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Hila 2.2x High Grade Telephoto 18-135mm

The 2.2x converter mounts atop existing SLR lenses, turning a 50-200mm zoom into a 110-440mm reach with a constant f/3.5 aperture and autofocus. Its MultiCoated optical glass and 72mm filter thread support high-definition digital photography, while the included stepping ring (67-58) simplifies mounting. Best for budget-conscious nature and sports shooters who already own a Canon EF-S 18-135mm lens and want extra reach without buying a new telephoto.

Focal length 18-135mm
Aperture f/3.5
Mount Canon EF-S
stabilization Yes
af type Autofocus
lens type telephoto
Hila 2.2x High Grade Telephoto 18-135mm lens
61 Overall Score

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Snapshot

The 30-Second Version

The Hila 2.2x Telephoto doubles your focal length for $159, but the optical quality is the worst we've ever tested. Stabilization and macro performance are decent, but soft images and mediocre autofocus kill the experience. Only worth it if you're broke and desperate to try telephoto shooting.

Pros & Cons

Pros

  • Doubles your reach without buying a whole new lens 96th
  • Decent stabilization helps with handheld shots at long focal lengths 93rd
  • Surprisingly capable macro performance for a converter 83rd
  • Cheap way to experiment with telephoto photography 81st

Cons

  • Optical quality is the worst we've ever tested
  • No weather sealing means dust and moisture are a real risk
  • Autofocus is mediocre and hunts in less-than-ideal light
  • Three-element design guarantees soft images

The proof

Performance

The optical score is the elephant in the room. One percentile. That's not a typo. With just three elements in three groups, this thing introduces softness, chromatic aberration, and a general lack of sharpness that will make you squint at your photos. The constant f/3.5 aperture sounds nice, but it's the converter's own spec, not what your base lens actually delivers. Autofocus lands right in the middle of the pack, which means it works but hunts more than you'd like. Stabilization is decent, sitting in the upper-middle range, and that helps when you're handholding a doubled focal length. Macro performance is surprisingly strong for a converter, and bokeh is above average too. But none of that matters if the image looks like it was shot through a foggy window.

Performance Percentiles

AF 53.9
Bokeh 81.4
Build 51.4
Macro 93.1
Optical 0.8
Aperture 82.8
Versatility 95.8
Stabilization 79.4

Specifications

Full Specifications

Optics

Type Telephoto
Focal Length Min 18
Focal Length Max 135
Elements 3
Groups 3
Coating MultiCoated

Aperture

Max Aperture f/3.5
Min Aperture 3.5-5.6
Constant Yes

Build

Mount Canon EF-S
Filter Thread 72

AF & Stabilization

AF Type Autofocus
Stabilization Yes

Focus

Min Focus Distance 72

vs Competition

Stacked against the Sony E 18-135mm f/3.5-5.6 OSS, the Hila is a toy. The Sony is a native lens with real optics, sharp results, and reliable autofocus. The Tamron Di III VC 28-300mm f/4-7.1 gives you actual telephoto reach with proper glass and weather resistance. Even the Sigma Contemporary 23mm f/1.4, which isn't a telephoto at all, destroys this converter in image quality. The Hila's only edge is price and the fact that it works with lenses you already own. That's it. Every competitor here is a real lens. This is an accessory pretending to be one.

Spec Hila 2.2x High Grade Telephoto 18-135mm Tamron Di III VC 28-300mm f/4-7.1 VXD Nikon NIKKOR 20059 Sigma Art 17-40mm f/1.8 DC Panasonic Leica DG Vario-Elmarit H-ES12035 Sony E 18-135mm f/3.5-5.6 OSS
Focal Length 18-135mm 28-300mm 18-55mm 17-40mm 12-35mm 18-135mm
Max Aperture f/3.5 f/4 f/3.5 f/1.8 f/2.8 f/3.5
Mount Canon EF-S Sony E Nikon F Fujifilm X Micro Four Thirds Sony E
Stabilization true true true false true true
Weather Sealed false true false true true false
Weight (g) - 590 205 535 306 326
AF Type Autofocus VXD linear motor pulse stepping motor HLA (High-response Linear Actuator) Autofocus Linear motor
Lens Type telephoto zoom zoom zoom zoom zoom
Compare Compare Compare Compare Compare
Product AFBokehBuildMacroOpticalApertureVersatilityStabilization
Hila 2.2x High Grade Telephoto 18-135mm 53.981.451.493.10.882.895.879.4
Tamron Di III VC 28-300mm f/4-7.1 VXD Compare 97.783.66383.196.370.997.979.4
Nikon NIKKOR 20059 Compare 84.881.483.795.354.682.882.992.3
Sigma Art 17-40mm f/1.8 DC Compare 53.99767.172.296.695.375.834.4
Panasonic Leica DG Vario-Elmarit H-ES12035 Compare 53.986.683.94986.288.380.596.4
Sony E 18-135mm f/3.5-5.6 OSS Compare 97.781.47137.57882.895.879.4

Price

Value & Pricing

At $159 USD, this is a budget play. A real telephoto lens costs way more, so if you just want to try wildlife or sports photography without committing, the price is tempting. But you're not getting a lens, you're getting a compromise bolted onto a lens you already own. The image quality hit is so severe that you'll probably end up frustrated and shopping for a proper telephoto anyway. If you have zero budget and low expectations, fine. Otherwise, save your money.

Read more

Overview

The Hila 2.2x High Grade Telephoto is a screw-on converter that sits on top of your existing lens and multiplies the focal length by 2.2x. Slap it on a Canon EF-S 18-135mm and you get roughly a 40-297mm reach. That sounds great on paper for wildlife and sports shooters who don't want to drop serious cash on a dedicated telephoto.

But here's the catch. This is a three-element converter with no weather sealing, and our optical score puts it dead last among every lens we've tested. The versatility ranking is high because it technically works with lots of lenses, not because it works well. You're trading image quality for reach, and the trade is steep.

Common Questions

Q: Will this work with my Canon EF-S 18-135mm lens?

Yes, it's designed to mount directly on top of that lens using the included stepping ring. Just keep in mind you'll lose sharpness and some autofocus reliability.

Q: Does the 2.2x magnification affect image quality?

Significantly. With only three optical elements, expect softness, chromatic aberration, and reduced contrast. The optical score in our database is the lowest we've recorded for this category.

Q: Is this weather sealed?

No. There's no weather sealing at all, so avoid shooting in rain, dust, or humid conditions. Dust can get between the converter and your lens, which is a pain to clean.

Who Should Skip This

Skip this if you care about sharpness, shoot in challenging weather, or need reliable autofocus for fast-moving subjects. Wildlife photographers will hate the soft results, and anyone with a modern mirrorless camera should just buy a native telephoto. If you've ever zoomed into a photo and cringed at the quality, this converter will make you cringe constantly.

Verdict

This is for the curious hobbyist who wants to dip a toe into telephoto shooting without spending real money. If you're okay with soft images, chromatic aberration, and occasional autofocus frustration, you'll get some fun out of it. If you care about image quality at all, skip it. The Hila 2.2x is a cheap experiment, not a serious tool.

Usage Scores

Macro (58.3)Overall (61.3)Budget (59)Street (47.8)Travel (47.3)Portrait (60.9)Landscape (38.2)Professional (47.2)Video Cinema (55.9)Wildlife Sports (48.8)

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