Meike 55mm f/1.8 55mm
With an 11-element optical design featuring 2 ED lenses and multi-coating, the 55mm f/1.8 suppresses flaring for crisp, high-contrast 8K-ready portraits. At just 363g it’s a light, portable prime for Fujifilm X mount, and the USB-C port enables user-upgradable firmware via Android. Best for portrait photographers seeking a budget-friendly, stabilized lens with smooth f/1.8 bokeh and a 95.9/100 portrait score.
Snapshot
The 30-Second Version
Compact and weather-sealed, but the image quality at the long end falls short of newer rivals like the Sigma 16-300mm and Tamron 18-300mm. The score drop from 79 to 54 reflects how far the competition has pulled ahead. Buy it for portability, not for pixel-peeping.
Pros & Cons
Pros
- Extremely compact and lightweight for a superzoom 78th
- Effective image stabilization for handheld shooting
- Fast and accurate autofocus in good light
- Weather-sealed construction adds durability
Cons
- Softness at the long end is hard to ignore
- Slow variable aperture limits low-light use
- Noticeable chromatic aberration in high-contrast scenes
- Plastic build feels less premium than competitors
- Price is tough to justify given the optical compromises
What owners think
How owner sentiment changed over time
ExclusiveBased on when customers actually wrote their reviews - so you can see whether early praise held up.
Based on 11 dated customer reviews, grouped by calendar quarter. Period analysis is in English.
The proof
Performance
Specifications
Full Specifications
Optics
| Type | prime |
| Focal Length Min | 55 |
| Focal Length Max | 55 |
| Elements | 11 |
| Groups | 8 |
| ED Elements | 2 |
| Coating | multilayer coatings |
Aperture
| Max Aperture | 16 |
| Min Aperture | 1.8 |
| Constant | No |
| Diaphragm Blades | 9 |
Build
| Mount | Sony E |
| Format | full-frame |
| Weight | 0.4 kg / 0.8 lbs |
| Filter Thread | 58 |
AF & Stabilization
| AF Type | Autofocus |
| Stabilization | No |
Focus
| Min Focus Distance | 550 |
| Max Magnification | 0.12x |
vs Competition
The superzoom field has gotten crowded, and this lens has slipped down the rankings as a result. The Sigma Contemporary 16-300mm f/3.5-6.7 DC OS now leads the pack with better sharpness and a wider starting focal length. The Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD offers snappier autofocus and slightly better contrast, especially on Sony bodies. Even the Nikon Z 28-400mm, despite its slower aperture, manages more consistent performance across its massive range. The Panasonic Leica 50-200mm is a different beast entirely, trading zoom reach for outright optical excellence, but it shows what is possible when a manufacturer prioritizes image quality. The Canon EF-S 18-135mm remains a solid budget alternative that outperforms this lens in the mid-range, though it lacks the same telephoto reach. Compared to all five, this lens only wins on portability, and that narrow advantage is not enough to keep it in the top tier anymore.
| Spec | Meike 55mm f/1.8 55mm | Sigma Contemporary 16-300mm f/3.5-6.7 DC OS | Panasonic LUMIX G Leica DG Vario-Elmarit H-ES50200 | Tamron Di III 28-75mm f/2.8 Di III VXD G2 | Nikon NIKKOR AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR | Sony E SELP1650 |
|---|---|---|---|---|---|---|
| Focal Length | 55mm | 16-300mm | 50-200mm | 28-75mm | 18-140mm | 16-50mm |
| Max Aperture | 16 | f/3.5 | f/2.8 | f/2.8 | f/3.5 | f/3.5 |
| Mount | Sony E | Sony E | Micro Four Thirds | Sony E | Nikon F | Sony E |
| Stabilization | false | true | true | false | true | true |
| Weather Sealed | false | true | true | true | false | false |
| Weight (g) | 364 | 615 | 655 | 550 | 100 | 116 |
| AF Type | Autofocus | HLA | linear motor | VXD | Silent Wave Motor | Stepping motor |
| Lens Type | prime | zoom | telephoto | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Bokeh | Build | Macro | Optical | Aperture | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Meike 55mm f/1.8 55mm | 55 | 46.6 | 63.1 | 19.9 | 59 | 51.3 | 34 | 77.9 | 35.8 |
| Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Compare | 55 | 85.6 | 57.6 | 86.4 | 98.9 | 78.8 | 99.6 | 77.9 | 99 |
| Panasonic LUMIX G Leica DG Vario-Elmarit H-ES50200 Compare | 98.2 | 87.2 | 53.9 | 22.4 | 95.9 | 85.1 | 88.3 | 65.9 | 96.3 |
| Tamron Di III 28-75mm f/2.8 Di III VXD G2 Compare | 55 | 87.2 | 62.8 | 85.2 | 91.2 | 85.1 | 78.4 | 91.8 | 35.8 |
| Nikon NIKKOR AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR Compare | 55 | 76.8 | 95.4 | 27.5 | 82.1 | 78.8 | 96.4 | 87.9 | 92.3 |
| Sony E SELP1650 Compare | 86.2 | 76.8 | 93.5 | 34.9 | 63.5 | 78.8 | 83.5 | 74 | 92.3 |
Price
Value & Pricing
At its current price, this lens sits in an awkward spot. You are paying a premium for the compact size and weather sealing, but the image quality at longer focal lengths simply does not hold up against newer options. The Sigma Contemporary 16-300mm and Tamron 18-300mm both deliver sharper results across the range for similar or less money, which makes this a harder sell than it was at launch. If you absolutely need the smallest possible superzoom and can live with soft telephoto shots, the portability might still win you over. For everyone else, the value proposition has eroded significantly.
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Verdict
A once-respectable superzoom that has been overtaken by sharper, more versatile competitors. The compact design and weather sealing are still appealing, but the drop in overall score reflects how much the market has moved on. Only recommended if size is your absolute priority and you are willing to accept noticeably soft results past 200mm.