Yongnuo YN50mm F1.8X DA DSM 50mm

★★★★☆ 4.1 (9)

Su apertura f/1.8 y el enfoque automático estabilizado en un cuerpo de solo 119 g lo destacan entre los objetivos de 50 mm para montura Canon EF. Los contactos chapados en oro y el recubrimiento multicapa mejoran la conductividad y la transmitancia, mientras el indicador de distancia mínima de 0.45 m añade precisión. Es ideal para fotógrafos de retrato con presupuesto ajustado, especialmente en cámaras full-frame o APS-C que priorizan el desenfoque de fondo.

Focal length 50mm
Aperture f/1.8
Mount Fujifilm X
stabilization Sí
Weather Sealed Sí
Weight 162 g
af type DSM
lens type standard
Yongnuo YN50mm F1.8X DA DSM 50mm lens
76 Puntuación global
Precio 2912 MXN
También disponible en:

Resumen

The 30-Second Version

A dirt cheap 50mm that delivers gorgeous portraits and bokeh, but the autofocus is slow, noisy, and the build feels like a toy. Buy it for the optics, forgive it for everything else.

Pros & Cons

Ventajas

  • Ridiculous value for the price 96th
  • Sharp foreground focus for portraits 95th
  • Pleasing bokeh at f/1.8 95th
  • Lightweight at 162g, easy to carry all day 93rd

Desventajas

  • Autofocus is slow and noisy
  • Build quality feels cheap and plasticky
  • Durability is a real concern
  • No stabilization, so low light handheld is tricky

Opinión de los propietarios

The Word on the Street

4.1/5 (9 reviews)
👍 Owners keep saying the image quality is shockingly good for the price, especially for portraits and product shots.
👎 A lot of buyers complain the autofocus is loud and sluggish, which makes video work frustrating.
🤔 People love the value but warn that the cheap plastic build doesn't inspire confidence for long-term use.

Cómo cambió la opinión de los propietarios con el tiempo

Exclusiva

Según cuándo escribieron realmente sus opiniones los clientes, para ver si los elogios iniciales se mantuvieron.

78/100Nuestro análisis de opinión con IAconfianza media · 11 fuentes · may 2026
16312111351Q4 '20Q1 '21Q2 '21Q3 '21Q1 '22Q3 '22Q1 '23Q4 '23Q4 '25Q1 '26Q2 '26
Satisfechos (4-5★)Insatisfechos (1-2★)Altura de la barra = número de opiniones
  1. Q1 2026100/1005 opiniones

    Buyers praised the lens for its sharpness, fast autofocus, and low-light performance, calling it outstanding for professional use.

    • Sharp image quality and fast, snappy autofocus.
    • Excellent low-light performance and zoom stability.
    • Great for video, with beautiful results wide open.
    • Overall outstanding professional 70-200mm f2.8 zoom.
  2. Q4 2025100/1003 opiniones

    Buyers in Q4 2025 praised the lens for its sharpness, performance, and fast delivery, expressing high satisfaction.

    • Lens is exceptionally sharp and delivers high image quality.
    • Upgrade from Tamron 35-150 to Sony 70-200mm GM II was rewarding.
    • Lens inspires confidence for shooting.
    • B&H provided fast and hassle-free service.
  3. Q2 202133/1003 opiniones

    Mixed reviews: one user found it acceptable for digital but unusable for film; another called it the worst lens ever due to poor autofocus and build quality.

    • Autofocus hunts end-to-end, slams hard, and is extremely loud.
    • Works well with digital SLR but fails with film camera (shutter issue).
    • Feels cheap and poorly built; worst lens ever owned.
    • One buyer found it acceptable for the price and replaced a lost lens.
  4. Q1 202180/1006 opiniones

    Buyers praised the lens as a good, affordable alternative to pricier options, with crisp image quality for general use. One noted loud auto-focus issues.

    • Great value for the price, comparable to expensive brands for non-professional use.
    • Sharp, crisp image quality, especially for video content on Lumix G7.
    • Auto-focus is loud and misses focus often, but lens still good for $60.
    • Perfect for basic online photo sharing and lightweight carry.

Basado en 25 opiniones de clientes con fecha, agrupadas por trimestre natural. El análisis por periodo está en inglés.

Las pruebas

Performance

Here's what surprised us: the optics are genuinely good. Eight elements including one aspherical and one ED element, and the sharpness in the foreground is legit. Portraits pop, product shots look crisp, and the bokeh from that f/1.8 aperture is smooth and pleasing. But the autofocus is where reality sets in. It's slow, it hunts, and it makes enough noise to scare off small wildlife. The stepping motor is there, but it's not winning any races. Build quality sits at the 96th percentile in our database, which sounds great until you hold it and realize the bar for cheap lenses is just really low.

Performance Percentiles

AF 53.8
Bokeh 92.8
Build 94.9
Macro 95.5
Optical 53.8
Aperture 94.9
User Sentiment 30.1
Versatility 33.1
Valoración social 16.3
Stabilization 78.9

Specifications

Full Specifications

Optics

Type Standard
Focal Length Min 50
Focal Length Max 50
Elements 8
Groups 7
Aspherical Elements 1
ED Elements 1
Coating nano-multilayer coating

Aperture

Max Aperture f/1.8
Min Aperture f/1.8
Constant No
Diaphragm Blades 7

Build

Mount Fujifilm X
Format APS-C
Weather Sealed Yes
Weight 0.2 kg / 0.4 lbs
Filter Thread 58

AF & Stabilization

AF Type DSM
Stabilization Yes

Focus

Min Focus Distance 50
Max Magnification 1:6.67

vs Competition

Against the Viltrox AF 35mm f/1.7 XF, the Yongnuo gives you a tighter 75mm equivalent on APS-C, which is better for portraits but less flexible for everyday shooting. The Sony E PZ 16-50mm f/3.5-5.6 OSS is more versatile with its zoom range and has stabilization, but you lose the f/1.8 aperture and that dreamy background separation. The Meike 56mm F1.7 is the closest direct rival, and honestly it's a toss-up. The Yongnuo is cheaper and lighter, but the Meike feels slightly better built. If you want a zoom, get the Sony. If you want portraits on a budget, the Yongnuo is the pick.

Spec Yongnuo YN50mm F1.8X DA DSM 50mm Tamron Di III VC 28-300mm f/4-7.1 VXD Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Sony G Master SEL14F18GM Nikon NIKKOR 20059 Panasonic Leica DG Vario-Elmarit H-ES12035
Focal Length 50mm 28-300mm 16-300mm 14mm 18-55mm 12-35mm
Max Aperture f/1.8 f/4 f/3.5 f/1.8 f/3.5 f/2.8
Mount Fujifilm X Sony E Sony E Sony E Nikon F Micro Four Thirds
Stabilization true true true true true true
Weather Sealed true true true true false true
Weight (g) 162 590 615 460 205 306
AF Type DSM VXD linear motor HLA Two XD (Extreme Dynamic) Linear Motors pulse stepping motor Autofocus
Lens Type standard zoom zoom prime zoom zoom
Compare Compare Compare Compare Compare
Producto AFBokehBuildMacroOpticalApertureUser SentimentVersatilityValoración socialStabilization
Yongnuo YN50mm F1.8X DA DSM 50mm 53.892.894.995.553.894.930.133.116.378.9
Tamron Di III VC 28-300mm f/4-7.1 VXD Compare 97.782.362.482.896.370.39197.951.778.9
Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Compare 53.888.260.884.799.181.6099.781.299.2
Sony G Master SEL14F18GM Compare 97.795.372.387.889.294.9033.194.178.9
Nikon NIKKOR 20059 Compare 84.479.983.294.953.881.66482.786.592.2
Panasonic Leica DG Vario-Elmarit H-ES12035 Compare 53.885.683.447.88687.49180.386.596.4

Precio

Value & Pricing

This is where the Yongnuo wins. Prices swing wildly from USD 82 to USD 359 across 31 US listings, which is a massive spread. The best deal we saw was around USD 82, and at that price this lens is basically a no-brainer. At USD 359 though? Hard pass. Go find the cheapest listing and don't look back. In Canada, the spread is CAD 189 to CAD 432, same story. Shop around.

Desde 2912 MXN 1 oferta en 1 tienda
Amazon 1 oferta Desde 2912 MXN

Price History

2000 MXN 4000 MXN 6000 MXN 8000 MXN 10.000 MXN 3 may29 may18 jul 2912 MXN

Leer más

Overview

The Yongnuo YN 50mm f/1.8 II is the lens you buy when you want that creamy background blur without selling a kidney. It's a dirt cheap prime that punches way above its price tag optically. The catch? The autofocus sounds like a tiny robot clearing its throat, and the build feels like it came out of a gumball machine. But for the money, it's hard to stay mad at it.

Common Questions

Q: Is this lens good for beginners?

Yes, absolutely. It's cheap, lightweight, and the f/1.8 aperture lets you experiment with shallow depth of field right away. Just be ready for the noisy autofocus.

Q: Does it work on full-frame cameras?

This version is designed for APS-C Sony E-mount cameras. It'll give you a 75mm equivalent field of view. On full-frame you'd get heavy vignetting, so stick with APS-C.

Q: Is the autofocus really that bad?

It's not unusable, but it's slow and you'll hear it working. For still portraits it's fine. For video or fast action, you'll want to manual focus or look elsewhere.

Who Should Skip This

If you need fast, silent autofocus for video or events, this isn't it. Go grab the Sony E PZ 16-50mm f/3.5-5.6 OSS instead. And if you're rough on gear or shoot in bad weather often, the cheap plastic build will let you down. Spend a bit more on something with better durability.

Verdict

Buy it if you're a beginner or hobbyist who wants that f/1.8 look without spending real money. The image quality will make you smile, and the autofocus will make you patient. It's not a lens for professionals or anyone shooting fast-moving subjects. But for portraits, product shots, and learning the ropes, this is one of the best value primes out there. Just don't expect it to survive a drop.

Usage Scores

Macro (82.7)General (75.6)Budget (66.6)Street (80.6)Travel (66.5)Portrait (91.2)Landscape (57.5)Professional (70.4)Video Cinema (67.9)Wildlife Sports (62.7)

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