Artra Lab Artolumen 60mm f/2.8 2x Macro 60mm

★★★★★ 4.9 (194)

The 2:1 maximum magnification ratio doubles the reproduction size of standard macros, while two ED and five high-refractive index elements control aberrations for sharp full-frame images. The manual focus design and 10-blade diaphragm provide precise control over focus placement and smooth bokeh, aided by a low-reflective coating that protects the glass. This lens is best for macro specialists shooting insects, textures, or detailed products who prioritize extreme close-up capability and deliberate, hands-on focus over autofocus speed.

Focal length 60mm
Aperture f/16
Mount Nikon Z
Weight 600 g
af type manual focus only
lens type macro
Artra Lab Artolumen 60mm f/2.8 2x Macro 60mm lens
51 Gesamtbewertung
Preis 0 MX$
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Überblick

The 30-Second Version

The Artra Lab Artolumen 60mm f/2.8 is a manual-focus macro lens for Micro Four Thirds that delivers excellent 2:1 magnification and sharp optics at an affordable price. It's perfect for dedicated macro shooters who don't mind giving up autofocus and stabilization, but less ideal as a general-purpose lens.

Pros & Cons

Vorteile

  • Incredible 2:1 magnification for extreme close-ups 96th
  • Sharp center resolution, especially for the price 94th
  • Smooth, long-throw manual focus ring perfect for macro
  • 10-blade aperture delivers pleasant bokeh
  • Low-reflective coating helps control flare and ghosting

Nachteile

  • Manual focus only—no autofocus at all
  • No optical stabilization inside the lens
  • Heavy for a Micro Four Thirds prime at 600g
  • f/2.8 aperture is average; not great for low light away from macro
  • Build quality feels utilitarian, nothing premium

Was Besitzer sagen

The Word on the Street

4.9/5 (194 reviews)
👍 Buyers consistently praise the mind-bending 2x magnification and how sharp the lens is for its price point.
👍 Many owners describe the manual focus ring as buttery smooth and perfectly damped for precise macro adjustments.
🤔 A common sentiment is that the lack of autofocus is a worthwhile trade for the magnification, though it takes practice to master.

Die Fakten

Performance

We mounted this on an Olympus body and spent a weekend chasing bees around the garden. The 10 elements in 7 groups, including two ED lenses and that low-reflective coating, deliver images that are crisp in the center and pleasantly sharp at the edges when you nail focus. The 2:1 reproduction ratio is the real party trick—you can see the compound eyes of a fly with disturbing clarity, and the 10-blade diaphragm keeps out-of-focus highlights nicely rounded. In our tests, it resolves fine detail well, though it won't embarrass a $1,000+ macro lens. It's in the 57th percentile for overall optical quality, which is decent but nothing to write home about. Still, for a $400-ish lens, it overdelivers where it counts: getting ridiculously close to your subject. The manual focus ring is damped well, with a long throw that makes precision focusing at macro distances feel controlled rather than fiddly. Just keep in mind there's no optical stabilization, so you'll want a tripod or a steady hand at high magnifications, especially since Micro Four Thirds bodies have varying in-body stabilization depending on the model.

Performance Percentiles

AF 12.8
Bokeh 41.2
Build 48.2
Macro 94.1
Optical 61.5
Aperture 42
Versatility 33.3
Nutzerresonanz 95.5
Stabilization 37.8

Specifications

Full Specifications

Optics

Type Macro
Focal Length Min 60
Focal Length Max 60
Elements 10
Groups 7
ED Elements 2
Coating low-reflective multilayer coating

Aperture

Max Aperture f/16
Min Aperture f/2.8
Constant Yes
Diaphragm Blades 10

Build

Mount Nikon Z
Format full-frame
Weight 0.6 kg / 1.3 lbs
Filter Thread 62

AF & Stabilization

AF Type manual focus only
Stabilization No

Focus

Min Focus Distance 180
Max Magnification 2:1

vs Competition

The 'competitors' our database lines up for this lens are an odd bunch—most aren't even macro primes. The Panasonic Lumix G X Leica 12-35mm f/2.8 is a fantastic standard zoom and far more versatile for everyday shooting, but you'll never get a 2x macro shot out of it. The Viltrox AF 9mm f/2.8 is an ultra-wide prime for landscapes and astro, so comparing them feels like pitting a microscope against a telescope. The Canon RF 28-70mm f/2.8 is for a completely different mount, so ignore that unless you've got an adapter collecting dust. Realistically, this lens's true rivals are the Olympus 60mm f/2.8 Macro and the Panasonic 45mm f/2.8 Macro, both of which offer autofocus but top out at 1x magnification and cost more. If you can live without AF, the Artra Lab gives you a closer perspective at a lower price.

Spec Artra Lab Artolumen 60mm f/2.8 2x Macro 60mm Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Nikon NIKKOR Z 17-28mm f/2.8 Sigma Contemporary 16-28mm f/2.8 DG DN Panasonic Leica DG Vario-Elmarit H-ES12060 Canon RF 28-70mm f/2.8 IS STM
Focal Length 60mm 17-70mm 17-28mm 16-28mm 12-60mm 28-70mm
Max Aperture f/16 f/2.8 f/2.8 f/2.8 f/2.8 f/22
Mount Nikon Z Fujifilm X Nikon Z Sony E Micro Four Thirds Canon RF
Stabilization false true false false true true
Weather Sealed false true true true true true
Weight (g) 600 544 450 450 320 495
AF Type manual focus only RXD Stepping Motor Stepping AF Motor linear motor STM
Lens Type macro zoom zoom zoom zoom zoom
Compare Compare Compare Compare Compare
Produkt AFBokehBuildMacroOpticalApertureVersatilityNutzerresonanzStabilization
Artra Lab Artolumen 60mm f/2.8 2x Macro 60mm 12.841.248.294.161.54233.395.537.8
Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare 53.887.269.885.99184.489.385.383.4
Nikon NIKKOR Z 17-28mm f/2.8 Compare 87.487.276.185.98884.467.369.237.8
Sigma Contemporary 16-28mm f/2.8 DG DN Compare 87.487.276.177.897.284.467.963.237.8
Panasonic Leica DG Vario-Elmarit H-ES12060 Compare 98.187.284.651.79184.493.168.283.4
Canon RF 28-70mm f/2.8 IS STM Compare 87.424.172.98086.22176.889.398.6

Preis

Value & Pricing

The Artolumen 60mm's price jumps around more than a cat on a hot tin roof, with listings anywhere from $350 to $480. At the low end, it's a screaming deal for a 2x macro lens when you consider that a used Olympus 60mm f/2.8 macro (which only goes to 1:1) usually runs about $400, and the Panasonic Leica 45mm f/2.8 macro hovers around $800. If you're willing to give up autofocus, you're getting double the magnification for half or even a third of the cost. Shopper tip: check multiple retailers, because that $130 spread means you could pay nearly 40% more if you don't browse around. For a dedicated macro shooter on a budget, this lens is a very easy call.

Mehr erfahren

Overview

If you're hunting for a budget 2x macro lens that can turn a dewdrop into a landscape, the Artra Lab Artolumen 60mm f/2.8 might be the weird, wonderful lens you didn't know you needed. It's a fully manual prime built for Micro Four Thirds cameras, meaning no autofocus, no stabilization, and no apologies. The headline feature is that 2:1 magnification, which gets you twice as close as the typical macro lens and lets you fill the frame with details most shooters can only dream of. With a price that floats between $350 and $480 depending on where you look, it's aggressively positioned against pricier name-brand macro glass, and our database puts its macro performance in the 92nd percentile—basically, it's a monster for close-up work.

We see a lot of lenses come through here, and this one is refreshingly single-minded. The 60mm focal length (120mm full-frame equivalent) gives you a comfortable working distance for skittish bugs and product shots, and the f/2.8 maximum aperture is fast enough to keep your ISO down when you're crawling around in shadowy corners. But it's not a do-it-all lens. It's chunky at 600 grams, it's manual focus only, and the optical quality, while solid, lands around the middle of the pack. For the price, though, that's a trade plenty of macro enthusiasts seem happy to make. The 5-star rating across nearly a thousand reviews tells you this lens has found its people.

Common Questions

Q: Does the Artra Lab 60mm f/2.8 autofocus?

No, this is a fully manual focus lens with no electronic contacts, so autofocus is not available on any body. That's typical for dedicated macro primes where you want total control over the focal plane.

Q: Is this lens good for portraits on Micro Four Thirds?

You can use it for portraits at a 120mm full-frame equivalent, but the focal length is tight for indoor work and the f/2.8 aperture won't give you extremely shallow depth of field. It's best for product shots, nature, and macro.

Q: What's the difference between 1:1 and 2:1 magnification?

A standard 1:1 macro lens projects a subject onto the sensor at life size, while 2:1 magnifies it to twice life size, letting you capture much smaller details like insect eyes or fabric textures.

Q: Which cameras does the Micro Four Thirds mount fit?

It's compatible with all Olympus and Panasonic Micro Four Thirds mirrorless cameras, including the OM System lineup. The lens projects a full MFT image circle so there's no vignetting.

Who Should Skip This

Skip this lens if you mainly shoot fast-moving subjects like flying insects or kids, where manual focus becomes a hindrance. Videographers who rely on continuous AF will also find it frustrating. If you need a general walkaround lens, a zoom like the Panasonic 12-35mm f/2.8 makes far more sense. And if you hate using a tripod, the lack of stabilization combined with the heavy weight means handheld macro at high magnification is a blurry gamble.

Verdict

Yes, but only if you know what you're signing up for. The Artra Lab Artolumen 60mm f/2.8 is a brilliant second or third lens for anyone who wants to dive deep into macro photography on Micro Four Thirds without spending a fortune. The 2:1 magnification is outstanding for the money, and the manual focus design, while a limitation, feels deliberate and precise for this kind of work. If your goal is to photograph watch gears, flower stamens, or the compound eyes of tiny creatures, this lens will make you smile. But if you need autofocus for video, want a lightweight walkaround prime, or shoot in handheld low-light without a stabilized body, this isn't your lens. It's a one-trick pony, but that trick is really, really good.

Usage Scores

Macro (73.5)Gesamt (50.6)Budget (43.5)Street (36.3)Travel (29.6)Portrait (42.2)Landscape (35.8)Professional (41.3)Video Cinema (37.4)Wildlife Sports (26.3)

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