.3 | 77.5 | 99.2 | 81.1 |
| Nikon NIKKOR Z 28-400mm f/4-8 VR Compare | 86.6 | 78.4 | 51.1 | 81.2 | 97 | 71.8 | 98.9 | 98.2 |
| Panasonic LUMIX G Leica DG Vario-Elmarit H-ES50200 Compare | 98.3 | 86.4 | 54.8 | 22.9 | 95.9 | 84 | 88.3 | 96.3 |
| Canon EF-S 18-135mm f/3.5-5.6 IS USM Compare | 86.6 | 75.5 | 46.8 | 33.3 | 79.8 | 77.5 | 96 | 92.5 |
Punteggi per utilizzo
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