OM System M.Zuiko Digital 40-150mm F4.0-5.6 R 40-150mm
At just 190 grams, the 40-150mm f/4.0-5.6 zoom (80-300mm equivalent) delivers portable reach with nearly silent MSC autofocus. Its affordable price and compact size make it an unobtrusive second lens that pairs easily with standard kits for extended shooting. Budget-conscious Micro Four Thirds photographers capturing travel, portraits, and outdoor sports will appreciate its 3.75x range without added bulk.
Panoramica
The 30-Second Version
The OM System 40-150mm R is a tiny, dirt-cheap telephoto zoom that's perfect as a first step beyond your kit lens. It's sharp enough in good light and the autofocus is a gem, but the slow aperture and lack of stabilization mean it struggles indoors. If you find it for around $160, just buy it.
Pros & Cons
Pro
- Incredibly light and compact, you'll barely notice it in your bag. 86th
- Solid center sharpness for the price, especially at the wider end. 84th
- Fast, near-silent autofocus that works great for video. 78th
- An unbeatable value for getting started with telephoto reach. 71st
Contro
- The all-plastic build feels a bit toy-like.
- Low light performance is rough with that slow variable aperture.
- No image stabilization means steady hands or a tripod are a must.
- Minimum focus distance is long, making close-ups a no-go.
Cosa dicono i proprietari
The Word on the Street
Le prove
Performance
In decent light, this lens punches above its weight class. Center sharpness is solid throughout the zoom range, though things get a little soft at the long end and in the corners. The f/4.0-5.6 aperture means you'll be cranking the ISO once the sun starts dipping, and don't expect any subject separation magic, the bokeh is just okay. The MSC autofocus is a bright spot, it's fast, accurate, and quiet enough for video work. The real weak point is close-up performance. With a 90cm minimum focus distance and a paltry 1:6.25 magnification, this is not the lens for detail shots of flowers or bugs.
Specifications
Full Specifications
Optics
| Type | Telephoto |
| Focal Length Min | 40 |
| Focal Length Max | 150 |
Aperture
| Max Aperture | f/4 |
| Min Aperture | 4.0-5.6 |
| Constant | No |
Build
| Mount | Micro Four Thirds |
| Format | micro-four-thirds |
| Weight | 0.2 kg / 0.4 lbs |
| Filter Thread | 58 |
AF & Stabilization
| AF Type | MSC |
| Stabilization | No |
Focus
| Min Focus Distance | 900 |
| Max Magnification | 1:6.25 |
vs Competition
Stacked against a superzoom like the Tamron 18-300mm, the Olympus gives up a ton of range and versatility but wins hands down on size and weight. The Tamron is a do-it-all tank, this is a featherweight specialist. Compared to older DSLR zooms like the Nikon 16-85mm or Canon 18-135mm, the Olympus is in a different league for portability, though those lenses offer wider angles on the short end. If you're already in the Micro Four Thirds system, this is the no-brainer telephoto starter, but if you need one lens to rule them all, a superzoom is the better call.
| Spec | OM System M.Zuiko Digital 40-150mm F4.0-5.6 R 40-150mm | Sigma Contemporary 16-300mm f/3.5-6.7 DC OS | Canon RF 28-70mm f/2.8 IS STM | Panasonic LUMIX S S-R28200 | Tamron Di III-A 17-70mm f/2.8 VC RXD | Sony G Master SEL70200GM2 |
|---|---|---|---|---|---|---|
| Focal Length | 40-150mm | 16-300mm | 28-70mm | 28-200mm | 17-70mm | 70-200mm |
| Max Aperture | f/4 | f/3.5 | f/2.8 | f/4 | f/2.8 | f/2.8 |
| Mount | Micro Four Thirds | Sony E | Canon RF | L-Mount | Fujifilm X | Sony E |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 190 | 615 | 495 | 413 | 544 | 1045 |
| AF Type | MSC | HLA | STM | Autofocus | RXD | XD Linear Motors |
| Lens Type | telephoto | zoom | zoom | macro | zoom | telephoto |
| Compare | Compare | Compare | Compare | Compare |
| Prodotto | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Riscontro degli utenti | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| OM System M.Zuiko Digital 40-150mm F4.0-5.6 R 40-150mm | 54.8 | 69.7 | 83.5 | 38.3 | 15.1 | 71.4 | 85.9 | 77.9 | 35.6 |
| Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Compare | 54.8 | 84.3 | 57.8 | 86.5 | 98.8 | 76.9 | 99.6 | 83 | 99.1 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 85.5 | 86.2 | 67.1 | 77.4 | 84.4 | 83.8 | 77.4 | 87.9 | 98.2 |
| Panasonic LUMIX S S-R28200 Compare | 54.8 | 77.8 | 73.8 | 89.5 | 90.9 | 71.4 | 95.7 | 75.3 | 99.4 |
| Tamron Di III-A 17-70mm f/2.8 VC RXD Compare | 54.8 | 86.2 | 64 | 84.3 | 89.9 | 83.8 | 89.8 | 83 | 80.5 |
| Sony G Master SEL70200GM2 Compare | 98.1 | 90.8 | 33.3 | 33.1 | 87.2 | 83.8 | 79.4 | 94.8 | 80.5 |
Prezzo
Value & Pricing
Pricing on this lens is all over the map, with a wild spread from $160 to nearly $20,000 depending on the vendor, so don't get scammed. At the low end, which is where you'll find it from most major retailers, it's an absolute steal. You're getting a genuinely useful telephoto zoom for the cost of a nice dinner out. It's the perfect entry point into longer focal lengths without the financial guilt trip.
Amazon.com.mx 1 offerta Da 4.906 MXN
Monitoriamo i prezzi di questo prodotto dal 2 giu 2026. Il grafico apparirà quando avremo più dati.
Approfondisci
Overview
This is the lens you toss in your bag and forget about until you need it. The OM System 40-150mm f/4.0-5.6 R is tiny, weighs next to nothing at 190g, and gives you an 80-300mm equivalent reach on Micro Four Thirds. It's the classic 'second lens' upgrade from your kit zoom, and honestly, for the price it usually goes for, it's hard to argue with the value.
Image quality won't blow your mind, and the plastic build feels exactly like what it costs. But it's sharp enough in good light, the autofocus is quick and nearly silent thanks to the MSC motor, and the compact size means you'll actually carry it. That's half the battle with telephoto zooms.
Common Questions
Q: Does this lens have image stabilization?
No, it relies entirely on your camera body's in-body image stabilization (IBIS). If your Micro Four Thirds body lacks IBIS, you'll need to keep your shutter speed high to avoid blur.
Q: Is this lens good for shooting portraits?
It can work for outdoor portraits at the 150mm end, but the slow f/5.6 aperture means you won't get the creamy, blurred backgrounds you'd get from a faster prime lens.
Q: Will this work for close-up macro photography?
Not really. The 90cm minimum focus distance and low magnification ratio make it a poor choice for macro work. You'll want a dedicated macro lens for detailed close-ups.
Who Should Skip This
Skip this if you shoot a lot indoors or in low light. The slow variable aperture will have you fighting high ISOs constantly. Also, if you need to photograph small details up close, the long minimum focus distance will drive you nuts. Look for a used prime or a lens with a dedicated macro mode instead.
Verdict
This is the ideal second lens for anyone with a Micro Four Thirds kit zoom who wants to dip their toes into telephoto photography. It's perfect for travel, outdoor sports, or capturing your kid's school play from the back of the auditorium in good light. Just know its limitations: it's a daylight lens that won't get you close to small subjects.