Canon 3558B002
Resumen
The 30-Second Version
Ignore the insane $10,990 price, that's a glitch. In reality, this is a cheap, incredibly versatile kit lens with a 96th percentile zoom range. It's optically mediocre and built from plastic, but for a real-world price under $200, it's the perfect starter lens for a Canon APS-C camera.
Pros & Cons
Ventajas
- Incredibly versatile 18-135mm zoom range covers almost any situation. 96th
- Lightweight and compact for a lens with this much reach.
- Image stabilization is genuinely useful for video and low light.
- A perfect, no-stress starter lens for learning photography.
Desventajas
- Optical quality is mediocre, with soft corners and noticeable distortion.
- The plastic build feels cheap and won't take much abuse.
- Slow variable aperture makes indoor shooting without a flash a struggle.
- The listed price of $10,990 is an absurd error for this budget lens.
Las pruebas
Performance
Sharpness is solid in the center, especially when you stop down a bit, but the corners get soft and the optical score sits at a disappointing 21st percentile. It's fine for social media and small prints, but pixel-peepers will see the flaws. The f/3.5-5.6 aperture is a classic slow kit lens setup, ranking in the middle of the pack, which means bokeh is nothing to write home about and low-light shooting demands a steady hand or a flash. The stabilization system helps, but it's not magic, and its 37th percentile ranking shows it's been surpassed by newer tech. Autofocus is quick and quiet enough for everyday use, sitting right around average.
Specifications
Full Specifications
Optics
| Focal Length Min | 18 |
| Focal Length Max | 135 |
Aperture
| Min Aperture | f/3.5-5.6 |
Build
| Weight | 0.6 kg / 1.3 lbs |
vs Competition
Stacked against modern competitors, the age of this design really shows. The Tamron 17-70mm f/2.8 Di III-A VC RXD is in a different league, offering a constant f/2.8 aperture that blows this Canon's slow variable aperture out of the water for low light and background blur. The Sigma 28-70mm f/2.8 DG DN is another massive step up in optical quality and brightness, though you lose a lot of reach on the long end. Even a cheap prime like the Sony E 11mm F1.8 will demolish it for sharpness and light gathering, but you're stuck at one focal length. This Canon's only real win is the sheer convenience of its zoom range, and it's the only one you'll find for pocket change.
| Spec | Canon 3558B002 | Sigma Contemporary 18-50mm f/2.8 DC DN | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Sony E PZ 16-50mm f/3.5-5.6 OSS | Panasonic LUMIX S S-R28200 |
|---|---|---|---|---|---|---|
| Focal Length | 18-135mm | 18-50mm | 17-70mm | 17-28mm | 16-50mm | 28-200mm |
| Max Aperture | - | f/2.8 | f/2.8 | f/2.8 | f/3.5 | f/4 |
| Mount | - | Sony E | Sony E | Nikon Z | Sony E | L-Mount |
| Stabilization | false | false | true | false | true | true |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 567 | 290 | 544 | 450 | 107 | 413 |
| AF Type | - | stepping motor | RXD | Stepping Motor | Autofocus | Autofocus |
| Lens Type | - | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Producto | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Stabilization |
|---|---|---|---|---|---|---|---|---|
| Canon 3558B002 | 53.7 | 62.9 | 21.3 | 13.9 | 21.2 | 64.6 | 95.8 | 36.7 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 87.6 | 80.4 | 86.5 | 90.8 | 82.5 | 82.8 | 78.5 | 36.7 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.7 | 85.7 | 69.8 | 84.9 | 91 | 82.8 | 89.4 | 82.4 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.6 | 85.7 | 76 | 84.9 | 88.4 | 82.8 | 68 | 36.7 |
| Sony E PZ 16-50mm f/3.5-5.6 OSS Compare | 53.7 | 73.7 | 98.6 | 43.2 | 69 | 75.9 | 83.1 | 93.5 |
| Panasonic LUMIX S S-R28200 Compare | 53.7 | 76.4 | 78.3 | 73.9 | 92 | 64.6 | 95.4 | 99.5 |
Precio
Value & Pricing
Let's be blunt: the $10,990 price tag is a data error or a joke. This lens is worth maybe $150 to $200 on the used market, and at that price, it's a fantastic value for a beginner. It's the perfect first lens to figure out what focal lengths you actually like before dropping serious cash on pro glass. If you're paying anything close to the listed price, you're getting robbed. For its real-world cost, it's a no-brainer for a starter kit.
Amazon.com.mx 1 oferta Desde 10.990 MXN
Seguimos los precios de este producto desde el 25 may 2026. El gráfico aparecerá cuando tengamos más datos.
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Overview
The Canon 3558B002, better known as the EF-S 18-135mm f/3.5-5.6 IS, is the classic kit lens that's been bundled with more Rebels than we can count. It's the definition of a jack-of-all-trades, master of none. You get a massive zoom range that covers everything from wide group shots to pulling distant subjects in close, all in a relatively light 567g package. But at a price tag of nearly eleven grand, something is seriously off here. This is a used, sub-$200 lens being listed at a collector-car markup, so let's ignore that fantasy number and talk about what the lens actually does.
For a budget all-in-one, the versatility is off the charts. It lands in the 96th percentile for versatility in our database, which makes perfect sense. The 29-216mm equivalent range means you can leave it on the camera all day and rarely miss a shot. The image stabilization is a genuine help for handheld video and low-light stills, even if the slow variable aperture means you'll be fighting for light indoors. Just don't expect premium optics or a rugged build; the plastic construction and middling sharpness are where Canon cut corners to hit a mass-market price.
Common Questions
Q: Will this lens work on a full-frame Canon camera?
No, this is an EF-S lens designed specifically for Canon's APS-C sensor cameras like the Rebel series. It will either not mount or cause heavy vignetting on a full-frame body.
Q: Is the image stabilization good enough for handheld video?
It's decent for static handheld shots and helps smooth out small shakes, but it's an older system and won't replace a gimbal for walking shots. It ranks in the bottom half of our database for stabilization performance.
Q: How bad is the lens distortion at 18mm?
It's noticeable, with some barrel distortion at the wide end. It's easily corrected in-camera or with one click in editing software, but it contributes to the lens's low optical score in our tests.
Who Should Skip This
If you shoot a lot indoors without a flash, skip this. The slow f/3.5-5.6 aperture will have you cranking your ISO to noisy levels constantly. You'd be much happier saving up for a used fast prime or a constant f/2.8 zoom like the Tamron 17-70mm.
Verdict
This is the lens you buy when you get your first Canon APS-C camera and you just want something that works. It's the ultimate convenience tool for family vacations, school events, and learning the exposure triangle. If you're a serious hobbyist or a pro, the optical compromises will frustrate you quickly. But for its actual, real-world price on the used market, it's a perfect training-wheels lens that will teach you what you need in your next upgrade.