Ulanzi 2229 18mm

★★★★☆ 4.2 (1,224)

The German Schott low-dispersion glass and 30-layer nano-coating deliver HD images free of vignetting and glare, expanding the Sony ZV1’s built-in lens to an 18mm wide-angle. Its 10X macro conversion lens, which requires removing the wide-angle attachment, provides a sharp minimum focus distance for extreme close-up detail in a compact, aluminum alloy frame. This 2-in-1 adapter is best for ZV1 vloggers and hobbyists who need a quick-swap solution for both expansive scenes and intricate macro shots without carrying multiple heavy lenses.

Focal length 18mm
Mount sony
lens type wide-angle
Ulanzi 2229 18mm lens
62 Puntuación global

Sin precio actual de tiendas

También disponible en:

Resumen

The 30-Second Version

The Ulanzi 2229 scores 77.6 out of 100 for macro, landing in the 100th percentile. That's the best close-up performance we've seen for this type of add-on lens. But the total score of 62 out of 100 and the travel score of 33.5 out of 100 mean this is a specialist tool, not a daily driver.

Pros & Cons

Ventajas

  • Macro score of 77.6/100, 100th percentile in our database 100th
  • 10X magnification reveals insane detail for a $50 accessory 71st
  • 18mm wide-angle conversion from the ZV1's built-in 24mm 71st
  • German Schott low-dispersion glass with 30-layer nano-coating 70th
  • Solid aluminum frame with a 52mm filter thread

Desventajas

  • Travel score of 33.5/100, the weakest area by far
  • No optical stabilization, 36th percentile
  • Wide-angle lens can't be used without the macro lens attached
  • Glue-on adapter ring is a semi-permanent install
  • Optical quality is average at 49th percentile

Las pruebas

Performance

Let's talk about that macro score first because it's the reason this product exists. 77.6 out of 100 puts it in the 100th percentile. That's not a typo. In our database of similar add-on lenses, nothing beats this for close-up work. The 10X magnification is the star. You can fill the frame with the texture of a coin, the veins in a leaf, or the individual fibers in a piece of fabric. The German Schott low-dispersion glass and 30-layer nano-coating do real work here. Colors stay clean and glare is kept in check. The minimum focus distance of 18mm means you can get absurdly close to your subject.

The wide-angle side is more of a mixed bag. Converting 24mm to 18mm is a meaningful change, roughly a 25% wider field of view. For vlogging, that means less of your face filling the frame and more of the room behind you. The optical score of 49th percentile is about average. You'll see some softness at the edges and the 52mm filter thread limits your options. The aperture score of 68th percentile is decent, but this is an add-on lens. It doesn't change the ZV1's built-in aperture. The stabilization score of 36th percentile is a letdown. No optical stabilization here, and the ZV1's digital stabilization gets a bit wonky with the extra glass attached. Build quality sits at 54th percentile. The oxidized aluminum frame feels solid enough, but the glue-on adapter ring is a commitment. Once it's on, it's on.

Performance Percentiles

AF 53.8
Bokeh 69.6
Build 51.2
Macro 99.7
Optical 46.8
Aperture 70.7
Versatility 33.2
Valoración social 70.9
Stabilization 34.4

Specifications

Full Specifications

Optics

Type Wide-angle
Focal Length Min 18
Focal Length Max 18
ED Elements 1
Coating 30-Layer Nano-Coating Double-Side

Build

Mount sony
Filter Thread 52

Focus

Min Focus Distance 18
Max Magnification 10X

vs Competition

The Ulanzi 2229 doesn't really compete with traditional lenses like the 7Artisans LITE Series AF35mm F1.8 or the Nikon NIKKOR AF-P DX 18-55mm f/3.5-5.6G VR. Those are actual lenses with autofocus and optical stabilization. The Ulanzi is an add-on accessory for a specific camera. The more relevant comparison is the GoPro HB-Series AEWAL-001, another add-on lens. The GoPro scores better on versatility and stabilization, but it can't touch the Ulanzi's macro performance. The Sony NIKKOR YZ0308 and Canon EF-S 18-55mm f/3.5-5.6 IS II are kit lenses that beat the Ulanzi on optical quality and autofocus, but they cost more and don't offer 10X macro. If you own a ZV1 or RX100 VII and want macro, nothing else in this price range comes close. If you want a general-purpose lens, look elsewhere.

Spec Ulanzi 2229 18mm Tamron Di III VC 28-300mm f/4-7.1 VXD Sigma Art 17-40mm f/1.8 DC Panasonic Leica DG Vario-Elmarit H-ES12035 Sony E 18-135mm f/3.5-5.6 OSS Nikon NIKKOR Z 17-28mm f/2.8
Focal Length 18mm 28-300mm 17-40mm 12-35mm 18-135mm 17-28mm
Max Aperture - f/4 f/1.8 f/2.8 f/3.5 f/2.8
Mount sony Sony E Fujifilm X Micro Four Thirds Sony E Nikon Z
Stabilization false true false true true false
Weather Sealed false true true true false true
Weight (g) - 590 535 306 326 450
AF Type - VXD linear motor HLA (High-response Linear Actuator) Autofocus Linear motor Stepping Motor
Lens Type wide-angle zoom zoom zoom zoom zoom
Compare Compare Compare Compare Compare
Producto AFBokehBuildMacroOpticalApertureVersatilityValoración socialStabilization
Ulanzi 2229 18mm 53.869.651.299.746.870.733.270.934.4
Tamron Di III VC 28-300mm f/4-7.1 VXD Compare 97.783.362.983.296.370.797.950.579.3
Sigma Art 17-40mm f/1.8 DC Compare 53.8976772.396.795.375.79434.4
Panasonic Leica DG Vario-Elmarit H-ES12035 Compare 53.886.583.848.886.188.180.486.296.4
Sony E 18-135mm f/3.5-5.6 OSS Compare 97.781.170.937.377.982.595.890.779.3
Nikon NIKKOR Z 17-28mm f/2.8 Compare 84.690.473.583.287.888.167.266.734.4

Precio

Value & Pricing

At $50 USD, this is a cheap way to add serious macro capability to a $700 camera. The value proposition is simple: you're paying for the 10X macro lens and getting the 18mm wide-angle as a bonus. The EUR pricing tells an interesting story. Listings range from EUR 47 to EUR 60 across DE, ES, FR, and IT. That's a EUR 13 spread for the exact same product. If you're in Europe, shop around. The cheapest listing is nearly 22% less than the most expensive. For the macro performance alone, this is a steal. For the wide-angle side, it's a fair price. For anything else, you're better off saving your money.

Price History

1290 MXN 1292 MXN 1294 MXN 1296 MXN 1298 MXN 1300 MXN 1302 MXN 15 jun21 oct 1291 MXN

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Overview

The Ulanzi 2229, also sold as the WL-1 ZV1, is a 2-in-1 add-on lens for the Sony ZV1 and RX100 VII. It's a niche product that does one thing exceptionally well and a bunch of other things just okay. The headline number is the macro score: 77.6 out of 100, which lands it in the 100th percentile in our database. That's the absolute best macro performance we've seen for this type of accessory. The total score of 62 out of 100 tells the rest of the story. This isn't a lens that transforms your camera into a do-everything powerhouse. It's a specialist tool for close-up work and a modest wide-angle boost.

The wide-angle side converts the ZV1's built-in 24mm lens to an 18mm field of view. That's a real difference for vlogging or tight indoor shots. But the lens can't be used on its own. You have to stack it with the included macro lens, which adds bulk and complexity. The macro side delivers 10X magnification, which is wild for a $50 accessory. You'll see details your ZV1 was never meant to capture. Just don't expect this thing to fix the camera's other limitations. Travel performance scores a dismal 33.5 out of 100, the weakest area by far. This is a desk-drawer lens, not a backpack essential.

Common Questions

Q: Does the Ulanzi 2229 work with the Sony ZV1's built-in autofocus?

The autofocus score sits at 54th percentile, which is about average for add-on lenses. The lens itself doesn't have any autofocus motors. It relies entirely on the ZV1's built-in AF system. In good light, the camera focuses fine through the extra glass. In low light or at extreme macro distances, you'll notice some hunting. The 18mm minimum focus distance means you'll often be close enough that the camera's contrast detection struggles.

Q: Can I use the wide-angle lens without the macro lens attached?

No. The wide-angle lens cannot be used individually. It must be stacked with the macro lens together. This is a design limitation that affects the versatility score, which sits at 34th percentile. The macro lens can be used on its own, but the wide-angle side always needs the macro lens as a base. This adds weight and length to the front of your camera.

Q: How does the 10X macro magnification compare to a dedicated macro lens?

The 10X magnification is genuinely impressive for a $50 add-on. The macro score of 77.6 out of 100 puts it in the 100th percentile in our database. A dedicated macro lens like the 7Artisans LITE Series AF35mm F1.8 would give you better optical quality and autofocus, but it costs more and doesn't reach 10X magnification. For the price, the Ulanzi's macro performance is unmatched.

Who Should Skip This

Skip this if you care about travel performance. The 33.5 out of 100 travel score is the weakest area by a wide margin. The glue-on adapter ring means you're committing to keeping this lens attached, which adds bulk to a camera designed for portability. If you shoot a lot of video, the lack of optical stabilization (36th percentile) will frustrate you. The ZV1's digital stabilization gets jittery with the extra glass. And if you're expecting a true wide-angle lens, the 18mm conversion is decent but not dramatic. The optical quality at 49th percentile means you'll see softness at the edges. This is a macro lens first and everything else second.

Verdict

The Ulanzi 2229 is a one-trick pony, but it's a really good trick. The 100th percentile macro score is not something we hand out lightly. For $50, you get 10X magnification that would cost hundreds of dollars to replicate with a dedicated macro lens. The wide-angle conversion is a nice bonus, but it's not the main event. The travel score of 33.5 out of 100 is a real concern. This lens adds bulk and requires a glue-on adapter ring, which makes it awkward to carry around. If you're a ZV1 owner who wants to explore macro photography without breaking the bank, buy this. If you're looking for a versatile everyday lens, this isn't it.

Usage Scores

Macro (79)General (62.4)Budget (56.8)Street (51.8)Travel (34.5)Portrait (64.6)Landscape (41.8)Professional (45.4)Video Cinema (46.9)Wildlife Sports (37.8)

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