7Artisans 12mm f/2.8 Mark II 12mm
Its 12mm focal length (24mm equivalent) and f/2.8 aperture offer a compact 295g ultra-wide solution for Micro Four Thirds, with a de-clicked aperture ring enabling smooth, silent iris adjustments during video. The all-manual design includes depth-of-field and distance scales for precise zone focusing, and the 150mm minimum focus distance permits creative close-ups. This lens best suits landscape photographers and budget-conscious videographers on Micro Four Thirds who prioritize tactile manual control and a portable ultra-wide prime.
Aperçu
L'avis des propriétaires
L'évolution de l'avis des propriétaires dans le temps
ExclusivitéD'après la date à laquelle les clients ont rédigé leurs avis - pour voir si l'enthousiasme initial s'est confirmé.
- Q2 202567/100
Buyers praised build quality and image sharpness but noted short focusing range and compatibility issues requiring camera adjustments.
- Great build quality and sharp, crispy images.
- Comfortable and wide lens, good for creative angles.
- Short focusing range limits use.
- Not recognized by camera without settings adjustments.
- Q4 2023100/100
Buyers praise the lens for its build and image quality, especially for manual focus and hyperfocal shooting.
- Excellent build quality with smooth metal rings and sturdy construction.
- Sharp images even without autofocus; works well for product videos and general use.
- Easy to use for manual focus users; hyperfocal setting yields acceptable sharpness from near to infinity.
- Some hesitation about manual focus, but overall satisfaction after use.
D'après 15 avis clients datés, regroupés par trimestre civil. L'analyse par période est en anglais.
Les preuves
Performance
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 12 |
| Focal Length Max | 12 |
| Elements | 12 |
| Groups | 10 |
Aperture
| Max Aperture | f/16 |
| Min Aperture | f/2.8 |
| Constant | No |
| Diaphragm Blades | 5 |
Build
| Mount | Sony E |
| Format | APS-C |
| Weather Sealed | No |
| Weight | 0.5 kg / 1.1 lbs |
| Filter Thread | 67 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | No |
Focus
| Min Focus Distance | 150 |
vs Competition
| Spec | 7Artisans 12mm f/2.8 Mark II 12mm | Sigma Contemporary 18-50mm f/2.8 DC DN | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E PZ 16-50mm f/3.5-5.6 OSS |
|---|---|---|---|---|---|---|
| Focal Length | 12mm | 18-50mm | 17-70mm | 17-28mm | 12-35mm | 16-50mm |
| Max Aperture | f/16 | f/2.8 | f/2.8 | f/2.8 | f/2.8 | f/3.5 |
| Mount | Sony E | Sony E | Sony E | Nikon Z | Micro Four Thirds | Sony E |
| Stabilization | false | false | true | false | true | true |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 494 | 290 | 544 | 450 | 306 | 107 |
| AF Type | manual focus only | stepping motor | RXD | Stepping Motor | Autofocus | Autofocus |
| Lens Type | prime | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produit | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Preuve sociale | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| 7Artisans 12mm f/2.8 Mark II 12mm | 12.6 | 8.9 | 57.7 | 88.7 | 55.5 | 40.3 | 33.6 | 67.7 | 36.9 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 87.7 | 80.9 | 86.5 | 90.9 | 82.6 | 83.2 | 78.4 | 89.8 | 36.9 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.7 | 86.2 | 69.7 | 85.1 | 91.1 | 83.2 | 89.5 | 85.5 | 82.6 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.7 | 86.2 | 76 | 85.1 | 88.4 | 83.2 | 68 | 70.1 | 36.9 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.7 | 80.9 | 85.8 | 50.6 | 86.8 | 83.2 | 80.4 | 85.5 | 96.9 |
| Sony E PZ 16-50mm f/3.5-5.6 OSS Compare | 53.7 | 74.2 | 98.6 | 43.7 | 69.1 | 76.3 | 83.2 | 81.1 | 93.5 |
