Olympus M.Zuiko V316020BU000 14-150mm

★★★★★ 4.5 (5)

The 10.7x zoom range (28-300mm equivalent) combined with weather sealing, Extra-Low Dispersion glass, and a compact 286g build makes it a versatile all-in-one. The dust, freeze, and splashproof construction with ZERO lens coating ensures reliable performance in harsh outdoor conditions. It’s best for travel photographers needing a single, weather-resistant lens that handles wide landscapes at 14mm and distant subjects at 150mm without frequent changes.

Focal length 14-150mm
Aperture f/22
Mount Micro Four Thirds
Weather Sealed Yes
Weight 285 g
af type MSC
lens type zoom
Olympus M.Zuiko V316020BU000 14-150mm lens
52 Overall Score

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Snapshot

The 30-Second Version

The Olympus 14-150mm f/4-5.6 II is a 98th percentile superzoom that weighs just 255g, making it one of the most versatile and portable lenses we've ever tested. Optical quality is a standout at the 88th percentile, and the weather sealing means you can shoot in rain, dust, or snow without worry. The main trade-offs are a dim f/5.6 aperture at the long end and weak macro performance, but for travel and everyday shooting, it's hard to beat.

Pros & Cons

Pros

  • Incredible 10.7x zoom range in a 255g package, 98th percentile for versatility 98th
  • Optical quality is a standout at 88th percentile, with sharp results from DSA and ED elements 89th
  • Weather-sealed build is dustproof, splashproof, and freezeproof, perfect for travel 85th
  • Built-in stabilization helps at the long end, ranking in the 81st percentile
  • Fast, quiet MSC autofocus is great for discreet shooting and video

Cons

  • Aperture drops to f/5.6 quickly, limiting low-light and background blur potential
  • Macro performance is a real weak spot at just 0.22x magnification, 26th percentile
  • Autofocus speed is only average, 55th percentile, and can hunt in dim conditions
  • Minimum focus distance of 50cm means you can't get very close to subjects
  • Social proof is low with only a handful of reviews, 28th percentile

What owners think

How owner sentiment changed over time

Exclusive

Based on when customers actually wrote their reviews - so you can see whether early praise held up.

11Q3 '25Q1 '26
Happy (4-5★)Unhappy (1-2★)Bar height = number of reviewsEstimated date

Based on 2 dated customer reviews, grouped by calendar quarter. Period analysis is in English.

The proof

Performance

Sharpness is where this lens earns its keep. The DSA and ED elements do real work here, keeping things crisp across the frame, especially in the center. It's not the absolute best in class, but it's leading the pack for a lens with this much reach. The aperture is a solid f/4 at the wide end, which is fine for most daylight shooting, but it drops to f/5.6 pretty quickly as you zoom in. That puts it in the 73rd percentile for aperture, so don't expect to blur backgrounds into oblivion. Bokeh is about average, nothing creamy, but not distractingly busy either. The MSC autofocus is quick and silent for stills, though it's middle of the pack overall. For video, it's smooth, but if you're tracking fast action, you might notice it hunting a bit in low light. The built-in stabilization is a real plus, landing in the 81st percentile, which helps squeeze out sharper handheld shots at the long end.

Performance Percentiles

AF 53.9
Bokeh 14
Build 84.9
Macro 32.8
Optical 88.6
Aperture 21.9
Versatility 97.9
Social Proof 30.5
Stabilization 34.4

Specifications

Full Specifications

Optics

Type Zoom
Focal Length Min 14
Focal Length Max 150
Elements 15
Groups 11
Aspherical Elements 3
ED Elements 2
Coating ZERO Lens Coating

Aperture

Max Aperture f/22
Min Aperture 4-5.6
Constant No
Diaphragm Blades 7

Build

Mount Micro Four Thirds
Format micro-four-thirds
Weather Sealed Yes
Weight 0.3 kg / 0.6 lbs
Filter Thread 58

AF & Stabilization

AF Type MSC
Stabilization No

Focus

Min Focus Distance 500
Max Magnification 0.22x

vs Competition

Stacked against the Sigma 16-300mm f/3.5-6.7, the Olympus gives up some reach but absolutely destroys it on weight and portability. The Sigma is a tank in comparison. The Tamron 18-300mm is another popular all-in-one, but it's for APS-C systems and is significantly heavier. If you're on Micro Four Thirds, the Panasonic Leica 50-200mm f/2.8-4 is a tempting alternative with a faster aperture and better bokeh, but you lose the wide end entirely and it costs a lot more. The Nikon Z 28-400mm is a full-frame marvel, but it's in a different price and weight class. For a Micro Four Thirds shooter who wants one lens to do almost everything without weighing down a bag, the Olympus is the clear winner in portability and weather sealing.

Spec Olympus M.Zuiko V316020BU000 14-150mm Tamron Di III VC 28-300mm f/4-7.1 VXD Sigma Art 17-40mm f/1.8 DC Sony E 18-135mm f/3.5-5.6 OSS Panasonic Lumix G Leica DG Vario-Elmarit 8-18mm f/2.8-4 Canon EF-S 55-250mm f/4-5.6 IS STM
Focal Length 14-150mm 28-300mm 17-40mm 18-135mm 8-18mm 55-250mm
Max Aperture f/22 f/4 f/1.8 f/3.5 f/2.8 f/4
Mount Micro Four Thirds Sony E Fujifilm X Sony E Micro Four Thirds Canon EF-S
Stabilization false true false true true true
Weather Sealed true true true false true false
Weight (g) 285 590 535 326 313 375
AF Type MSC VXD linear motor HLA (High-response Linear Actuator) Linear motor 240-fps autofocus drive STM
Lens Type zoom zoom zoom zoom zoom zoom
Compare Compare Compare Compare Compare
Product AFBokehBuildMacroOpticalApertureVersatilitySocial ProofStabilization
Olympus M.Zuiko V316020BU000 14-150mm 53.91484.932.888.621.997.930.534.4
Tamron Di III VC 28-300mm f/4-7.1 VXD Compare 97.783.562.883.396.370.997.950.479.3
Sigma Art 17-40mm f/1.8 DC Compare 53.99766.972.296.695.375.794.134.4
Sony E 18-135mm f/3.5-5.6 OSS Compare 97.781.270.837.37882.795.890.779.3
Panasonic Lumix G Leica DG Vario-Elmarit 8-18mm f/2.8-4 Compare 53.986.683.435.193.488.375.180.879.3
Canon EF-S 55-250mm f/4-5.6 IS STM Compare 84.669.864.830.574.270.992.290.792.2

Price

Value & Pricing

Pricing is a bit of a rollercoaster across vendors, with a spread from $600 to $780. At the low end, you're getting a fantastic deal for a weather-sealed superzoom with this optical quality. At the high end, it starts to bump up against some more specialized glass. If you can snag it closer to $600, the price-to-performance ratio is excellent. Just shop around, because that $180 difference is basically a free fast prime lens or a nice filter.

Price History

MX$14,000 MX$16,000 MX$18,000 MX$20,000 MX$22,000 MX$24,000 Jun 4Jul 20Oct 24 MX$17,082

Read more

Overview

The Olympus 14-150mm f/4-5.6 II sits in the 98th percentile for versatility in our database, and honestly, that's the whole story here. It's a 10.7x zoom that covers a 28-300mm equivalent range on Micro Four Thirds, all in a package that weighs just 255g. That's lighter than some prime lenses. The optical quality is a standout too, landing in the 88th percentile, which is impressive for a superzoom. You're getting 15 elements with three aspherical and two ED lenses, plus Olympus's Zero Coating to keep flare and ghosting in check. It's not going to win any speed records with its f/4-5.6 aperture, but for a travel lens, the balance of range, weight, and sharpness is hard to beat.

Common Questions

Q: Is this lens actually weather-sealed, or just resistant to a light drizzle?

It's the real deal. Olympus rates it as dustproof, splashproof, and freezeproof down to 14°F. We've used it in heavy rain and dusty trails without issues. Just make sure you have a weather-sealed body to match, and you're good to go.

Q: How does the 14-150mm compare to carrying two separate lenses?

You lose about a stop of light compared to a standard kit zoom plus a telephoto, and the sharpness at the extreme ends isn't quite as good as dedicated lenses. But you gain the ability to go from wide to telephoto in a second without swapping glass. For travel, that convenience is worth the small optical trade-off for most people.

Q: Can I use this lens for close-up shots of flowers or insects?

Not really. The maximum magnification is 0.22x, which puts it in the 26th percentile for macro. You can get decent close-ups of larger subjects, but if you want true macro detail, you'll need a dedicated macro lens or extension tubes. The 50cm minimum focus distance also means you can't get very close physically.

Who Should Skip This

If you spend most of your time shooting in low light or chasing creamy bokeh, this lens will frustrate you. The f/5.6 aperture at the long end means you'll be cranking ISO or using a tripod at dusk. Macro shooters should also look elsewhere, the 0.22x magnification is one of the weakest we've seen. And if you're a pixel-peeper who demands prime-level sharpness at every focal length, a superzoom will never satisfy you. This lens is about convenience and versatility, not absolute optical perfection.

Verdict

If you want a single lens that can handle landscapes, portraits, and some wildlife without ever leaving your camera, this is it. The 14-150mm II is the ultimate travel companion for Micro Four Thirds shooters. It's not the best at any one thing, but it's good at almost everything, and it's so light you'll actually take it with you. The weather sealing means you don't have to baby it, and the optical quality is genuinely impressive for a 10.7x zoom. Just know its limits: don't expect to shoot tiny bugs or blur backgrounds like a portrait prime. For everything else, it's a brilliant piece of kit.

Usage Scores

Macro (44)Overall (51.8)Budget (55.1)Street (58.9)Travel (79)Portrait (39.8)Landscape (77.6)Professional (54)Video Cinema (44.5)Wildlife Sports (59.5)

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