OM System M.Zuiko Digital 40-150mm F4.0-5.6 R 40-150mm

★★★★★ 4.5 (2,052)

{ "review": "Un zoom 40-150 mm f/4.0-5.6 en monture Micro Four Thirds pesant seulement 190 g se distingue par sa portabilité et son autofocus MSC quasi silencieux. Son rapport qualité-prix et sa compacité en font un complément idéal au zoom de kit, parfait pour les portraits et le sport sans alourdir l'équipement. Il conviendra aux photographes Micro Four Thirds voyageant léger et recherchant un téléobjectif abordable pour des portraits en extérieur ou des événements sportifs, à condition de ne pas exiger de stabilisation ni de tropicalisation." }

Focal length 40-150mm
Aperture f/4
Mount Micro Four Thirds
Weight 190 g
af type MSC
lens type telephoto
OM System M.Zuiko Digital 40-150mm F4.0-5.6 R 40-150mm lens
63 Score global
Aussi disponible dans:

Aperçu

The 30-Second Version

The OM System 40-150mm R is a tiny, dirt-cheap telephoto zoom that's perfect as a first step beyond your kit lens. It's sharp enough in good light and the autofocus is a gem, but the slow aperture and lack of stabilization mean it struggles indoors. If you find it for around $160, just buy it.

Pros & Cons

Points forts

  • Incredibly light and compact, you'll barely notice it in your bag. 86th
  • Solid center sharpness for the price, especially at the wider end. 84th
  • Fast, near-silent autofocus that works great for video. 78th
  • An unbeatable value for getting started with telephoto reach. 71st

Points faibles

  • The all-plastic build feels a bit toy-like.
  • Low light performance is rough with that slow variable aperture.
  • No image stabilization means steady hands or a tripod are a must.
  • Minimum focus distance is long, making close-ups a no-go.

L'avis des propriétaires

The Word on the Street

4.5/5 (2052 reviews)
👍 Owners consistently rave about the shockingly good image quality for such an affordable and lightweight lens.
👍 The compact size and light weight are frequently called out as the main reason people actually take this lens everywhere.
👎 A common gripe is the cheap, all-plastic lens mount that feels like it won't survive a hard drop.

Les preuves

Performance

In decent light, this lens punches above its weight class. Center sharpness is solid throughout the zoom range, though things get a little soft at the long end and in the corners. The f/4.0-5.6 aperture means you'll be cranking the ISO once the sun starts dipping, and don't expect any subject separation magic, the bokeh is just okay. The MSC autofocus is a bright spot, it's fast, accurate, and quiet enough for video work. The real weak point is close-up performance. With a 90cm minimum focus distance and a paltry 1:6.25 magnification, this is not the lens for detail shots of flowers or bugs.

Performance Percentiles

AF 54.8
Bokeh 69.8
Build 83.5
Macro 38.3
Optical 15.1
Aperture 71.4
Versatility 85.9
Preuve sociale 78
Stabilization 35.6

Specifications

Full Specifications

Optics

Type Telephoto
Focal Length Min 40
Focal Length Max 150

Aperture

Max Aperture f/4
Min Aperture 4.0-5.6
Constant No

Build

Mount Micro Four Thirds
Format micro-four-thirds
Weight 0.2 kg / 0.4 lbs
Filter Thread 58

AF & Stabilization

AF Type MSC
Stabilization No

Focus

Min Focus Distance 900
Max Magnification 1:6.25

vs Competition

Stacked against a superzoom like the Tamron 18-300mm, the Olympus gives up a ton of range and versatility but wins hands down on size and weight. The Tamron is a do-it-all tank, this is a featherweight specialist. Compared to older DSLR zooms like the Nikon 16-85mm or Canon 18-135mm, the Olympus is in a different league for portability, though those lenses offer wider angles on the short end. If you're already in the Micro Four Thirds system, this is the no-brainer telephoto starter, but if you need one lens to rule them all, a superzoom is the better call.

Spec OM System M.Zuiko Digital 40-150mm F4.0-5.6 R 40-150mm Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Panasonic LUMIX S S-R28200 Tamron Di III-A 17-70mm f/2.8 VC RXD Sony G Master SEL70200GM2 Meike 50mm F1.8 Full Frame STM Auto Focus Prime
Focal Length 40-150mm 16-300mm 28-200mm 17-70mm 70-200mm 50mm
Max Aperture f/4 f/3.5 f/4 f/2.8 f/2.8 f/1.8
Mount Micro Four Thirds Sony E L-Mount Fujifilm X Sony E Panasonic Sigma L
Stabilization false true true true true true
Weather Sealed false true true true true false
Weight (g) 190 615 413 544 1045 297
AF Type MSC HLA Autofocus RXD XD Linear Motors STM
Lens Type telephoto zoom macro zoom telephoto prime
Compare Compare Compare Compare Compare
Produit AFBokehBuildMacroOpticalApertureVersatilityPreuve socialeStabilization
OM System M.Zuiko Digital 40-150mm F4.0-5.6 R 40-150mm 54.869.883.538.315.171.485.97835.6
Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Compare 54.884.357.986.598.876.999.683.199.1
Panasonic LUMIX S S-R28200 Compare 54.877.873.889.590.971.495.775.599.4
Tamron Di III-A 17-70mm f/2.8 VC RXD Compare 54.886.26484.389.983.889.883.180.5
Sony G Master SEL70200GM2 Compare 98.190.833.333.187.283.879.494.880.5
Meike 50mm F1.8 Full Frame STM Auto Focus Prime Compare 85.595.971.396.257.2933452.780.5

Prix

Value & Pricing

Pricing on this lens is all over the map, with a wild spread from $160 to nearly $20,000 depending on the vendor, so don't get scammed. At the low end, which is where you'll find it from most major retailers, it's an absolute steal. You're getting a genuinely useful telephoto zoom for the cost of a nice dinner out. It's the perfect entry point into longer focal lengths without the financial guilt trip.

À partir de 4 906 $MX 1 offre chez 1 marchand
Amazon.com.mx 1 offre À partir de 4 906 $MX

Nous suivons les prix de ce produit depuis le 2 juin 2026. Le graphique apparaîtra dès que nous aurons plus de données.

En savoir plus

Overview

This is the lens you toss in your bag and forget about until you need it. The OM System 40-150mm f/4.0-5.6 R is tiny, weighs next to nothing at 190g, and gives you an 80-300mm equivalent reach on Micro Four Thirds. It's the classic 'second lens' upgrade from your kit zoom, and honestly, for the price it usually goes for, it's hard to argue with the value.

Image quality won't blow your mind, and the plastic build feels exactly like what it costs. But it's sharp enough in good light, the autofocus is quick and nearly silent thanks to the MSC motor, and the compact size means you'll actually carry it. That's half the battle with telephoto zooms.

Common Questions

Q: Does this lens have image stabilization?

No, it relies entirely on your camera body's in-body image stabilization (IBIS). If your Micro Four Thirds body lacks IBIS, you'll need to keep your shutter speed high to avoid blur.

Q: Is this lens good for shooting portraits?

It can work for outdoor portraits at the 150mm end, but the slow f/5.6 aperture means you won't get the creamy, blurred backgrounds you'd get from a faster prime lens.

Q: Will this work for close-up macro photography?

Not really. The 90cm minimum focus distance and low magnification ratio make it a poor choice for macro work. You'll want a dedicated macro lens for detailed close-ups.

Who Should Skip This

Skip this if you shoot a lot indoors or in low light. The slow variable aperture will have you fighting high ISOs constantly. Also, if you need to photograph small details up close, the long minimum focus distance will drive you nuts. Look for a used prime or a lens with a dedicated macro mode instead.

Verdict

This is the ideal second lens for anyone with a Micro Four Thirds kit zoom who wants to dip their toes into telephoto photography. It's perfect for travel, outdoor sports, or capturing your kid's school play from the back of the auditorium in good light. Just know its limitations: it's a daylight lens that won't get you close to small subjects.

Usage Scores

Macro (35.2)Global (62.6)Budget (68.9)Street (62.2)Travel (64)Portrait (59.3)Landscape (41.9)Professional (42)Video Cinema (47.9)Wildlife Sports (48.9)

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