Canon EOS5D Mark IV 2016
A 30.4MP full-frame sensor and DIGIC 6+ processor deliver detailed stills with a versatile ISO 100-32000 range, while the 61-point AF system and 7 fps burst provide reliable subject tracking. Its rugged magnesium alloy body and DCI 4K video capture with Dual Pixel CMOS AF make it a durable hybrid workhorse for both studio and field use. This camera is best for wedding and portrait photographers who need high-resolution images and dependable autofocus in a proven DSLR form factor.
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Resumen
The 30-Second Version
A legendary workhorse that still takes beautiful photos, but the world has moved on. Buy it for the sensor, not the future.
Pros & Cons
Ventajas
- 30.4MP full-frame sensor still produces gorgeous, detailed files 94th
- 4K video quality is top-tier, 95th percentile in our database 90th
- Built-in GPS, Wi-Fi, and NFC make it a connected workhorse 83rd
- Dual card slots (CF and SD) for backup and overflow 79th
Desventajas
- No in-body stabilization, and it shows in low light
- Fixed touchscreen feels clunky for video and awkward angles
- 800g body is a brick, especially for travel
- Battery life is mediocre at 47th percentile
Las pruebas
Performance
The 4K video is the surprise here, landing in the 95th percentile of our database. That's best-in-class territory for a camera this old, and the DCI 4K at 30fps with 8.8MP still grabs is genuinely useful for hybrid shooters. The 61-point AF system is solid but sits at 70th percentile, which means it's fine for portraits and landscapes but will frustrate you if you're chasing fast action. Burst shooting at 7fps is about average, and the lack of stabilization means you'll want a tripod or steady hands for anything slow-shutter.
Specifications
Full Specifications
Sensor
| Type | CMOS |
| Size | full-frame |
| Megapixels | 30.4 MP |
| ISO Range | 100 |
| Processor | DIGIC 6+ |
Autofocus
| AF Points | 61 |
| AF Type | Phase Detection: 61 (41 Cross-Type) |
Shooting
| Burst (Mechanical) | 7 |
Video
| Max Resolution | 4K |
| 4K FPS | 30 |
| 1080p FPS | 120 |
| Log Profile | Yes |
| Codec | MOV/MP4 |
Display & EVF
| Screen Size | 3.2" |
| Touchscreen | Yes |
| Articulating | No |
| EVF Resolution | 1.62 M dots |
Build
| Weight | 0.8 kg / 1.8 lbs |
Connectivity
| Wi-Fi | Yes |
| Bluetooth | No |
| USB | Micro-USB 3.0 / 3.1/3.2 Gen 1 |
| HDMI | Mini-HDMI |
| Hot Shoe | Yes |
vs Competition
Against the Sony a7R V, the 5D Mark IV gets absolutely smoked in resolution, autofocus, and stabilization, but it costs a fraction of the price. The Fujifilm X-H2S is a better hybrid shooter with faster burst rates and modern video features, though you're moving to APS-C. The Panasonic LUMIX S5 II is probably the closest modern alternative, offering full-frame image quality with in-body stabilization and better video tools for similar money. The Nikon Z9 and OM System OM-1 are in completely different leagues for speed and features, so they're not really fair comparisons.
| Spec | Canon EOS5D Mark IV | Fujifilm X-H2 | Nikon Z Z9 | Sony Cinema Line FX30 | Panasonic Lumix G G9 II | OM System OM-1 Mark II |
|---|---|---|---|---|---|---|
| Type | DSLR | mirrorless | mirrorless | cinema | mirrorless | mirrorless |
| Sensor | 30.4MP full-frame | 40.2MP aps-c | 45.7MP full-frame | 26MP aps-c | 25.2MP micro-four-thirds | 20.4MP micro-four-thirds |
| AF Points | 61 | 425 | 493 | 759 | 779 | 1053 |
| Burst FPS | 7 | 15 | 30 | 120 | 75 | 120 |
| Video | 4K @30fps | 8K @60fps | 8K @120fps | 4K @120fps | 4K @120fps | 4K @60fps |
| IBIS | false | true | true | true | true | true |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 800 | 579 | 1160 | 646 | 575 | 511 |
| Compare | Compare | Compare | Compare | Compare |
| Producto | AF | EVF | Build | Burst | Video | Sensor | Battery | Display | Connectivity | Affordability | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Canon EOS5D Mark IV | 74 | 82.5 | 78.8 | 66.7 | 94.4 | 65.6 | 47 | 63.6 | 90 | 25 | 35.9 |
| Fujifilm X-H2 Compare | 92.3 | 96.9 | 94.5 | 82.2 | 95.4 | 98.9 | 97.8 | 87.6 | 96.1 | 24 | 96 |
| Nikon Z Z9 Compare | 93.5 | 92 | 99.4 | 95.4 | 98.7 | 70.8 | 98.1 | 87.6 | 96.1 | 8.7 | 89.1 |
| Sony Cinema Line FX30 Compare | 97 | 87.7 | 95.6 | 99.6 | 92.2 | 95.4 | 96.7 | 87.6 | 96.1 | 17 | 89.1 |
| Panasonic Lumix G G9 II Compare | 98 | 91.7 | 94.4 | 96.2 | 97.6 | 63.8 | 91.9 | 87.6 | 96.1 | 22 | 89.1 |
| OM System OM-1 Mark II Compare | 98.8 | 99.8 | 91.5 | 99.6 | 85.1 | 51.6 | 96 | 87.6 | 96.1 | 17.6 | 99.6 |
Precio
Value & Pricing
At USD 2,099 for a refurbished body, this is a tough sell unless you're already invested in Canon EF glass. The image quality is still there, but you're paying a premium for a DSLR platform that Canon itself has largely abandoned. If you're starting fresh, put that money toward a mirrorless system instead.
Leer más
Overview
The Canon EOS 5D Mark IV is the DSLR that refuses to die, and honestly, we get it. This thing was the workhorse of wedding photographers and studio shooters for years, and the 30.4MP full-frame sensor still delivers images that hold up against cameras released much later. The one thing to know? It's a stills monster with a video mode that punches way above its age, but it's also a chunky 800g brick with no in-body stabilization and a fixed touchscreen that feels ancient next to modern mirrorless bodies.
Common Questions
Q: Is the 5D Mark IV still good for professional photography in 2024?
For portraits, studio work, and landscapes, absolutely. The 30.4MP sensor holds up, and the EF lens ecosystem is massive and cheap on the used market. But for weddings or events where you need reliable eye-tracking AF and silent shooting, a modern mirrorless body will make your life much easier.
Q: Can I use my old Canon EF lenses on the 5D Mark IV?
Yes, and that's the main reason to buy this camera. Every EF lens ever made works natively, no adapter needed. If you have a collection of L glass, this body will squeeze every bit of quality out of it.
Q: Is the 4K video on the 5D Mark IV any good?
Surprisingly good. It shoots DCI 4K at 30fps with a 1.74x crop, which is annoying for wide shots, but the footage quality is excellent. The 1080p at 120fps is also handy for slow motion. Just don't expect modern features like 10-bit internal or reliable autofocus in 4K.
Who Should Skip This
If you're looking for a travel camera, this isn't it. The 800g body, no stabilization, and mediocre battery life make it a chore to carry around. Go get a Fujifilm X-T5 or Sony a7C II instead. And if you need serious video autofocus or high frame rates, the Panasonic S5 II or Sony a7 IV will serve you far better.
Verdict
The 5D Mark IV is still a capable stills camera with surprisingly strong video, but it's a hard recommendation in 2024 unless you find one used at a steep discount and already own a bag of EF lenses. For new buyers, the lack of stabilization, aging AF, and dead-end DSLR mount make it a nostalgia purchase more than a smart investment.
Usage Scores
- General60
- Video67
- Travel38.6
- Youtube50.7
- Beginner61
- Vlogging36.8
- Streaming54.4
- Photography59.2
- Wedding Events53.8
- Sports Wildlife53.5
- Product Photography62.1