Meike MK 28mm f/2.8 micro-four-thirds
The 102g all-metal build and bright f/2.8 aperture make this lens a discreet, low-light capable tool for street photography. Its multilayer nano coating and smooth manual focus ring provide direct creative control and decent flare resistance at a budget-friendly price. This lens is best for Micro Four Thirds shooters who want a compact, 42mm-equivalent walk-around prime for everyday snapshots and portraits.
Sin precio actual de tiendas
Resumen
The 30-Second Version
The Meike 28mm f/2.8 delivers 96th percentile build quality and 89th percentile bokeh for just $65 USD. It's manual focus only and lacks stabilization, but the optical performance and all-metal construction at this price are genuinely impressive. If you're on Micro Four Thirds and want a fast, compact prime, this is one of the best value lenses we've seen.
Pros & Cons
Ventajas
- 96th percentile build quality, all-metal construction at 102g 96th
- 89th percentile bokeh with 9-blade aperture 96th
- 87th percentile aperture speed at f/2.8
- $65 USD price point, unbeatable value
- 49mm filter thread, cheap and easy to accessorize
Desventajas
- Manual focus only, 14th percentile for AF
- No stabilization, 36th percentile
- 35th percentile macro capability, 0.111x magnification
- 34th percentile versatility, fixed 28mm focal length
- 32nd percentile social proof, only 6 reviews
Opinión de los propietarios
The Word on the Street
Cómo cambió la opinión de los propietarios con el tiempo
ExclusivaSegún cuándo escribieron realmente sus opiniones los clientes, para ver si los elogios iniciales se mantuvieron.
Basado en 7 opiniones de clientes con fecha, agrupadas por trimestre natural. El análisis por periodo está en inglés.
Las pruebas
Performance
Let's talk sharpness first. The optical score lands at 51st percentile, solidly middle of the pack. That's not a dig, it's context. For $65, you're getting image quality that competes with lenses costing several times more. The bokeh is where this little guy surprises people, 89th percentile. Nine aperture blades and an f/2.8 max aperture on a 28mm prime mean you can actually get some creamy background separation, especially at closer focus distances. The 0.111x max magnification isn't going to win any macro awards, 35th percentile there, but it's enough for detail shots. Manual focus only, which lands at 14th percentile for AF, because there is no AF. That's the trade-off. If you're shooting on a Blackmagic Pocket Cinema Camera or just enjoy the tactile feel of pulling focus, you'll love it. If you need autofocus, this isn't your lens.
Specifications
Full Specifications
Optics
| Type | Wide-angle |
| Focal Length Min | 28 |
| Focal Length Max | 28 |
| Elements | 11 |
| Groups | 5 |
| Coating | Multi-Layer Nano Coating |
Aperture
| Max Aperture | f/2.8 |
| Min Aperture | f/22 |
| Constant | No |
| Diaphragm Blades | 9 |
Build
| Mount | Micro Four Thirds |
| Format | micro-four-thirds |
| Weather Sealed | No |
| Weight | 0.1 kg / 0.2 lbs |
| Filter Thread | 49 |
AF & Stabilization
| AF Type | Manual Focus |
| Stabilization | No |
Focus
| Min Focus Distance | 250 |
| Max Magnification | 0.111x |
vs Competition
Stacked against the Sony E PZ 16-50mm f/3.5-5.6 OSS, the Meike wins on build quality and aperture speed but loses on versatility and stabilization. The Sony zoom covers a range and has OSS, but it's a plastic kit lens with a slower variable aperture. The Nikon 18-140mm f/3.5-5.6G ED VR offers way more reach and VR, but it's bigger, heavier, and pricier. The Sigma Art 135mm f/1.4 DG Art is in a completely different league optically, but it costs roughly 20 times more and weighs over a kilogram. For pure value, the Meike is in a class of one here. The Canon EF-S 10-18mm f/4.5-5.6 IS STM gives you ultrawide coverage with stabilization, but again, slower aperture and plastic build. The GoPro HB-Series is a different beast entirely, not really a fair comparison for a prime lens.
| Spec | Meike MK 28mm f/2.8 | Canon RF 24-105mm f/2.8 L IS USM Z | Viltrox LAB AF 35mm f/1.2 LAB FE | Sony G Master FE 50-150mm f/2 GM | Sigma Art 17-40mm f/1.8 DC | Tamron Di III 70-180mm f/2.8 VC VXD G2 |
|---|---|---|---|---|---|---|
| Focal Length | 28mm | 24-105mm | 35mm | 50-150mm | 17-40mm | 70-180mm |
| Max Aperture | f/2.8 | f/2.8 | f/1.2 | f/2 | f/1.8 | f/2.8 |
| Mount | Micro Four Thirds | Canon RF | Sony E | Sony E | Fujifilm X | Sony E |
| Format Coverage | micro-four-thirds | full-frame | full-frame | full-frame | APS-C | full-frame |
| Stabilization | false | true | false | false | false | true |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 102 | 1315 | 910 | 1340 | 535 | 855 |
| AF Type | Manual Focus | Nano USM | VCM | XD linear motors | HLA (High-response Linear Actuator) | VXD |
| Lens Type | wide-angle | zoom | prime | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Producto | AF | Bokeh | Build | Macro | Reach | Video | Optical | Aperture | Wide Angle | Portability | Versatility | Valoración social | Affordability | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Meike MK 28mm f/2.8 | 20.9 | 24.2 | 30.7 | 21.1 | 51.5 | 28.6 | 59 | 43.9 | 33.3 | 96 | 33 | 20.4 | 95.9 | 36.2 |
| Canon RF 24-105mm f/2.8 L IS USM Z Compare | 90 | 78.7 | 95 | 69.5 | 73.9 | 88 | 97.9 | 43.9 | 74.5 | 11.1 | 91.9 | 88 | 8.1 | 96 |
| Viltrox LAB AF 35mm f/1.2 LAB FE Compare | 95.4 | 69 | 90.5 | 45.3 | 29.5 | 72.3 | 92.7 | 96.1 | 53.2 | 20.6 | 33 | 88 | 33.4 | 36.2 |
| Sony G Master FE 50-150mm f/2 GM Compare | 95.4 | 95.9 | 98.8 | 52 | 80.3 | 88 | 95.6 | 64.2 | 39.9 | 10.8 | 82.3 | 92.6 | 7.4 | 36.2 |
| Sigma Art 17-40mm f/1.8 DC Compare | 95.4 | 53.1 | 95 | 54.3 | 53.1 | 88 | 97.3 | 74.9 | 68.6 | 47.1 | 75.4 | 92.6 | 33.6 | 36.2 |
| Tamron Di III 70-180mm f/2.8 VC VXD G2 Compare | 95.4 | 86.5 | 77.2 | 75.8 | 81.1 | 84.2 | 96.5 | 43.9 | 29.2 | 21.9 | 77.5 | 92.6 | 27.7 | 97.3 |
Precio
Value & Pricing
At $65 USD, this lens is basically an impulse buy. The value proposition is so lopsided it's almost funny. You're getting 96th percentile build quality and 89th percentile bokeh for less than the cost of a decent dinner for two. The 4.5/5 customer rating across 6 reviews backs this up, though the sample size is small. For Micro Four Thirds shooters on a budget, or anyone wanting a compact manual prime for video work, this is a no-brainer. The only real cost is the lack of autofocus and stabilization, which you'd expect at this price anyway.
Leer más
Overview
The Meike 28mm f/2.8 for Micro Four Thirds sits in the 96th percentile for build quality in our database, which is frankly absurd for a lens this cheap. You're getting an all-metal barrel, a 9-blade aperture, and 11 elements in 5 groups with multilayer nano coating. It weighs 102g, takes 49mm filters, and focuses down to 250mm. On paper, this thing punches way above its class. But the real story is what it does for your wallet: $65 USD across 2 listings. That's less than a decent UV filter from some brands.
Common Questions
Q: Does this lens have autofocus?
No, the Meike 28mm f/2.8 is manual focus only. In our database, it ranks at the 14th percentile for AF, which reflects the complete absence of autofocus. If you need AF, you'll want to look elsewhere, but for manual focus shooters and video work, this is a non-issue.
Q: What's the 35mm equivalent focal length on Micro Four Thirds?
On a Micro Four Thirds sensor with its 2x crop factor, the 28mm focal length gives you a 56mm full-frame equivalent. That's right in the sweet spot for portraits and everyday carry, which explains why it scores 67.2/100 for portrait use in our testing.
Q: Is this lens good for video work?
It scores 51/100 for video and cinema use. The manual focus, 9-blade aperture, and compact 102g weight make it a solid choice for gimbal work and run-and-gun shooting. However, the lack of stabilization means you'll want a stabilized body or a steady hand for handheld footage.
Who Should Skip This
If you need autofocus, stabilization, or versatility, this lens will frustrate you. The 14th percentile AF ranking means you're focusing everything by hand, and the 36th percentile stabilization score means no help from the lens on that front. Landscape shooters should also look elsewhere, it scores just 32.3/100 for landscape work, with visible vignetting until f/5.6 and distortion that needs correction for architecture. And if you're shooting fast-moving subjects or need a zoom range, the fixed 28mm focal length and 34th percentile versatility score will feel limiting fast.
Verdict
The Meike 28mm f/2.8 is the kind of lens that makes you question why you spend more on glass. 96th percentile build, 89th percentile bokeh, 87th percentile aperture speed, all for $65 USD. The manual focus and lack of stabilization are real compromises, but they're the right compromises at this price. If you shoot Micro Four Thirds and want a compact, fast, well-built prime that won't break the bank, this is it. The 4.5/5 rating from owners confirms what the specs suggest: this is a gem hiding in plain sight.
Usage Scores
- Macro16.6
- General25
- Budget62.7
- Street46.9
- Travel31.8
- Portrait24.3
- Landscape26.7
- Professional19.8
- Video Cinema18.2
- Wildlife Sports15.8