Viltrox AF FE
The APO design with 13 elements in 10 groups, including 2 ED and 3 HR elements, delivers sharp detail and pure color with minimal chromatic aberration. A bright f/1.8 aperture and 0.34m minimum focus distance enable clean low-light shots and intimate close-ups, while physical controls like the CLICK switch and AF/MF button provide direct handling. This lens is best for Sony E-mount portrait shooters seeking a budget-friendly 35mm prime with fast STM autofocus for capturing fleeting expressions.
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Panoramica
The 30-Second Version
The Viltrox 35mm F1.8 II EVO is a sharp, fast-focusing budget prime that punches way above its $379 price tag. Autofocus is genuinely excellent, and image quality rivals lenses costing much more. Bokeh and vignetting are the trade-offs, but for most Nikon Z shooters, this is an easy buy.
Pros & Cons
Pro
- Tack sharp image quality that punches way above its price 82nd
- Fast, accurate, and nearly silent autofocus 77th
- Weather sealed and solidly built at 375g 76th
- De-clickable aperture ring is a nice touch for video shooters 75th
Contro
- Heavy vignetting wide open, according to multiple owners
- Bokeh quality is mediocre for an f/1.8 prime
- Lens hood design is awkward and fiddly
- Focus-by-wire manual focus feels disconnected
Cosa dicono i proprietari
The Word on the Street
Come è cambiata l'opinione dei proprietari nel tempo
EsclusivaIn base a quando i clienti hanno effettivamente scritto le recensioni, per vedere se gli elogi iniziali sono durati.
Basato su 14 recensioni dei clienti datate, raggruppate per trimestre solare. L'analisi per periodo è in inglese.
Le prove
Performance
Sharpness is the headline here. Owners consistently rave about image quality, and the optical score backs that up at the 76th percentile. The STM + lead screw autofocus is quick and nearly silent, which makes this a sneaky good option for video work too. Stabilization is well above average, so handheld shooting at slower shutter speeds is more forgiving than you'd expect. The weak spots are bokeh and macro. At 0.15x magnification and a 34cm minimum focus distance, close-up work is not this lens's happy place. And while f/1.8 gives you blur, the quality of that blur doesn't wow. A few owners also mention heavy vignetting wide open, so expect to fix that in post if it bugs you.
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 35 |
| Focal Length Max | 35 |
| Elements | 13 |
| Groups | 10 |
| Aspherical Elements | 1 |
| ED Elements | 2 |
| Coating | HD nano multicoating |
Aperture
| Max Aperture | f/1.8 |
| Constant | No |
| Diaphragm Blades | 9 |
Build
| Mount | Sony E |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 0.3 kg / 0.7 lbs |
| Filter Thread | 58 |
AF & Stabilization
| AF Type | STM |
| Stabilization | Yes |
Focus
| Min Focus Distance | 340 |
| Max Magnification | 0.15x |
vs Competition
Stacked against the Nikon NIKKOR Z 17-28mm f/2.8, the Viltrox gives you a brighter aperture and a more classic prime shooting experience for less money, though you lose the zoom flexibility. The Sigma Contemporary 18-50mm f/2.8 DC DN is a crop-sensor lens, so it's not a direct comparison for full-frame Z shooters, but it's worth noting the Sigma has a better reputation for bokeh and overall polish. The Tamron 28-300mm and Sony 18-135mm are zooms aimed at totally different use cases, so if you need reach or versatility, this Viltrox isn't your lens. For a dedicated 35mm prime on Z mount, the Viltrox undercuts the first-party options significantly while delivering autofocus that's genuinely competitive.
| Spec | Viltrox AF FE | Canon RF 24-105mm f/2.8 L IS USM Z | Sony G Master FE 50-150mm f/2 GM | Sigma Art 17-40mm f/1.8 DC | Tamron Di III 70-180mm f/2.8 VC VXD G2 | Zeiss Batis 85mm f/1.8 |
|---|---|---|---|---|---|---|
| Focal Length | 35mm | 24-105mm | 50-150mm | 17-40mm | 70-180mm | 85mm |
| Max Aperture | f/1.8 | f/2.8 | f/2 | f/1.8 | f/2.8 | f/1.8 |
| Mount | Sony E | Canon RF | Sony E | Fujifilm X | Sony E | Sony E |
| Format Coverage | full-frame | full-frame | full-frame | APS-C | full-frame | full-frame |
| Stabilization | true | true | false | false | true | true |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 340 | 1315 | 1340 | 535 | 855 | 452 |
| AF Type | STM | Nano USM | XD linear motors | HLA (High-response Linear Actuator) | VXD | Linear Autofocus Motor |
| Lens Type | prime | zoom | zoom | zoom | zoom | prime |
| Compare | Compare | Compare | Compare | Compare |
| Prodotto | AF | Bokeh | Build | Macro | Reach | Video | Optical | Aperture | User Sentiment | Wide Angle | Portability | Versatility | Riscontro degli utenti | Affordability | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Viltrox AF FE | 68.7 | 46 | 77.4 | 38 | 29.2 | 72.5 | 56.9 | 74.7 | 49.5 | 53.4 | 69 | 32.9 | 81.8 | 66 | 75.9 |
| Canon RF 24-105mm f/2.8 L IS USM Z Compare | 89.9 | 78.9 | 95.3 | 69.3 | 73.7 | 88.2 | 98 | 44 | 81.7 | 74.7 | 11.2 | 91.9 | 87.9 | 8.2 | 96 |
| Sony G Master FE 50-150mm f/2 GM Compare | 95.4 | 96 | 98.9 | 51.9 | 80 | 88.2 | 95.7 | 64.1 | 66.4 | 40.2 | 10.9 | 82.1 | 92.6 | 7.2 | 36 |
| Sigma Art 17-40mm f/1.8 DC Compare | 95.4 | 53.1 | 95.3 | 54.2 | 52.8 | 88.2 | 97.3 | 74.7 | 98.7 | 68.9 | 47 | 75 | 92.6 | 33.7 | 36 |
| Tamron Di III 70-180mm f/2.8 VC VXD G2 Compare | 95.4 | 86.6 | 77.4 | 75.5 | 80.9 | 84.4 | 96.5 | 44 | 66.4 | 29.3 | 22 | 77 | 92.6 | 27.6 | 97.4 |
| Zeiss Batis 85mm f/1.8 Compare | 95.4 | 82.9 | 77.4 | 29 | 65.7 | 72.5 | 48.5 | 74.7 | 92.6 | 19.9 | 55.9 | 32.9 | 87.9 | 39.2 | 82.3 |
Prezzo
Value & Pricing
At $379 to $395 USD, this lens is an absolute steal for what it delivers. You're getting sharpness and autofocus performance that owners say rivals Nikkor glass costing significantly more. The weather sealing and stabilization sweeten the deal further. Yes, the bokeh isn't dreamy and the vignetting is noticeable, but those are trade-offs most people will happily accept at this price. If you're on a budget and want a fast 35mm prime for Nikon Z, this is one of the easiest recommendations we can make.
Monitoriamo i prezzi di questo prodotto dal 11 nov 2026. Il grafico apparirà quando avremo più dati.
Approfondisci
Overview
The Viltrox EVO AF 35mm F1.8 II EVO is a budget-friendly prime for Nikon Z shooters who want that classic 35mm look without selling a kidney. At 375g it's light enough to live on your camera all day, and the f/1.8 aperture gives you real subject separation when you want it. The spec sheet reads like a lens that costs twice as much: 13 elements, 2 ED, 1 aspherical, weather sealing, and a de-clickable aperture ring.
But the data tells a more interesting story. Autofocus lands in the 86th percentile, which is genuinely impressive for a third-party lens. Build quality and stabilization are strong too. The catch? User sentiment sits at just the 45th percentile, and bokeh ranks in the 38th. So you're getting a sharp, fast-focusing lens that some owners find a bit rough around the edges.
Common Questions
Q: Does this lens work on APS-C Nikon Z cameras like the Z50 or Zfc?
Yes, it's a full-frame lens but it mounts natively on APS-C Z bodies. You'll get a tighter field of view equivalent to about 52mm, which is actually a nice portrait length.
Q: Is the autofocus good enough for video work?
The STM + lead screw motor is quick and nearly silent, and the de-clickable aperture ring lets you adjust exposure smoothly mid-shot. For the price, it's a solid video performer.
Q: How bad is the vignetting really?
A few owners mention it's noticeable wide open at f/1.8, especially in bright scenes. It's easy to correct in post, but if you shoot a lot of evenly lit scenes, expect to spend a few seconds fixing it.
Who Should Skip This
If you're a bokeh obsessive who wants creamy, dreamy background blur, this lens will leave you cold. The bokeh quality ranks in the 38th percentile, which is mediocre for an f/1.8 prime. Macro shooters should also look elsewhere, since the 0.15x magnification is nothing to write home about. And if you hate dealing with vignetting in post, you'll be annoyed every time you shoot wide open.
Verdict
This is the budget 35mm prime Nikon Z shooters have been waiting for. If you want a sharp, fast-focusing walk-around lens that won't empty your wallet, buy it. The image quality and autofocus are the real deal, and the weather sealing means you don't have to baby it. Just know what you're signing up for: the bokeh won't make you weep with joy, and you'll probably want to correct the vignetting in post. For everyday shooting, street photography, and even some video work, this lens is a no-brainer at this price.
Usage Scores
- Macro34.1
- Complessivo70
- Budget87.5
- Street83.7
- Travel60.4
- Portrait46.5
- Landscape61.9
- Professional62.7
- Video Cinema70
- Wildlife Sports37.6