Sigma Art 18-35mm f/1.8 DC HSM
Doté d'une ouverture constante f/1.8 unique sur un zoom, cet objectif offre un contrôle de profondeur de champ et des performances en basse lumière inégalés pour les capteurs APS-C. Sa construction optique intègre 4 éléments asphériques et 5 en verre SLD, garantissant une netteté exceptionnelle sur l'ensemble de la plage 18-35mm. C'est le choix idéal pour les portraitistes et vidéastes recherchant un rendu optique haut de gamme sans changer d'objectif.
Aperçu
En 30 secondes
Le prix a grimpé d'environ 7% et le score global est tombé à 75. De nouveaux concurrents comme le Sony E 11mm F1.8, le Tamron 17-70mm f/2.8 VC et le Sigma 28-70mm f/2.8 DG DN offrent de meilleures alternatives selon les usages. L'objectif reste correct, mais son rapport qualité-prix s'est dégradé.
Avantages et inconvénients
Points forts
- Construction soignée et finitions de qualité 98th
- Bon piqué au centre à pleine ouverture 94th
- Autofocus rapide et silencieux 93rd
- Rendu des couleurs agréable 85th
Points faibles
- Prix en hausse, désormais moins compétitif
- Score global en baisse face à une concurrence renforcée
- Ouverture maximale limitée pour les faibles luminosités
- Pas de stabilisation optique intégrée
L'avis des propriétaires
L'évolution de l'avis des propriétaires dans le temps
ExclusivitéD'après la date à laquelle les clients ont rédigé leurs avis - pour voir si l'enthousiasme initial s'est confirmé.
- Q2 202583/100
Buyers praise the Sigma 18-35mm f/1.8 Art lens for stunning image quality, sharpness, and fast constant aperture on Canon crop-sensor cameras. Some note the learning curve and weight.
- Exceptional image quality, sharpness, and color rendering widely praised.
- Versatile 18-35mm focal range and constant f/1.8 aperture highly valued for video and photo.
- Autofocus described as not for beginners, requiring some skill to master.
- Solid build quality and premium feel, though lens is heavy.
- Q4 202480/100
Buyers praise this lens as versatile and sharp, comparing it to multiple primes. It is favored for events and video work.
- Versatile zoom that replaces multiple primes, ideal for cars, hiking, concerts.
- Sharp performance even at wide apertures (f/1.8) for both photos and video.
- Pairs well with 70-200mm lens, preferred over standard 24-70mm by some users.
- Theme extraction limited by review count; no defects or reliability issues mentioned.
- Q3 2024100/100
Buyers praised the lens for its sharpness, colors, and build quality. Compatibility with Canon R7 and R50 was noted positively.
- Excellent image sharpness and color reproduction, especially reds and magentas.
- High build quality and materials; feels balanced despite weight.
- Fast and reliable autofocus, handles glare well.
- Compatible with Canon R7 and R50, works as expected.
- Q2 202387/100
Buyers praise the lens's sharpness, build quality, and low-light performance, but note vignetting at 18mm and lack of IS hinders video use.
- Excellent image sharpness, detail, and robust build quality.
- Strong low-light performance, especially with speedbooster on GH4.
- Vignetting at 18mm and heavy weight; some find it not ideal for walking around.
- No image stabilization limits video use without gimbal or steady hand.
- Q3 2022100/100
Buyers in Q3 2022 praised this lens as sharp, fast, and well-built, ideal for motion work with a BMPCC 6K Pro.
- Lens is sharp, fast, and suitable for high-def motion work.
- Excellent condition for a used G-grade with only hood scratches.
- Desired internal stabilization but understood given the cost.
- Consistent go-to lens across multiple projects over time.
- Q1 2022100/100
Buyers in Q1 2022 praise this lens as exceptional for astrophotography and video work, noting sharpness, build quality, and versatility.
- Excellent image quality, especially for low-light aurora shots and video.
- Sharp and solid build; works well on multiple camera systems.
- Versatile zoom range ideal for music videos and various coverage.
- So good it becomes the primary lens; users wish they bought sooner.
- Q4 202183/100
Buyers praised sharpness, speed, and image quality for the price, noting it's ideal for crop sensor cameras like the Blackmagic 6K Pro.
- Sharpness and image quality consistently highlighted as superb.
- Fast autofocus and speed appreciated in interviews and events.
- No stabilization and weight noted as downsides by some users.
- Compatibility with Canon T7i and Sigma SD Quattro praised; no AF on some versions.
- Q3 202195/100
Buyers praise this lens as exceptionally sharp and versatile for video, especially with BMPCC 6K. Some note weight and a minor aperture display quirk.
- Sharp, crisp photos and buttery smooth video performance.
- Excellent pairing with BMPCC 6K; great for video work.
- Some report aperture shows F1.7 instead of F1.8 on BMPCC 6K.
- Heavy; nearly double the weight of a D5600 body.
- Q2 202195/100
Buyers praised the lens for its sharpness, fast autofocus, and excellent color rendition, calling it a versatile day-to-day lens for APSC cameras.
- Sharp images and fast autofocus, even compared to primes.
- Excellent for street, portrait, landscape, and travel photography.
- Some light fall-off wide open, but not an objectionable issue.
- No optical stabilization, but tripod mitigates for long exposures.
- Q1 2021100/100
Buyers praised the lens as sharp, versatile, and affordable, ideal for cinema cameras and crop sensor bodies. It paired well with adapters for a cinematic look.
- Lens praised for sharp, crisp images and creamy quality, suitable for 4K video and photography.
- Great value for the price, considered a budget-friendly alternative to expensive cine lenses.
- Solid build quality, with fast autofocus and well-placed controls; effective with adapters.
- Users on Blackmagic 6K and GH5 highlight compatibility for video, aided by speedboosters.
- Q4 202088/100
Overwhelmingly positive for sharpness, build, and value on crop sensors, but a few report focus issues and black edging.
- Sharpness and build quality praised, often called a "poor man's cinema lens."
- Excellent value and results on APS-C/MFT/BMPCC bodies; preferred over Canon L glass.
- Some users report focus accuracy problems; others had no issues on mirrorless.
- Black vignetting/edging noted on some camera bodies.
- Q3 202086/100
Buyers praise sharpness, build quality, and value, especially for APS-C cameras with adapters. Weight is a consistent drawback; autofocus issues and needed USB dock are noted.
- Excellent sharpness and image quality across zoom range and wide aperture.
- Heavy build and large size are noted, but acceptable for the quality offered.
- Great value and versatility for APS-C cameras, using adapters for other mounts.
- Autofocus issues reported, optional USB dock needed for calibration.
D'après 101 avis clients datés, regroupés par trimestre civil. L'analyse par période est en anglais.
Les preuves
Performances
Caractéristiques techniques
Fiche technique complète
Optics
| Type | Zoom |
| Focal Length Min | 18 |
| Focal Length Max | 35 |
| Elements | 17 |
| Groups | 12 |
| Aspherical Elements | 4 |
| ED Elements | 5 |
| Coating | Super Multi-Layer Coating |
Aperture
| Max Aperture | f/1.8 |
| Min Aperture | f/1.8 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Nikon F |
| Format | APS-C |
| Weather Sealed | No |
| Weight | 0.8 kg / 1.8 lbs |
| Filter Thread | 72 |
AF & Stabilization
| AF Type | HSM |
| Stabilization | No |
Focus
| Min Focus Distance | 280 |
| Max Magnification | 0.23x |
Face à la concurrence
Face aux nouveaux entrants du top 5, la position de cet objectif s'est affaiblie. Le Sony E 11mm F1.8 APS-C Ultra-Wide-Angle Prime le surclasse pour les scènes très larges et les faibles luminosités grâce à son ouverture F1.8. Le Tamron Di III 17-70mm f/2.8 Di III-A VC RXD apporte une stabilisation optique et une plage 17-70mm très pratique pour le reportage et la vidéo. Le Sigma Contemporary 28-70mm f/2.8 DG DN séduit les utilisateurs plein format qui veulent un zoom lumineux et compact. Le Nikon NIKKOR Z 17-28mm f/2.8 est une référence pour les hybrides Nikon en monture Z, avec un piqué homogène. Enfin, le Panasonic Leica DG Vario-Elmarit H-ES12035 reste un choix solide en micro 4/3 pour sa construction et son rendu. Dans ce contexte, l'objectif évalué ici doit justifier son prix plus élevé par un avantage spécifique, comme un rendu particulier ou une construction haut de gamme, sinon il devient difficile à recommander.
| Spec | Sigma Art 18-35mm f/1.8 DC HSM | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E 18-135mm f/3.5-5.6 OSS | Canon RF 28-70mm f/2.8 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | 18-35mm | 17-70mm | 17-28mm | 12-35mm | 18-135mm | 28-70mm |
| Max Aperture | f/1.8 | f/2.8 | f/2.8 | f/2.8 | f/3.5 | f/22 |
| Mount | Nikon F | Sony E | Nikon Z | Micro Four Thirds | Sony E | Canon RF |
| Stabilization | false | true | false | true | true | true |
| Weather Sealed | false | true | true | true | false | true |
| Weight (g) | 810 | 544 | 450 | 306 | 326 | 495 |
| AF Type | HSM | RXD | Stepping Motor | Autofocus | Linear motor | STM |
| Lens Type | zoom | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produit | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Preuve sociale | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Sigma Art 18-35mm f/1.8 DC HSM | 53.6 | 94.2 | 23.7 | 43.3 | 98 | 93 | 70.3 | 84.5 | 37.2 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.6 | 86.8 | 69.8 | 85.2 | 91.1 | 83.8 | 89.5 | 84.5 | 82.9 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.6 | 86.8 | 76.1 | 85.2 | 88.4 | 83.8 | 68 | 68.1 | 37.2 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.6 | 81.6 | 85.9 | 50.7 | 86.8 | 83.8 | 80.4 | 84.5 | 97 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 98.1 | 75.1 | 73.4 | 40 | 79.1 | 77 | 95.8 | 89.1 | 82.9 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 87.6 | 23.4 | 72.9 | 79.4 | 86.8 | 20.6 | 77.4 | 89.1 | 98.6 |
Prix
Rapport qualité-prix
Le prix a augmenté d'environ 7%, passant d'une fourchette de 579 à 1099 dollars à 620 à 1397 dollars. Cette hausse rend l'objectif moins attractif face à une concurrence qui s'est renforcée. Pour un usage hybride photo et vidéo, le Tamron Di III 17-70mm f/2.8 Di III-A VC RXD offre une plage focale plus étendue avec stabilisation, souvent à un tarif comparable. Si vous cherchez un ultra grand-angle fixe pour l'astrophotographie ou le vlog, le Sony E 11mm F1.8 APS-C est plus lumineux et plus léger. Le Sigma Contemporary 28-70mm f/2.8 DG DN propose une alternative plein format compacte avec une ouverture constante, souvent moins chère. À ce niveau de prix, la valeur perçue dépend beaucoup de votre monture et de vos besoins précis en focale fixe ou en zoom.
En savoir plus
Verdict
Avec un score global passé de 89 à 75 et un prix en hausse, cet objectif perd de son attrait. La concurrence récente propose des alternatives plus polyvalentes ou plus lumineuses à des tarifs souvent inférieurs. Il reste un bon produit dans l'absolu, mais son positionnement tarifaire le rend moins compétitif. Si vous possédez déjà cet objectif, inutile de le remplacer. En revanche, pour un nouvel achat, comparez attentivement avec le Tamron 17-70mm f/2.8 VC ou le Sigma 28-70mm f/2.8 DG DN selon votre monture.
