Pentax D FA smc DFA 50mm f/2.8 Macro 50mm
Its 50mm focal length delivers 1:1 life-size macro reproduction with an f/2.8 aperture and smc coating that suppresses flare for sharp detail. The lens weighs just 264g, making it exceptionally portable, and its metal mount with Quick-Shift Focus System provides instant manual override. This lens is best for Pentax macro photographers who need a lightweight, precise autofocus prime for detailed close-ups, though its lack of weather sealing and weak portrait performance limit versatility.
Nessun prezzo attuale dai rivenditori
Panoramica
The 30-Second Version
The Pentax smc D-FA 50mm f/2.8 Macro is a tiny, sharp, and affordable 1:1 macro lens that outperforms its price. The autofocus hunts in live view and the bokeh is rough, but for macro sharpness and value, it's hard to beat. If you shoot Pentax and want macro without the bulk, buy it.
Pros & Cons
Pro
- Exceptional sharpness, especially at close range 87th
- True 1:1 macro in a tiny, lightweight package 77th
- Great color reproduction straight out of the camera 75th
- Excellent value for the money
Contro
- Autofocus hunts badly in live view
- Focus ring spins continuously with no hard stop
- Plastic barrel feels less premium than the optics deserve
- Bokeh is rough, even for a macro lens
Cosa dicono i proprietari
The Word on the Street
Come è cambiata l'opinione dei proprietari nel tempo
EsclusivaIn base a quando i clienti hanno effettivamente scritto le recensioni, per vedere se gli elogi iniziali sono durati.
Basato su 19 recensioni dei clienti datate, raggruppate per trimestre solare. L'analisi per periodo è in inglese.
Le prove
Performance
Sharpness is the headline here. This lens sits in the 87th percentile for macro performance in our database, which puts it among the best dedicated macro options we've tracked. The floating system does real work at minimum focus distance, keeping images clean when you're 150mm from your subject. Color reproduction gets consistent praise from owners, and the f/2.8 max aperture is fine for general shooting. But the autofocus is a weak spot, landing in the 54th percentile. It hunts in live view, and the focus ring rotates continuously with no hard stop, which throws people off. The 8-blade diaphragm is fine, but bokeh quality lands in the 6th percentile, so don't expect creamy backgrounds. Stabilization is also absent, which matters at macro distances.
Specifications
Full Specifications
Optics
| Type | Macro |
| Focal Length Min | 50 |
| Focal Length Max | 50 |
| Elements | 8 |
| Groups | 7 |
| Aspherical Elements | 0 |
| ED Elements | 0 |
| Coating | smc |
Aperture
| Max Aperture | f/32 |
| Min Aperture | f/2.8 |
| Constant | Yes |
| Diaphragm Blades | 8 |
Build
| Mount | Pentax K |
| Format | full-frame |
| Weather Sealed | No |
| Weight | 0.3 kg / 0.6 lbs |
| Filter Thread | 49 |
AF & Stabilization
| AF Type | Autofocus |
| Stabilization | No |
Focus
| Min Focus Distance | 150 |
| Max Magnification | 1:1 |
vs Competition
Against the competition, this lens occupies a weird space. The Tamron Di III 18-300mm and Sigma Contemporary 16-300mm are superzooms that happen to do close-up work, but they can't touch the Pentax for true macro sharpness. The Nikon NIKKOR 20059 and Sony E 18-135mm are also general-purpose zooms, not dedicated macro lenses. So the Pentax wins by default for serious macro shooters on K-mount. But if you need stabilization or smooth bokeh, those other lenses at least offer some flexibility. The Pentax is a specialist, and it's unapologetic about it.
| Spec | Pentax D FA smc DFA 50mm f/2.8 Macro 50mm | Tamron Di III VC 28-300mm f/4-7.1 VXD | Nikon NIKKOR 20059 | Sigma Art 17-40mm f/1.8 DC | Sony E 18-135mm f/3.5-5.6 OSS | Panasonic LUMIX S S-R28200 |
|---|---|---|---|---|---|---|
| Focal Length | 50mm | 28-300mm | 18-55mm | 17-40mm | 18-135mm | 28-200mm |
| Max Aperture | f/32 | f/4 | f/3.5 | f/1.8 | f/3.5 | f/4 |
| Mount | Pentax K | Sony E | Nikon F | Fujifilm X | Sony E | L-Mount |
| Stabilization | false | true | true | false | true | true |
| Weather Sealed | false | true | false | true | false | true |
| Weight (g) | 264 | 590 | 205 | 535 | 326 | 413 |
| AF Type | Autofocus | VXD linear motor | pulse stepping motor | HLA (High-response Linear Actuator) | Linear motor | Autofocus |
| Lens Type | macro | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Prodotto | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Riscontro degli utenti | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Pentax D FA smc DFA 50mm f/2.8 Macro 50mm | 53.9 | 5.4 | 77.4 | 87 | 44.1 | 4.9 | 47.7 | 33.2 | 74.5 | 34.4 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 97.7 | 83.4 | 62.9 | 83.3 | 96.3 | 70.8 | 92.1 | 97.9 | 50.4 | 79.3 |
| Nikon NIKKOR 20059 Compare | 84.6 | 81.2 | 83.6 | 95.3 | 54.3 | 82.6 | 65.5 | 82.8 | 86.1 | 92.2 |
| Sigma Art 17-40mm f/1.8 DC Compare | 53.9 | 97 | 66.9 | 72.2 | 96.6 | 95.3 | 98.3 | 75.7 | 94.1 | 34.4 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 97.7 | 81.2 | 70.8 | 37.3 | 78 | 82.6 | 47.7 | 95.8 | 90.7 | 79.3 |
| Panasonic LUMIX S S-R28200 Compare | 53.9 | 83.4 | 76 | 72.2 | 91.6 | 70.8 | 31.5 | 95.4 | 74.6 | 99.5 |
Prezzo
Value & Pricing
This is where the lens really shines. Owners consistently call it excellent value for money, and our data backs that up. In the US, prices range from USD 347 to USD 397 across three listings, so shop around. In Europe, the spread is wider, from EUR 399 to EUR 464 across four listings, so it pays to compare vendors. For a full-frame compatible 1:1 macro lens with this level of sharpness, that's a steal. The plastic barrel and quirky focus ring are compromises, but they're compromises you can live with at this price.
Price History
Approfondisci
Overview
The Pentax smc D-FA 50mm f/2.8 Macro is a tiny lens that punches way above its weight. At 264 grams with a 49mm filter thread, it's basically a pancake that happens to do true 1:1 macro. The optical formula uses 8 elements in 7 groups with Pentax's smc coating, and the floating system keeps distortion in check at close range. For flower shots, document digitizing, and general walkaround use on a K-mount body, this thing is a gem.
But it's not all sunshine. The autofocus hunts in live view, the focus ring spins forever without a hard stop, and the barrel is plastic. The bokeh is also nothing to write home about, which is a bit odd for a macro lens. Still, for the price, the sharpness alone makes it worth a serious look.
Common Questions
Q: Will this lens work on a Pentax K-70?
Yes, it's a K-mount lens and fully compatible with the K-70. The full-frame coverage means you'll get a slightly tighter field of view on the APS-C sensor, but macro performance is unaffected.
Q: Is this lens compatible with the Pentax K-1 full-frame body?
Yes, the D-FA designation means it's designed for full-frame coverage. You'll get the full 50mm field of view on a K-1 with no crop.
Q: Does the autofocus work well for macro shooting?
It works, but it hunts in live view and can be slow at close distances. Most macro shooters end up using manual focus for critical work, which is pretty standard for macro anyway.
Who Should Skip This
Skip this if you need smooth, creamy bokeh or reliable autofocus in live view. The bokeh is genuinely rough, and the AF hunting will drive you nuts if you shoot moving subjects. If you want a macro lens with stabilization or a metal barrel, look elsewhere. And if you're not on Pentax K-mount, this lens is irrelevant to you anyway.
Verdict
If you shoot Pentax and want a dedicated macro lens without spending a fortune, this is the one. The sharpness is genuinely impressive, the size is a joy, and the price is right. It's also a solid general-purpose 50mm prime when you're not chasing bugs. Just know that the autofocus will frustrate you in live view, and you'll probably end up focusing manually for critical macro work anyway. For flower photographers, document digitizers, and anyone who wants a lightweight macro option, this is an easy recommendation.